Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Importance of art
Why art is important in our life
Importance of art
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...
... middle of paper ...
...os because he is taller and that 's what caught my attention. Dionysos is also taking up more space than the female figure. The texture of this marble piece had a smooth finish even the intricate detail in the folds on Dionysos cloak and tunic is smoothly sculpted into soft, careful folds.
My reaction to the Marble statue of Dionysos leaning on an archaistic female figure was it looked amazing and I feel like I could have written more about it. I also felt like there more than one symbolic meaning behind it. The other symbolic meaning I see is that Dionysos is always watching the protecting the small figure. My reaction towards the statue of King Sahure and Nome God was that who was more important the king or the God. The reason I say that is because the king is more focused on that the God. I would think they will be equal, or that the god should be more focused on.
The emotion in the figures is also very different. In the archaic figure, the face contains emotion other than the archaic smile. The eyes are closed with no facial expression. The classical statue on the other hand does not have any facial expressions but has open eyes and no smile.
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
The layout of the museum makes it very easy to find works of art from different time periods. Since I have always been fascinated with ancient Greece and Rome, I knew exactly where to start my search. The Indian Triumph of Dionysus is on display directly at the top of the staircase leading up to the second floor. It is surrounded by many other artifacts from ancient Greece and Rome. As your eyes move across the room, catching a glint of gold here and pearly white marble there, it’s very easy to become overwhelmed for a moment. As I reached the top of the stairs, it was evident that the staging of this magnificent piece was carefully planned. The staff of the museum undoubtedly wants this piece seen by each and every visitor. The exhibit itself is well done. If you stand directly in front of The Indian Triumph of Dionysus, everything around you seems to fade away and tunnel vision sets in. As I stood in front of The Indian Triumph of Dionysus, diligently taking notes since photos are not allowed, I experienced an extreme spiritual connection to the past. I tried to put myself into the shoes of the author. What was his purpose? What d...
Viewing the Lansdowne Hermes with a naked eye and what you will see is a larger than life-size statue depicting a man with an ideal body leaning with the majority of his weight on his right foot. His right arm is resting on his right buttock in an almost effortless pose. The left side of his body tells a different story. His left foot has barely any weight on it, and his left arm is supporting a pretty large portion of cloth wrapped so it perfectly wraps around the shoulder and rests just above the wrist. It appears that he was at one time holding some sort of sword or stick. To the naked eye that is what this sculpture seems to be, accepting a sculpture as a piece of art. Glancing at the Lansdowne Hermes you can appreciate beauty of art for beauty of art. However the sculptor had much more in mind when he created this figure from a large unscathed piece of marble.
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
It depicts a ruler and a queen in their ideal youthful form. Menkaure is portrayed as a relatively ordinary person (only recognizable by the nemes and the false beard), being gently but firmly embraced by his significant other. Both the king and the queen are roughly the same size, and nothing in the statue demonstrates the king’s inclination to violence or his significant dominance over the queen. They are both shown to be taking a step forward – the queen taking a smaller step, and letting the king lead. Both figures are shown to have slight smiles on their faces, giving the sculpture even a greater sense of peace and
Heracles is the son of Zeus who is the God of all the Gods, and this statue similar to most statues of mythological characters is a representation in my opinion to the masculinity and glorious history they had and the admiration upon these characters. The statue which stands roughly 7 feet of a strong man with the skin of a lion in one hand, and a wooden club in another. Greek sculptures were traditionally extremely idealized. Usually from development of information in the studies of the Greek civilizations, we can tell that the image of the gods such as Zeus or Poseidon were of abnormal physique, as in the goddesses were given more as a calm beauty look. Sculptors showed their skill by depicting the ideal human form, while the subjects had their image presented as a perfect version of themselves.The person depicted very well have had a body nothing like their sculpture, so they should be taken. Romans were generally less fond of idealized sculptures, going for a more natural approach, but it still occurred through sculptures. This rather hilariously absurd portrait bust of the emperor Commodus as Heracles showcases this as well; similar to the Heracles sculpture with his sculpture having bulging muscles, his actual body probably did not. While I can not speak to if Greeks and Romans had the physique in reality, I can say that their sculptures could certainly
Carved from alabaster the over-life-sized statue shows a idealized depiction of ruler Khafre sitting eloquently in his throne. Riddled with indicative symbols and motifs the written language of the ancient Egyptians allows for historian to interoperate the meanings and purpose of the sculpture, and decipher the statements of divinity and the king power left behind by this ancient people. This funerary statue represents Khafre’s eternity a well as utilizing the expensive material as a testament of his importance and
The Egyptians had influenced Early Greek art for several years; it was during the time of war (Archaic Period) and art was not their top priority. Most of their sculptures were similar to those in Egypt and there was no sense of personal style. However, as peace was approaching, artists started to focus on how to make their work outstanding. They took advantage of their knowledge in anatomy and started applying it to their blocks of marbles. During the early Classical Period, Kritios Boy was sculpted, and it showed the break from the Egyptian style.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
The statue can be seen wearing a head band that can be taken for a crown at that era or a symbol of royalty. He is seen adorning clothing that looks expensive and probably something that only the wealthy would have been able to afford at that time. He can also be seen sitting down with his feet not touching the ground which can also be a sign of leadership and accorded respect. The color of the statue is dark, it could have been brighter at the time of production and have darkened more over time but one cannot be so sure.
As you enter the Metropolitan Museum of Art in New York City, remember to bring an open mind with you because inside this museum, located on 5th Avenue and 82nd Street, you’ll discover and learn that there is a specific story behind every piece of artwork you see. One could not just walk around the museum uninterested without having the urge to ask, “Who’s this?” about a particular statue standing before them, it’s just impossible! So, this is why it’s great to be curious and understand that there is always a meaning behind everything, especially in Greek and Roman Art. Now, the experience of seeing such beautiful artwork is different when you’re a college student studying Mythology during your Spring 2016 semester and can actually put a face
Monuments and statues tend to be large, grand, and in some cases, even imposing. Built with mediums of bronze, marble and granite, no expense is spared in their design to make them last as long as possible. Throughout history various people have been the subjects of these statues, ranging from Gods and Goddesses, to beloved gardeners. At the time of Greeks, they spent great time and expense carving statues of those that they deemed to be the most important, the Gods. In the Parthenon, for example, a statue of Athena was carved from ivory and gold, and stood a majestic 40ft tall, because what better way to honor their goddess, them by memorializing her image forever (the fact that the statue has been missing for a few hundred years is notwithstanding).