the biggest questions of life: poetry. All teasing aside, the poem is indeed best suited to deal with matters of the unknown because poems are intrinsically left open to interpretation. In the simplest terms, Matthew Arnold’s 18th century poem “Dover Beach” is about the unknown. The poem doesn’t just reflect on that idea, no, it edifies about humanity’s history with ‘questions that have no answers’ and the great internal and external conflicts inherent within. In the end, the poem attempts to find

Matthew Arnold’s 1867 poem “Dover Beach” is a five stanza poem with irregular stanza lengths. The stanza lengths go as follows: six, seven, five, eight, and nine lines. This could be significant for the rise and fall climax in the poem. It is unknown to the reader if the narrator of the poem is the author; but it is also unknown whether or not the narrator is male or female. In Matthew Arnold’s “Dover Beach,” the narrator makes use of imagery, metaphors, and personification to compare the sea, his

"Dover Beach written by Matthew Arnold The Sea of Faith Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world. Ah, love, let us be true To one another! For the world, which seems To lie before us like a land of dreams So various, so beautiful, so new, Hath really neither joy, nor love, nor light

In the poem "Dover Beach",witten in 1867 Matthew Arnold creates the mood of the poem through the usage of different types of imagery. He uses a dramatic plot in the form of a soliloquy. Arnold also uses descriptive adjectives, similes and metaphors to create the mood. Through the use of these literary elements, Arnold portrays the man standing before the window pondering the sound of the pebbles tossing in the waves as representation of human suffering. The man arrives at the vision of humanity being

John Keats’s “Ode to a Nightingale,” and Matthew Arnold’s “Dover Beach” were written at different times by very different men; yet their conclusions about the human condition are strikingly similar. A second generation Romantic, Keats’s language is lush and expressive, strongly focused on the poet as an individual; while Arnold, a Victorian in era and attitude, writes using simple language, and is focused on the world in a broader context. While Keats is a young man, struggling with the knowledge

A reflection on Arnold's "Dover Beach" and Wordsworth's "Tintern Abbey" Poetry that establishes its raison d'être as linguistic play is, for Wordsworth, "a matter of amusement and idle pleasure…as if it were a thing as indifferent as a taste for rope-dancing, or frontiniac or sherry" (Preface 250). Wordsworth condemns poets whose efforts contribute mainly in celebrating formal experimentation; he discriminates against poetry that has recourse to what he calls a "superlatively contemptible" (265)

suddenly that one key passion in life was being taken away little by little? Poet, Matthew Arnold captured this experience in his free verse poem “Dover Beach.” Arnold was a very passionate towards Christ, and in the mid 1800’s Christianity began dying out all across his homeland, England. Arnold wrote this free verse sitting on the shore of Dover Beach, suggesting the setting and the title of the poem, with his newly wedded wife to express his sadness of his nation losing faith. In this poem, Arnold

Matthew Arnold's Dover Beach Great works of poetry convey a feeling, mood, or message that affects the reader on an emotional, personal level. Great works of poetry can do that -- translate a literal story/theme -- but masterpieces, like Matthew Arnold's "Dover Beach," are a double-edged sword, containing a second, figurative theme -- a message between the lines and underneath the obvious. Not only is Matthew Arnold's 1867 poem, "Dover Beach," a unique and beautiful literary work describing