The Hero's Journey in Young Goodman Brown Faith is accepting what you are taught or told without trying to prove or disprove it, rather than discovering it through experience. Those who believe in God have faith. It has not been proven that God exists; similarly, it has not been proven that humans are kind, honest, and good by nature. Young Goodman Brown is a character in "Young Goodman Brown," who leaves his known world in Salem village and travels an unknown road in a dark forest in the middle of the night, a common motif in literature better known as the Hero's journey, and is faced with obstacles. He must decide if he will carry his journey out till the end, or turn back and not learn the truth about himself and other humans. The story "Young Goodman Brown," by Nathaniel Hawthorne traces Young Goodman Brown's experiences, physical and psychological, paralleling the Hero's Journey and showing how he discovers that humans are truly evil by nature; therefore, altering his views of other humans and life itself. In the beginning of the story, Goodman Brown is faced with a decision to stay home with his wife another night or to take off on his journey. This parallels his psychological decision to leave behind all that he knew to be true up until that point and discover the truth no matter how harsh it may be. The call, from the Hero's journey, is when Goodman Brown decides to go out alone to discover himself. Faith, his wife, is urging him to stay with her instead of leaving that night. She almost convinces Brown to stay, but his desire to discover himself overpowers his desire to stay with Faith. The struggle going on inside of Goodman Brown's head is really between remaining innocent and having blind faith i... ... middle of paper ... ...oom" (pg. 100). His life was changed so drastically during that one night that he could never forget it. Through the Hero's journey, Hawthorne shows the development of Young Goodman Brown as he discovers his true nature as evil. He comes to terms with the reality that humans are evil creatures, no matter how honorable or innocent they may seem. Transformations, both physical and psychological, took place during Goodman Brown's expedition, but were these changes necessarily good ones? Which is better: to have grace and innocence, but be happy with life, or to know the truth although it may hurt to know it? There is a cliché used to explain a good point of view that says, "what you don't know can't hurt you." Young Goodman Brown would have led a happier life if he remained innocent, but at least he received something good from his journey, knowledge and truth.
Immediately Jesus reached out his hand and caught him. "You of little faith," he said, "why did you doubt?" (Matthew 14:31) The manner in which Goodman Brown based his faith is a very good example of how not to base one’s faith. The strength of Goodman Browns faith was based on his wife’s faith, his trust in his neighbors, and his personal experiences. The strength of one’s faith is one of the most important aspects of any person, and it is especially important in the story Young Goodman Brown.
“The secession of the southern states, individually or in the aggregate, was the certain consequence of Mr. Lincoln’s election. His accession to a power supreme and almost unparalleled was an unequivocal declaration, by the merchants of New England, that they had resolved to exclude the landed proprietors of the South from all participation in the legislation of their common country.” (Boyd).
Nathaniel Hawthorne’s allegorical story “Young Goodman Brown” is set in Salem, Massachusetts during the late sixteen hundreds in a time of religious hysteria and only a few generations after the infamous witch trials. Although "Young Goodman Brown" is a fictional tale, it is based on the cynical environment of Salem during this time period. The short story is filled with many literary elements, leading you to question what did exactly happen to the main character at the conclusion. When analyzing a story like "Young Goodman Brown", one must recognize that the story is at whole symbolic. In the text, symbols are used to uncover the truth of the characters. The role of Faith as both a character and a spiritual element are crucial to both the story and the character of Young Goodman Brown.
The first Christians who challenged the doctrines of the Catholic Church had already pleaded their cases long before Martin Luther, the acclaimed founding father of Protestantism, ultimately broke away from the Catholic Church. Prior to the Reformation and official formation of Protestantism, many philosophers, theologians, and logicians who led the inquiry for greater knowledge and education, spoke out against the doctrines of the Catholic Church. Peter Abelard, John Wycliffe, Jan Hus, and Peter Waldo were all great masterminds of the Middle Ages who contributed to the fall of the domineering Catholic Church and the rise of Protestantism. Although they were deemed as heretics, they set precedents for future reformers and gave cultural importance to their new beliefs and ideas.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism. Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young Goodman Brown is unable to accept the indefinable vision of betrayal and evil that he encounters in the forest. The uncertainty of this vision, enhanced by Hawthorne's deliberate, yet effective, use of ambiguity, is also seen in the character of Faith, the shadows and darkness of the forest, and the undetectable boundaries that separate nightmarish dreams from reality.
