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Art in old greece summarize
Essays on greek architecture
Essays on greek architecture
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Essay #1
The Palace of Knossos, a Minoan mud brick and timber structure on a shallow stone foundation, featuring a central courtyard, was constructed on an acropolis. It was a place for rulers to reside, shrines for religious ceremonies to be worshipped, the industrial production of objects, and administrative duties. Ample hallways, stairways, chambers, and light wells supplemented the ambitiously built structure. There were plenty of columns to mark he four awe inspiring entrance passages.
Four wings, oriented in a north-south direction, surrounded the central courtyard. The east wing featured the residential spaces, a workshop, and a shrine, while the west wing was complete with more shrines, a throne room, storerooms, and a banquet hall. The north wing included a theater area. The south wing featured a separate paved courtyard west of the palace. Inside the Palace of Knossos, plastered walls were painted with color washes. The walls were also decorated with frescos, many of which depicted religious ceremonies.
The Minoans were a people who enjoyed life. Many wine jars were found and it can be noted that women commonly bore their breasts. Long hair and makeup were popular and many festivals and events were held at the 1400 room palace. Nothing was fortified. These people had a love of art, color, and leisure, as depicted in many of the frescos at Knossos.
Minoan art occasionally featured geometric and repetitive forms on walls, floors, and ceilings, but more common were figurative and landscape elements. Often seen were both local and foreign flowers and plants. It is important to mention that no narrative style has been noted and there are no hieroglyphics to decipher the images at Knossos.
An example of a Minoan fresco at Knossos is the Bull Jumping mural, about 24 1.2” in height. One person holds the horns of a bull while another jumps over the animal. This may have been a sporting event, as bulls were an important image, ad may have been sacrificed. Figures in these Minoan works are much more animated than typical Egyptian examples.
A face of a bull with guilded horns, about 12” tall, was found at Knossos. Created from steatite with shell, rock crystal, and red jasper, a wh...
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...igures stands in Athena’s outstretched hand. The shield rests at her side, a sign that war is over, but Athena is still prepared and protective of her city. Athena was the goddess of Athens, but it is still unsure which came first. This statue of the greatly revered Athena stood in her temple to be both revered and to protect her city and its people.
The shield that rests by Athena is highly decorated and given its immense size, the work that went into this project is unimaginable. The inside part shows the gods against the giants, depicted the giants storming Mount Olympus. The amazons are sculpted on the outside of the shield. Even Athena’s sandals have figurative sculpture, this time of Lapiths and Centaurs fighting. Along the base of the statue, golden images of Pandora and witnesses to her birth contrast strongly against a white background.
There is so much information available architecturally and symbolically on the Parthenon that it is hard to form a concise short description of important points, however, it is because of this knowledge, that scholars have been able to really understand Greek art and architecture.
The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
The Greek gods and goddess have sparked my interest ever since seventh grade when I read The Percy Jackson Series. All throughout the books my attention was grasped by their power and demanding personalities, one specific goddess that stood out to me was Athena. Her charm and dominant personality fascinated me and definitely caught my attention. Before reading The Percy Jackson Series, I knew very little about Athena or the gods and goddess’ in general. Later, I took it upon myself to find out more about who the gods were and why they are important to the series I was reading at the time. My knowledge came in handy during the research I did to complete my paper. During my research I found that Athena was very important in not only The Odyssey, but in Greek mythology. She was one of the most confident and practical goddess’, and she was very well respected by the Greek people because of how she helped them.
Ares represented all the terrible and harsh violence that happend in Greece. Ares symbol was a burning torch dogs and a spear. One myth about Ares is that he was friends with wars and Mars wrote about everything that Ares ever did. Ares was Aphrodite’s favorite lover. Athena was known as the protectress she protected all the gods and goddess and all the mortals.
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
The Shield of Achilles has many ideas behind it and plays a very important role in Homer's Iliad. The shield depicts many things on different areas of the shield. Hephaestus, the god of fire, is the one who created Achilles' shield. It is a wide ranging work of art from the heavens to the seas. It also depicts two cities where one is at peace and the other is at war.
The Statue of Hercules shows his dramatic movement and natural posture. The way he is leaning shows how confident and strong he is. His body language and
Following from etruscan we need to understand the characteristics of a greek temple. the greek did not allow the people to enter the temple and thus their temple were designed to accommodate their needs. having freestanding columns with and a circu...
Athena was a goddess of war who preferred peace to fighting (Lies 47). The deity was depicted in full wartime armor, including a helmet and spear. However, despite her rough accessories, Athena also showed off extreme femininity in her clothing as well as features (Buxton 79). Athena was Zeus’s favorite daughter. Zeus, the king of the gods, allowed her to dress in his Aegis (Lies 47).
Theses reliefs contained royal hunting and battle scenes, and special attention was paid in the animals forms,like horses and lions. Characteristics
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
In public meeting buildings, Hellenistic architects create a new look for buildings of great social importance: this is emphasized by the general monumental nature of architecture, the enlargement of the forms and scale of the building, the diversity and richness of facade and interior treatment. In a completely new way architects use a warrant in previously unknown combinations with a wall (half-columns, pilasters), expensive construction (masonry of stone squares) and finishing materials (marble), which were previously used primarily in temple architecture. Majesty and monumentality of forms these buildings were not inferior to temples. Public buildings and structures received special treatment and developed rapidly in the Hellenistic period.
...on. It is important to understand the history and mechanics of Greek architecture in order to fully appreciate it. The ancient Greeks were very well known for their beautiful temples. They were able to devise several different ways to create beautiful buildings and implement those designs. The ancient Greeks set the architectural foundations for the rest of the world with their three orders. The three styles, or orders, are the Doric, Ionic, and Corinthian. The three distinctive styles are referred to as orders because they display proportionate, ordered, and coordinated parts. The Doric, Ionic, and Corinthian orders serve a functional purpose, as well as lend so much beauty to structures. “All the world’s culture culminated in Greece, and Greece in Athens, all Athens in its Acropolis, all the Acropolis in the Parthenon” (Nardo, 61).
It conflict between chaos and order was symbolised particularly through the sculptures on the metopes rollicking the temple’s exterior, 14 on each of the short and 32 on the long sides. These described the Olympian gods defending the giants, Greeks, likely including Theseus, the Fall of Troy (North metopes), fighting Amazons (West metopes), and Greeks fighting Centaurs, maybe at the king’s wedding of the Lapiths Perithous (South
Zeus’s skin was constructed of ivory and his hair, beard, and robes were made of gold. In his right hand, Zeus held the goddess of victory, Nike; in his left hand, Zeus held a sceptor with an eagle on top. The temple consisted of little more than the statue, but this was how it was preferred. Although, there was a pool of olive oil that was set in the ground under Zeus. One aspect of the pool was that it served as a reflecting pool: light reflected off the pool and gave an illumination effect on the statue.