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Critical analysis of john keats ode to a nightingale
Critical analysis of john keats ode to a nightingale
Use of Symbolism
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John Keats’s “Ode to a Nightingale,” and Matthew Arnold’s “Dover Beach” were written at different times by very different men; yet their conclusions about the human condition are strikingly similar. A second generation Romantic, Keats’s language is lush and expressive, strongly focused on the poet as an individual; while Arnold, a Victorian in era and attitude, writes using simple language, and is focused on the world in a broader context. While Keats is a young man, struggling with the knowledge he is soon to die; Arnold is a man newly married, to all accounts healthy, and with a long life ahead. Yet despite their differences in era and age, both Keats and Arnold write with similarly dark emotional imagery, jarring emotional contrast, and a consistent exploration of the effects that the natural sounds around them have on their minds and emotions in order to demonstrate that suffering is as incomprehensible a part of the human experience as it is inevitable.
Both “Ode to a Nightingale” and “Dover Beach” include at least one emotionally dark image in every stanza; in “Ode to a Nightingale” there is frequently more than one. From beginning to end the reader faces physical darkness and decay, images of dark places and cherished bastions of imagination corrupted, with “shadows numberless” (Keats 9) and “forest[s] dim” (20); “[f]ast-fading violets” (47) and “faery lands forlorn” (70). Additionally, emotional suffering pervades the atmosphere of the poem from Keats’s allusion to Socrates’ death by hemlock in line 2, to his summary of the human experience in stanza three, an experience of “[t]he weariness, the fever, and the fret/Here, where men sit and hear each other groan” (23-24). Keats also makes it clear that the realm of the mind ...
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...ack, Leonard Conolly, Kate Flint, Isobel Grundy, Don LePan, Roy Liuzza, Jerome J. McGann, Anne Lake Prescott, Barry V. Qualls and Claire Waters. Ontario, Canada: Broadview Press, 2007. 785. Print.
Arnold, Matthew. “The Study of Poetry.” Poetry and Criticism of Matthew Arnold. Ed. A. Dwight Culler. Boston: Houghton Mifflin Company, 1961. 306. Print.
"forlorn, adj. and n.". The Oxford English Dictionary Online. November 2013. Oxford University Press. 17 November 2013. < http://www.oed.com.proxy.lib.sfu.ca/view/Entry/73413?redirectedFrom=forlorn#eid >.
Keats, John. “Ode to a Nightingale.” The Broadview Anthology of British Literature: Concise Edition, Volume B. Ed. Joseph Black, Leonard Conolly, Kate Flint, Isobel Grundy, Don LePan, Roy Liuzza, Jerome J. McGann, Anne Lake Prescott, Barry V. Qualls and Claire Waters. Ontario, Canada: Broadview Press, 2007. 441-42. Print.
"Robert Browning." Critical Survey of Poetry: English Language Series. Ed. Frank N. Magill. Vol. 1. Englewood Cliffs: Salem, 1982. 338, 341.
Allison, Barrows, Blake, et al. eds. The Norton Anthology Of Poetry . 3rd Shorter ed. New York: Norton, 1983. 211.
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
While Lord Byron's poem enhances the beauty of love, Keats' does the opposite by showing the detriments of love. In “She Walks in Beauty,” the speaker asides about a beautiful angel with “a heart whose love is innocent” (3, 6). The first two lines in the first stanza portray a defining image:
Understanding poetry as a criticism of life, Arnold uses it as his platform to wage a battle against the personal havoc that was wrought by the new age. Thus, Arnold captures the essence of the Victorian Era through his poetry by addressing the intellectual concerns of his time, especially about religion, science, and the inner turmoil that believing in the two caused.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
White, Keith D. John Keats And The Loss Of Romantic Innocence.(Costerus NS 107). Minneapolis: Rodopi BV Editions, 1996. Print.
Baum, Paull F. Ten Studies in the Poetry of Matthew Arnold. Durham: Duke UP, 1961.
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
Kennedy, X.J., Dorothy M. Kennedy, and Jane E. Aaron. Bedford reader. S.l.: Bedford Bks St Martin'S, 2013. Print.
Keats presents a stark contrast between the real and the surreal by examining the power of dreams. For the narrators of each work, dream works as a gateway to the unconscious, or rather, a more surreal and natural state of mind. Keats presents the world as a place where one cannot escape from his/her troubles. For the narrator in “Ode to a Nightingale” he attempts to artificially medicate himself as a means of forgetting about the troubles of the real world which cause him to feel a “drowsy numbness” (Ode to a Nightingale 1) which “pains / My senses, as though of hemlock I had drunk,” (1-2). The narrator, seemingly in search for both inspiration and relief, drowns out these feelings through an overindulgence in wine as a way to “leave
“An Analysis of John Keats' Odes: "Ode to a Nightingale," "Ode on Melancholy" - RealStudyGuides.net." RealStudyGuides.net. N.p., n.d. Web. 01 Mar. 2014.
Keats, John. “Letters: To George and Thomas Keats.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 967-968. Print.
Critical Survey of Poetry. Ed. Frank N. Magill. Vol. 7.