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Imagination in literature
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In the short story “Chickamauga,” by Ambrose Bierce, there are several examples of imagery throughout the passages that help to describe the horrors of war. Bierce sets the story with a young boy playing war in a forest, who is then approached by a “formidable enemy,” a rabbit. The sudden appearance startles the boy into fleeing, calling for his mother in “inarticulate cries,” and his skin getting “cruelly torn by brambles.” The selection of these details leaves a lucid image in the mind of the reader, allowing them to see a sobbing boy running through the forest, covered in cuts and scratches. It represents the innocence and fear of a child, lost and alone in an unknown place. The birds above his head “sang merrily” as the boy was “overcome
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
'Birdsong ', at the core of its narrative, contains an escalating presentation of suffering that is used to illuminate the extent of human depravity encountered in the First World War. Faulks continually deconstructs ideas about suffering to force the reader to contemplate its totality: he initially depicts suffering through a loss of emotion, when moving from the 1910s to the war period. This is heightened, in later war sections, into a complete loss of compassion and human empathy, reflecting the social and emotional transformation caused by World War One. Faulks dogma is defined by his structure, as he presents humankind’s inner callousness and
Benjamin Percy uses the title “Me vs Animals” for a specific purpose and chose each word carefully. With only three words, the title conveys competition and comparison, gives the reader a connection to the essay, and instills a fear of the unknown. A title can make or break an entire piece of work. I think Percy contemplated over this title and chose three words that would accurately sum up his whole essay, with success. I would like to learn from this how to create a title that does just that.
In Ishmael Beah’s memoir A Long Way Gone, Beah’s imagery represents the struggle and misery of the Sierra Leone people are going through with the rebels invading. To begin, after Beah spends two days straight walking he arrives at a village that has already been condemned by the rebels. In the village Beah sees dead bodies everywhere, which fills his mind with the gruesome ways of death the men and woman suffered through: “I had seen heads cut off by machetes; smashed by cement bricks, and rivers filled with so much blood that the water ceased flowing… my body twitched with fear”(49). During this event Beah could not get these gruesome images out of his mind. Beah tries closing his eyes trying to hide away his vision to help the thoughts leave.
War is often thought about as something that hardens a soldier. It makes a person stronger emotionally because they are taught not show it and deal with it internally. People say that death in war is easier to handle because it is for the right reasons and a person can distance themselves from the pain of losing someone. However, there is always a point when the pain becomes too real and it is hard to maintain that distance. In doing so, the story disputes the idea that witnessing a traumatic event causes a numbing or blockage of feelings. Rat Kiley’s progression of sentiment began with an initial concern for the buffalo, transforming into an irate killing of the animal, and then ending with an ultimate acceptance of death. These outward displays of feeling suggested that witnessing the death of a close friend caused him to become emotionally involved in the war.
A Comparison in the Presentation of the ‘Horrors of War’ in Birdsong and A Journey’s End
Both authors use sensory imagery to create vivid images in the reader's mind with ease. In Harrison “In the trenches,” he uses descriptive similes and personifications to show the reader the disturbing reality of war effectively. After being viscously bombed, Harrison beautifully describes the “S.O.S” flare that is sent up shortly after being attacked, saying that “the sky is lit by hundreds of fancy fireworks like a night carnival.” This descriptive simile creates a visual image of a sky so bright that it resembles a carnival at night. As incoming bombs were dropping Harrison describes them by using the simile “the air screams and howls like an insane woman,” from this line any reader can imagine what it would sound like if artillery was dropping and exploding near you. Similarly, in twains “two ways of seeing a river,” he uses similes to create vivid images of the “majestic river.” Right from the beginning twain states that “I [have] mastered the language of this water and…every trifling feature…as familiarly as I [know] the letters of the alphabet.” This simile compares his vast knowledge of all the features of the river to his familiarity to the alphabets. The reader can visualize the importance and beauty of the river. Also, both authors similarly utilize sensory
Ambrose Bierce’s short story, "Chickamauga," scrutinizes American values, specifically, America’s identifying with the natural world. Bierce is critical of the American association with divine destiny, which has manifested itself throughout history in the form of John Winthrop’s “City upon a hill” speech, the notion of the “white man’s burden,” and Manifest Destiny. American history, in the scope of the short story, is one of perceived “rightly” subjugation of others. Bierce satirizes this philosophy by use of the child as a manifestation of American values that are eventually shown to be feeble and weak.
