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Why othello is relevant today
The similarities between Othello and the movie O
The similarities between Othello and the movie O
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“Othello Goes to High School,” (Welsh, 225) is an accurate description of the movie O as directed by Tim Blake Nelson. The O movie is a modification of Othello by William Shakespeare and is set in the 20th century in a high school, where Odin in contrast to Othello is a star basketball star and dating Desi, Desdemona in the play. Hugo, in contrast to Iago in the play is Odin’s best friend and teammate along the son of the coach. Hugo, like Iago pulls the strings behind the curtain which leads to Odin killing Desi because he assumes she is having an affair with Michael, Cassio in the play. This film was critiqued in the Literature Film Quarterly by James Welsh in which he is more critical of the film when he wrote, “Classic Demolition: Why …show more content…
However, in O Hugo has clear motives for manipulating Odin (Criniti 116). Hugo’s jealously steams from “an angry teenage cry for attention, especially for the attention of an emotionally distant father,” writes Criniti (Criniti 116). Hugo lacks definite motives within the play and for an accurate adaptation of the movie the viewer should conclude his motives themselves, without being guided on how to understand the characters. A benefit of Shakespeare is the ability for the reader to analyze and infer the motives of the characters, and this is not the case with the film O. Although, readers of Othello may deduce the motive of Iago is due to the fact Cassio was promoted, but this is not written clearly in the text. A way to correct this in the movie is to remove the father – son relationship between Hugo and the coach. Without that interconnection between the two characters, viewers are more apt to infer their own opinions about Hugo’s rationale, and this relates alongside of Shakespeare’s play …show more content…
Although, Criniti sees this as a positive of the movie, this does not align with the work of Shakespeare. At the end of Othello, Iago leaves without saying his motivations for manipulating Othello that leads to the desmise of Othello, Emily and Desdemona. In the play Cassio’s last words are, “From this time forth I never will speak word,” (Shakespeare 142) this leaves the reader in suspense, with questions of why Iago exploited Othello’s trusting nature towards men. In contrast to the play, the movie O gives Hugo a monologue at the end after Odin’s final word. Criniti writes that this departure is “more artistic” and the reason Hugo acted in the manner he did was a quest for attention (Criniti 117). The fact that the screenwriters gave Hugo a last monologue to state he did everything for attention aligns more with a high school drama and not the work of Shakespeare. Iago, a man that has been to war is not comparable to a teenager in high school craving attention from adults or those around him. This deviation is what makes the movie a poor adaption of Othello, a correction of this in the movie is to remove Hugo’s final monologue. The audience should be left to wonder why Hugo chose to be destructive to the people around him. A more accurate ending could end in Hugo asking questions to the audience on why he acts in the way he does,
In the play "Othello", Othello is a black, which is same as Odin (in the movie "O"). Also, Othello is a person who has won many battles, and everyone respects him. This is similar to the situation of Odin. In "Othello", all the characters are living in high class society, which have high reputation and rich. Moreover, in "O", a private school requires expensive school fees to study, this shows that the characters or their families are
In the film the director has made the mistake of giving Hugo motives such as the use of steroids and his father saying ‘I love Odin like he is my own son’. This causes Hugo to rage with anger and jealousy and therefore plan his devious revenge. This is the typical Hollywood film that spoon feeds the audience so they know exactly what is going on. In the original Iago is given know reason to act like this towards Othello, the audience is left to interpret
Evil is defined as being profoundly immoral of malevolent. Being faced with evil is can be challenging especially when the person is unaware that it is present. In the Play Othello by William Shakespeare and the novel Lord of the Flies by William Golding, Othello and Ralph are faced with the challenge of evil. Othello is an outsider of Venice coming from South Africa that is sometimes ridiculed based on the color of his skin; yet earned the title of respect with his intelligence, courage, and skills. Othello’s insecurities and him not knowing when evil is looking him straight in the eye, leads him to his down falling. Ralph... Both characters in the beginning act in a moral manner, until the end of the stories when both characters have been
Jealousy is a dominating factor in both the modern day and Shakespearean Othello. In Othello, the jealousy develops from Iago, who thinks he has been overlooked as his flag officer and as Othello's loyal best friend. In "O", Hugo is jealous of his father's relationship with Odin. Hugo's father, Duke, is also the basketball coach of the team both Odin and Hugo play for. Odin is the team captain and receives the "most valuable player" award which he shares with his "go-to guy," Mike--not Hugo. Hugo believes that he is the M.V.P. of the Hawks and is filled with jealousy when his father gives the award to Odin and says, "I'm very proud to say this publicly, I love him like my own son" ("O").
Othello, a play by William Shakespeare, tells the tragic tale of the black Venetian general, Othello, and how he is manipulated by his ambitious friend, Iago. Iago becomes angry at Othello when he promotes Michael Cassio rather than Iago to the lieutenancy. Iago then schemes a plot to take down Othello. Iago uses Desdemona, Othello’s new wife, to take down the great general. He leads Othello to considering that his wife is cheating on him with Michael Cassio. This causes Othello to become suspicious and eventually drives Othello into killing Desdemona. In the end, Othello learns that his wife was faithful, and Iago had lied to him. This upsets Othello and causes him to also kill himself. Iago’s many motives are never revealed to the audience or the characters as in the last scene he states, “Demand me nothing. What you know, you know. From this time forth I never will speak word.” (Othello. Act 5 Scene 2: 355-356). In the play Othello, Iago is the master manipulator that formulates devious plots against the characters of Roderigo, Cassio, and Othello by using their desires to his advantage to reveal their underlying weaknesses.
These differences are created to relate to people in this generation. Iago is a very confident, devious, terrible person. For example Iago never doubts his plans. He always believes that his plans will work to convince Othello of the worst. What creates his almost perfect plan is how well he knows Othello. Iago knows what will make Othello second guess himself. What makes Iago devious is the way in which he performs his plans. He acts as if he is a best friend of Othello while he secretly attempts to ruin his life. Lastly, what makes Iago a terrible person in general is how he has no respect or care for who he hurts in the process of ruining Othello’s life. He kills his own wife, Emilia, which proves his lack of care for others. However, in a few scenes Iago can be humorous. For example in many scenes with Roderigo the audience sees a humorous way in which Iago manipulates people and lies through his teeth. On the other hand, Hugo has similar personality traits such as being devious and manipulative. In “O” Hugo sneaks around and discovers ways in which he can make Odin or others look bad without getting any blame. Hugo manipulates a boy name Roger, which like Roderigo is the one who does the dirty work. Unlike Iago, Hugo appears to have childish or jealous-like characteristics. He has ‘daddy issues’ which means he wishes that his father would approve of him the way that he does
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
William Shakespeare 's exemplary dramatization Othello bases on the two clashing characters of conspiring, manipulative Iago and the good, however as a rule irresolute Othello. In spite of the way that these men are totally inverse in character, Iago orders such convincing forces that he truly begins to influence Othello 's reasoning, adjusting the metaphors he uses and his view of those near him. Both Othello and Iago use a large number of the same scholarly gadgets and a great part of the same allegorical dialect to express their conclusions of everyone around them, as well as their general originations of the workings of the universe on a more otherworldly level.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
In the analysis of Iago’s character, we find that the true motive for his villainous acts is simply jealousy. Throughout the course of the novel, we are confronted with some of the motives for Iago’s jealousy. He believes that Othello has been having an affair with Emilia. He also despises Cassio because of the promotion he received.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.