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King lears tragic flaws
The development of the character of Lear
King lears tragic flaws
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A Closer Look at King Lear and His Statements
King Lear is undoubtedly an extremely complex character, neither all
good nor all bad. From the beginning of the play, it is not difficult
for the audience to identify his severe misjudgement. King Lear has
decided to retire and to divide his kingdom among his three daughters,
with his intention being to prevent future conflict. The decision
seems rather unwise, as it could quite easily invite war between the
heirs to the throne. A Shakespearean audience would immediately
recognize this having been on the verge of Civil war following the
death of Queen Elizabeth I. It could be said therefore, that Lear is
not more sinned against than sinning, because his rash resolution is
followed with unnecessary death and sheer anarchy.
This is not King Lear’s only error. As a ruler, he has several faults
in his character. Firstly, his egotism causes untold damage at the
beginning of the play. This is evident to the audience when instead
of simply dividing his land evenly amongst his three daughters, he
asks for the three of them to profess their love to him first.
Cordelia’s surprising reply of “Nothing” enrages Lear. His reaction
seems completely irrational and by banishing Corderlia, Lear loses his
only daughter who truly loves him. Coinciding with this was another
imprudent decision to banish Kent, who only seeks to serve his King as
best he can. This is exemplified later in the play when Kent returns
in disguise to continue to aid Lear, risking possible death. These
mistakes leave The King in a highly vulnerable position, and
surrounding characters, particularly Goneril and Regan, mani...
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...e appropriate action. Even so, he
certainly suffers more than Lear.
One cannot help but feel sympathetic towards King Lear in his times of
misery and madness, but there is always the shadow of his earlier
egotistical antics that resulted in carnage. It is true that Lear has
caused his own woes, but it seems that his problems allowed him to die
a man with a soul of greater substance. This is a result of the
madness and suffering, when a King becomes a man and understands
concerns and needs of others. He also partly gains redemption in
reuniting with Cordelia and accepting culpability, to a certain
degree. Perhaps King Lear is “more sinned against than sinning” and
perhaps deservedly so, but it is true that he died having learnt
important lessons and so his suffering was surely not in
vain.
Timothy Findley and Shakespeare use the theme of appearance versus reality in their texts: The Wars and King Lear. Characters in the novel and the play: Robert, Goneril, and Regan, intentionally appear to be something they are not in order to achieve a goal. However, they differ in where it leads them by the end, as in King Lear the characters die, unlike in The Wars where Robert cannot escape his true self and goes back to follow his personal morality.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Gonorill. Regan. Cordelia. Those names should ring a bell if you have ever read or seen “The Tragedy of King Lear.” The plot behind this play revolves around King Lear’s relationships with each of these three characters; his daughters. King Lear has a different relationship with each of them. Gonorill, Regan and Cordelia all have very distinct personalities. In this play, King Lear decided it was time to give up and divide his kingdom amongst Gonorill, Regan and Cordelia. He determined who got what based off of their love for him. Each daughter was asked to express their love for their father but, only Gonorill and Regan end up with portions of King Lear’s kingdom.
In Chapter 4 of a book titled Escape from Freedom, the famous American psychologist Erich Fromm wrote that "Greed is a bottomless pit which exhausts the person in an endless effort to satisfy the need without ever reaching satisfaction" (Fromm 98). Fromm realized that avarice is one of the most powerful emotions that a person can feel, but, by its very nature, is an emotion or driving force that can never be satisfied. For, once someone obtains a certain goal, that person is not satisfied and continues to strive for more and more until that quest leads to their ultimate destruction. For this reason, authors have embraced the idea of greed in the creation of hundreds of characters in thousands of novels. Almost every author has written a work centered around a character full of avarice. Ian Fleming's Mr. Goldfinger, Charles Dickens' Scrooge, and Thomas Hardy's John D'Urberville are only a few examples of this attraction. But, perhaps one of the best examples of this is found in William Shakespeare's King Lear. Edmund, through his speech, actions, and relationships with other characters, becomes a character consumed with greed to the point that nothing else matters except for the never-ending quest for status and material possessions.
Lear has an emence amount of pride in the beginning of the play. This pride makes him blind to who he loves the most and why this foolish blindness puts Lear in the hands of his evil daughters, Goneril and Regan. Who ultimately leads to his madness? Therefore Lear has brought about his own madness through his blindness.
