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War themes in birdsong
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A Comparison in the Presentation of the ‘Horrors of War’ in Birdsong and A Journey’s End
In Journey’s End there are a lot of references to the shear numbers of
people killed on the battlefield. Quotes such as “One thousand eight
hundred companies in France” use figures to stress just how epic the
war really was, the reader has to be reminded of how vast the war was
as most of the readers would not have experienced it for themselves.
Journey’s End makes the mass death seem even more insignificant by
introducing the fact that the German’s were just like the allied
forces, “I remember once at Wipers we had a man shot down…Next day we
blew each other to blazes”, no matter what happened the two sides
would still kill each other.
Similarly in Birdsong there is a lot of description of death, as in
Journey’s End it explains the losses from both sides of the war, for
example the death of Levi’s brother towards the end of the novel, and
the death of the men in Ypres in Journey’s End. The short part of the
novel in which Levi and the rest of the Germans show how similar the
two sides are, they are all just people that are being lead by
different leaders. Another similarity to Journey’s End is the
inclusion of men dying for their duty, in Journey’s End Osbourne and
Raleigh raid the German trench putting their lives on the line for
their country, similarly in Birdsong there are attacks from the
trenches - “ Stephan saw men trying to emerge from the trench but
being smashed by bullets before they could stand.”
In terms of actual violent and graphic imagery Journey’s End is fairly
lacking, there is a lot of talk about death but never any in dep...
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...he brigadiers
pleased”, this quote show a disregard for the many men that had died,
they got what they wanted so they could not care less.
Both Birdsong and Journey’s End make references to the higher
authorities making orders without knowing the full extent of the
situation, however the men had to follow their commanders orders
despite how life threatening. There is again a reference to rescuing
men from no mans land after an attack, in Journey’s End the Germans
let the Allies get the wounded soldier back whereas in Birdsong they
had to be quiet when retaking their dead bodies because they were
afraid the Germans would shoot them.
Overall these two incredible texts both impose a fantastic portrayal
of the war, however they both put forward very different views on what
are considered to be ‘the horrors of war’.
In the short story “Chickamauga,” by Ambrose Bierce, there are several examples of imagery throughout the passages that help to describe the horrors of war. Bierce sets the story with a young boy playing war in a forest, who is then approached by a “formidable enemy,” a rabbit. The sudden appearance startles the boy into fleeing, calling for his mother in “inarticulate cries,” and his skin getting “cruelly torn by brambles.” The selection of these details leaves a lucid image in the mind of the reader, allowing them to see a sobbing boy running through the forest, covered in cuts and scratches. It represents the innocence and fear of a child, lost and alone in an unknown place. The birds above his head “sang merrily” as the boy was “overcome
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
War does leave people with all kinds of trauma as illustrated in the Bao Ninh’s short story “A Marker on the Side of the Boat” and Nicola Zavaglia’s documentary film Barbed Wire and Mandolins. When comparing the effectiveness of conveying the trauma of war towards the audiences, however, the short story “A Marker on the Side of the Boat” is more effective due to its well-developed plot and the emotional responses from the readers arising from the story.
'Birdsong ', at the core of its narrative, contains an escalating presentation of suffering that is used to illuminate the extent of human depravity encountered in the First World War. Faulks continually deconstructs ideas about suffering to force the reader to contemplate its totality: he initially depicts suffering through a loss of emotion, when moving from the 1910s to the war period. This is heightened, in later war sections, into a complete loss of compassion and human empathy, reflecting the social and emotional transformation caused by World War One. Faulks dogma is defined by his structure, as he presents humankind’s inner callousness and
...r because it seems impossible to reconstruct an event from this objective point of view. Maybe the point of telling stories is not trying to recreate the reality of a past event, but it is the message that matters because that might be in the end the only thing that does not necessarily depend on single details of the story, but on the overall picture of an event. That is why to O’Brien another important component of a war story is the fact that a war story will never pin down the definite truth and that is why a true war story “never seems to end” (O’Brien, 425). O’Brien moves the reader from the short and simple statement “This is the truth” to the conclusion that, “In war you lose your sense of the definite, hence your sense of truth itself and therefore it’s safe to say that in a true war story nohting much is ever very true” (O’Brien, 428). These two statements frame the entire irony of the story, from its beginning to its end. Almost like the popular saying “A wise man admits that he knows nothing.”
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
The truth to any war does not lie in the depths of storytelling but rather it’s embedded in every person involved. According to O’Brien, “A true war story does not depend on that kind of truth. Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (pg. 80). Truths of any war story in my own opinion cannot be fully conveyed or explained through the use of words. Any and all war stories provide specific or certain facts about war but each of them do not and cannot allow the audience to fully grasp the tru...
during the war. This novel is able to portray the overwhelming effects and power war has
The birds show symbolism in more than one way throughout the text. As the soldiers are travelling from all over the world to fight for their countries in the war, the birds are similarly migrating for the change of seasons. The birds however, will all be returning, and many of the soldiers will never return home again. This is a very powerful message, which helps the reader to understand the loss and sorrow that is experienced through war.
Journey’s End is a play written in 1928, ten years after the war finally ended, it was based on the authors real life experiences and is very serious about the happenings of war. Blackadder however was written in 1989 and has a very sarcastic edge, making the viewer forget that the subject matter of the sitcom was a real event.
they do not know what is happening - it is more of a threat than the
This whole story is based around the horrors and actions which take place during war, and we therefore get involved in the scenery of war and become very familiar of what the characters must feel.
Powers personifies war throughout the first page and extends it to the next, this is an example of a semantic field. For instance "the war rubbed its thousand ribs against the ground in prayer" and "the war fasted, fed by it's own deprivation." This emphasises the power of war because and gives it a body, a shape, "war" is no longer just an occurence or situation, it is a being. In addition Powers uses anaphora with his constant repetition of "The war" in linked clauses creating a powerful, pulsing effect. The first line: "The war tried to kill us in the spring" highlights the power of war because the sentence is so short and without embellishment; Powers states the fact plainly, making it clear to the reader that there is no doubt war is brutal and murderous. The sentence "The war had killed thousands by September" is also short and unfeeling. Powers offers no opinion or emotive language, he does not attempt to save the reader from facing the true horrors of war. Also in the first line Powers juxtaposes death with "spring" the season of new life; emphasising that no good force can hinder war, it is merciless, unstoppable and very powerful.
of a whole war. Due to the way it talks of battle and then mention
The structure of Faulk’s Birdsong allows us to observe the impact of the War upon numerous individuals across the generations. Throughout the novel, even outside the 1914-1918 time-frame, Faulks continues to maintain a link between the past and the present through his use of a number of motifs and themes. The lasting impact of the War suggests that history should never be forgotten, which is the paramount message in Birdsong.