Raphael The School Of Athens Essay

Emily Noe Art History Art Profile Raphael The School of Athens represents all the greatest mathematicians, philosophers and scientists gathered together sharing their ideas and learning from each other. These figures all lived at different times, but here they are gathered together under one roof. The men according to History of Art: The Western Tradition Zeno of Citium, Epicurus, Empedocles, Averroes,Pythagoras, Alcibiades, Antisthenes, Raphael, Aeschines, Parmenides, Socrates, Heraclitus,Plato, Aristotle, Diogenes of Sinope, Plotinus, Euclid, Strabo, Ptolemy, Apelles and Protogenes.The dawn of these lives have built the path we know today that challenges our very existence.The shape of the earth, the solar system. The understanding of the

In this sense, this painting is a grand and imagined piece by Michael Lahanas that works to bring together many of history's greatest thinkers at that time, considering only men that is. Given that these men were all assembled in one place and time, it resembled the age of the renaissance. In the sense that the renaissance was a time for different thinkers of all backgrounds to come together and contribute to the common intelligence of mankind. Raphael had to invent a system of to allude to various figures for whom there were no traditional visual types. For example, while the Socrates figure is immediately recognizable from Classical busts, the alleged Epicurus is far removed from his standard type according to Michael Lahanas. Aside from the identities of the figures depicted,many aspects of the fresco have been variously interpreted, but few such interpretations are unanimously accepted among scholars as known by Two Men conversing on a Flight of Steps,and a Head shouting.The popular idea that the rhetorical gestures of Plato and Aristotle are kinds of pointing to the heavens, and down to earth is very likely. The building is in the shape of a Greek cross,which some have suggested was intended to show a harmony between philosophy and Christian theology. The architecture of the building was inspired to have suggested that the building itself was intended to be an advance view of St. Peter's Basilica. There are two

Ashmolean Museum of Art and Archaeology, University of Oxford, 2011. Retrieved on 2011-06-13.History of Art: The Western Tradition by Horst Woldemar Janson, Anthony F. Janson Guerino Mazzola et al.: Rasterbild - Bildraster. Springer-Verlag, Berlin, et al. 1986,Following The School of Athens, "Who is who?" by Michael Lahanas Raphael (1482 - 1520).Studies for a Figure of Minerva and Other Statues. Ashmolean Museum of Art and Archaeology, University of Oxford, 2011. Retrieved on