Young Goodman Brown goes from being overly trusting to becoming a paranoid, untrusting man. Once Goodman Brown arrives at the destination and walks with the stranger, they start talking about Goodman Brown's family and how they had traveled down the very same road he is now, however Goodman Brown refuses to believe the traveler: “‘I marvel they never spoke of these matters. Or, verily, I marvel not, […] We are people of prayer” (621). Goodman Brown says he “marvels” at what the stranger has said and insists that his family is a family of prayer and holiness. He later says that he “marvels not’ expressing his disbelief ion the strangers statement. Young Goodman Brown's faith in his religion and that his family are loyal to his religion lead Goodman Brown to believe that they can do no wrong. He has this same reaction when he sees the minister and deacon of his village in the woods, discussing the meeting they are going to: “'besides several Indian powows, who, after their fashion, know almost as much deviltry as the best of us’ […] Young Goodman Brown caught hold of a tree for suppo...
In Young Goodman Brown, Nathaniel Hawthorne tells the tale of a man and his discovery of evil. Hawthorne’s primary concern is with evil and how it affects Young Goodman Brown. Through the use of tone and setting, Hawthorne portrays the nature of evil and the psychological effects it can have on man. He shows how discovering the existence of evil brings Brown to view the world in a cynical way. Brown learns the nature of evil and, therefore, feels surrounded by its presence constantly.
The characters in “A Streetcar Named Desire”, most notably Blanche, demonstrates the quality of “being misplaced” and “being torn away from out chosen image of what and who we are” throughout the entirety of the play.
The next character is Young Goodman Brown himself. His name also becomes a multilayered metaphor. Being known as “young” represents Goodman Browns innocence and virtue. He is also condensed to represent his own consciousness. But, by leaving his wife, Faith, Young Goodman Brown is giving into the unconscious. "He had taken a dreary road, darkened by all the gloomiest trees of the forest, which barely stood aside to let the narrow path creep through, and closed immediately behind" (Kelly, 191). Taking this path that closes behind him represents Young Goodman’s decent into the unconscious and his loss of innocence. On this journey he soon meets a man who is a condensation of several different factors. The man represents the devil, as well as Brown unconscious mind.
Illusion’s purpose is questioned in this fact-based world we call reality. Blanche, Stella’s sister, is used to represent illusion. Her whole life, from her diamond tiara made of rhinestones, to her spurious façade, is literally and metaphorically an illusion. The concept of illusions is further developed through the light motif in the play, with Blanche displaying “moth” like characteristics, avoiding “strong light”(pg.3) and “naked light bulb[s]”(pg.54). The light motif also represents a time of innocence, before Blanche’s husband’s death, when there was “blinding light” in her life, but after her husbands suicide, there hasn’t been“ any light that's stronger than this--kitchen—candle” (pg.103). Stanley is an advocate for reality, as shown by his constant struggle to uncover Blanches illusions about her past. Williams suggests that illusion’s serve as an essential part of society. Whether it was Blanches husband’s suicide or Stella’s husband’s participation in rape, illusions are shown throughout the play to help people deal with harsh realities. They help ‘victims’ of reality see “what ought to be truth”(pg.127) through illusions, alleviating unwanted pain.
...ar action". Blanche does this because she wants to appeal to Mitch who is a compassionate man. She is also illuminating much to do with her honest self in that she can not deal with the reality as it exposes her for what she in fact actually is which is a coquettish woman.
In A Streetcar named Desire, Tennessee Williams presented to us the character of Blanche Dubois. She was the haggard and fragile southern beauty whose happiness was cruelly destroyed. She always avoided reality, and lived in her own imagination. As the play goes on, Blanches “instability grows along with her misfortune.” Her life ended in tragedy when she was put into a mental institution. Her brother in law’s cruelty combined with her fragile personality, left Blanche mentally detached from reality. Stanley Kowalski showed no remorse for his brutal actions, destroyed Blanches life and committed her to an insane asylum.
WHO. 1993. The ICD-10 Classification of Mental and Behavioural Disorders: Diagnostic criteria for research. In: WHO (ed.). Geneva: World Health Organisation.
Walking down the street, a girl pauses to take a selfie. A boy posts on social media that he gains five pounds in muscle. Every little league teammate receives a trophy for participation. America’s culture seems to encourage egotistical behavior beginning at a young age; however, when these behaviors are continued into adulthood, they are considered narcissists. It is common to hear people labelling others that exhibit a little self-esteem as narcissistic. The frequent use of the term narcissism takes away from the true meaning of narcissistic personality disorder (NPD). In order to re-establish the actual meaning of narcissism, this paper will review the diagnostic criteria, major characteristics, etiology, and treatment implications. Ultimately, the reader will develop a clear understanding of NPD and will end with the proper knowledge in order to educate others.