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.
Notably, imagery in “Buttons” and “Dulce et Decorum Est” illustrate to the reader the authentic side of battle that soldiers experience first hand. The majority of “Buttons” is spent showing the reader the light and airy version of war that those not in battle practice. The Narrator uses words such as “ laughing” and “sunny” (Sandburg 5) to describe the atmosphere of the newspaper office. However, the narrator then goes on to state the horrific truth of war with phrases such as “twist on their bodies…gasping of wounds…death in their throats” (Sandburg 10-13). The depiction of a massacre like scene is used to reveal to reader the authentic side of war, parallel to the use of imagery in “Dulce et Decorum Est”. The narrator of “Dulce et Decorum Est” expresses the horrendous and disturbing version of war with phrases such as “Froth corrupted lungs…obscene as cancer…white eyes writhing in his face” (Owen 19-23) to portray the real side of war. The narrator shows how awful and unsettling combat actual is through vivid illustrations to convey to the reader that war is not honorable, nor revering. Both “Buttons” and “Dulce et Decorum Est” ...
In Anthem for Doomed Youth, Owen uses similes to describe the devastation of war. He symbolizes a “dying cattle” to reflect a troop of men being trounced in a warzone. He compares them to cattle because they are no more significant than steers being slaughtered for meat. He describes a muddy battlefield full of wounded men. They spurt blood and howl the enemy for survival like animals being butchered. Stephens & Waterhouse (1987) stated “Cattle, slaughtered for and the passing-bells which sound only for humans, whose slaughter is needless” (p. NA).
Blood here and blood there! Shots are being fired from every direction and screams begin to emerge from deep within the forest. They become louder and louder and seem to come closer with every step taken. Then there is an eerie silence and as everything seems to calm down, a grenade goes off in the distance. Does this seem real? Could this be real? The way war is portrayed in movies is not always the honest truth. Most of the times the way war is depicted very action packed and heroic. Although this is true in some cases, there are sides of war that some do not see. There are days in war where nothing extremely dangerous happens. There are also sides of soldiers, emotionally, that one does not see. In the book The Things They Carried by Tim O'Brien, war and the soldiers are portrayed in way that is rarely seen. The same can be said for a poem by Wilfred Owen titled Dulce et Decorum Est. O'Brien and Owen both portray the reality of war, however O'Brien goes deeper into the truth behind the reality or war.
War is not pretty, and it is not for the weak at heart. Images of
In Birdsong, Faulks considers the idea of the War as an ‘exploration of how far men can be degraded’ in terms of the impact that war had upon the individual characters, resulting in dehumanisation. The main feature of being human is individuality. During his three-day-rest, the character Jack reflects that each soldier had the potential to be an individual, but because of the ‘shadow of what awaited them, [they] were interchangeable’ which is an allusion towards the politics of the War; the men were simply seen as statistics. The men search for a fate within the War, demonstrated when Stephen plays cards with the men and claims that Weir would rather have a ‘malign providence than an indifferent one’ which suggests that the men want to feel that someone is planning their future. During a heavy bombardment, Faulks describes that Tipper’s ‘iris lost all light and sense of life’ during his ‘eruption of natural fear’ when the shells land near him. The eyes here are a metaphor for life; it is a human’s eyes which represent individuality and are often described as the window to the soul. Faulks’ description of the loss of light in the eyes suggests that, as a result of the War, Tipper has lost what makes him human. The natural fear and ‘shrill demented sound’ that arises from Tipper is a ‘primitive fear’ which su...
The theme of war is used to explore how innocence can be lost. “War Photographer” is about a photographer who utilizes the suffering of refugees for the “Sunday supplement”. The photographer feels guilty about his “job” and still can hear the “cries” of a man’s wife, which indicates that these memories are haunting him, and made him lose his innocence due to what he had witnessed. Duffy uses imagery like “blood stained into foreign dust” which has many uses; “blood” symbolizes the pain and grief of the refugees, and how it has been “stained” into the land so the people themselves. Furthermore the word “stained” implies that the photographer has been permanently affected, causing him to lose his innocence, like the veterans in “Mental Cases”.