In Shakespeare story King Lear, two of the women were portrayed as emasculating and disloyal while the third was honest and truthful. Showing, that most women who have power can’t be trusted. The story told of a king named Lear who had three daughters named Goneril, Regan, and Cordelia. Lear had given his two oldest daughters Goneril, and Regan a piece of land even though they had lied to their father telling him feelings that they didn’t really have. Then there was his youngest daughter she was as honest and truthful as any other child could be.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
Shakespeare’s treatment of illegitimacy in the play King Lear can be interpreted in many ways depending on the audience. The situation of illegitimacy is portrayed through the relationships of the characters the Earl Of Gloucester and his two sons Edgar and Edmund. Edmund is the illegitimate son while Edgar was born within the law. We learn of Edmund’s illegitimacy in the opening scene in the first act where The Earl of Gloucester is holding a conversation with Kent while Edmund is nearby. Gloucester speaks flippantly and lightly of the way his illegitimate son came into the world while introducing him to Kent saying, “ Though this knave came something saucily into the world before he was sent for, yet his mother was fair, there was good sport at his making, and the whoreson must be acknowledged” (Act I, Scene I, Lines 19-24). There are several peculiar things about this dialogue. One of the interesting aspects of Gloucester and Kent’s discussion is the readiness of Gloucester to admit he has fathered a child out of wedlock. This may be influenced by the fact that Edmund had obviously grown into a son that a father would be proud to have. At first meeting he seems polite, courteous, and loyal. Perhaps these admirable character traits are cause for Gloucester’s willingness to publicly claim Edmund as his own. Another unusual occurrence in the opening dialogue is that Gloucester calls Edmund a whoreson and a knave while he is close by and probably in hearing distance. This seems odd because Gloucester professes to feel only love for his son and no shame but he seems to almost mock him in this situation. One explanation for this behavior may be that deep down Gloucester still harbors some discomfort about the relationship between himself and his son despite his verbal proclamations of shamelessness. This could be inferred from Gloucester’s statement, “ His breeding, sir, hath been at my charge. I have so often blushed to acknowledge him that now I am brazed to ‘t.” (Act I, Scene I, Line 9). Again, depending on the audience the attitudes displayed in the play by the characters and Shakespeare himself by his writing can be interpreted in a variety of ways depending on the observer.
(Act I, Sc i, Ln 47-53) This is the first and most significant of the many sins that he makes in this play. By abdicating his throne to fuel his ego he is disrupts the great chain of being which states that the King must not challenge the position that God has given him. This undermining of God's authority results in chaos that tears apart Lear's world. Leaving him, in the end, with nothing.
The human condition is the scrutiny of art, Prince Hamlet notes the purpose of art is to hold the mirror against nature. King Lear is a masterful inquiry into the human condition. King Lear is confronted with existence in its barest sense and is forced to adapt to that existence. His adaptation to the absurd provides an invaluable insight for all into the universal problem of existence. Lear is forced into an existential progression that will be traced with the phenomenon of consciousness; the result of this progression is seen ironically in that Lear finds satisfaction in despair.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
Revoke thy gift, / Or whilst I can vent clamor from my throat / I’ll tell thee thou dost evil” (1.1.161-164). It is evident that Lear made an advance toward Kent or threatened him in another way because Kent said killing him would be doing an evil deed. Through King Lear’s prideful, yet fearful and dismissive tone in his conversation with Kent in Act 1, Scene 1, it is noticeable that Lear fears that Cordelia is right about the fabricated love his two daughters express towards him.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
According to Aristotle, a tragic hero is one of noble upbringing who undergoes a reversal of fortune. The hero must then realize that their peripetia is a direct result of their own tragic flaw. King Lear in William Shakespeare’s King Lear and Willy Loman in Arthur Miller’s Death of a Salesman both share the tragic flaw of being blind to reality, but Lear fits the remainder of Aristotle’s description more accurately. It is evident that Lear holds these tragic qualities because he is born of a noble birth, receives pity, and is able to see the truth. On the contrary, Willy Loman lacks these same characteristics. As a result, he fails to accept his mistakes unlike Lear did, proving that the one who more precisely