Similarities Between Young Goodman Brown And Where Are You Going

Written two centuries separated, "Youthful Goodman Brown" by Nathaniel Hawthorne and "Where Are You Going; Where Have You Been" by Joyce Carol Oates are two apparently distinctive stories. Nonetheless, if took a gander at nearly, a few components could be entwined. Every story has a comparative perspective, yet the story is told from two alternate points of view. A few topics are one of a kind to the stories, however profound inside similitudes could be found. The creators close their stories in two separate ways, however the endings are to some degree the same. These two stories hold components that are clearly differentiating, yet similar in the meantime.

Having every story been composed in a third-individual account structure, the onlooker

The spectator takes in what Brown feels as he supposes to himself, "What a bastard I am to abandon her on such an errand!" In "Where Are You Going," the storyteller supplies much of Connie's sentiments, for example, in the first section, "she knew she was pretty and that was everything." However, in Young Goodman Brown, "perspective swings unpretentiously between the storyteller and the title character. Subsequently, book fans are aware of Goodman Brown's deepest, darkest musings, while likewise offering a goal perspective of his conduct" (Themes and Construction: Young 2). Perspective of "Youthful Goodman Brown" diverges from that of "Where Are You Going" in light of the fact that "This account voice stays nearly adjusted to Connie's perspective" (Themes and Construction: Where

Christ," thinking about how terrible she looked" (3). Connie thought she distinguished the abstruse man in the driver's seat, the sort of gentleman she is accustomed to pulling in. She saw his hair as "shaggy, shabby dark hair… insane as a wig" (3). He slipped out of the auto, the storyteller tells that, "Connie preferred the way he was dressed, which was the path every one of them dressed: tight blurred pants stuffed into dark scraped boots, a sash that pulled his waist in and demonstrated how incline he was, and a white force over shirt that was a bit ruined and indicated the hard little muscles of his arms and shoulders" (5). These depictions ascribe to this specific subject in "Where Are You Going," Connie simply sees him as a kid that is pulled in to her and needs to take her out, in the same way as any kid might. Be that as it may as Arnold keeps talking and moving, his false character is beginning to unwind. Everything begins when Arnold says, "I know your name and about you, bunches of things" (5). Despite the fact that somewhat troublesome for Connie to process, it wasn't sufficient to prevent her from conversing with him. Nonetheless, until she asks him how old he is, "His grin blurred. She could see then that he wasn't a child, he was much more established -thirty, possibly more. At this information her heart started to pound