Walter Benjamin writes about the aura of works of art, and how reproducibility can affect the authenticity of the artwork. Throughout his essay, he discusses the production of art, and how each piece of art has a specific aura that separates it from any reproductions. Some arguments have been made that reproducibility can degrade the authenticity of a work of art, while others have argued that it spreads the influence a work of art. While both claims can be made, it is more valid that the reproducibility
In a nut shell, the word ‘flaneur’ can be simply described as ‘an idle man-about-town’ (Flaneur) or a type of loafer. This loosely holds true to a more in-depth definition by Charles Baudelaire in The Painter of Modern Life. Baudelaire delves deeper into the essence of a flaneur, describing it somewhat as a person driven by curiosity. One who is hungry for knowledge and experiences, in constant pursuit of the unknown. These factors, along with others, may force us to perceive the flaneur as a loafer
The Flaneur's Relationship to Marginal Types in The Old Acrobat In Charles Baudelaire’s “The Old Acrobat,” the flaneur describes his encounter with a fallen figure who eventually reveals the lack of humanity in the city people’s hardened hearts. The flaneur finds comfort in people with border personality types because he can easily relate to them. He is an idler in a world which concentrates on excess, over-stimulation and one of which runs on a constant invisible ticking clock that pushes the
Dickinson's Because I Could Not Stop For Death Collamer M Abbott. The Explicator. Washington: Spring 2000.Vol. 58, Iss. 3; pg. 140, 4 pgs People: Dickinson, Emily (1830-86) Author(s): Collamer M Abbott Document types: Feature Publication title: The Explicator. Washington: Spring 2000. Vol. 58, Iss. 3; pg. 140, 4 pgs Source type: Periodical ISSN/ISBN: 00144940 Text Word Count 1077 Document URL: http://proquest.umi.com/pqdweb?did=000000056709394&Fmt=3&cli entId=43168&RQT=309&VName=PQD Abstract (Document
In Walter Benjamin’s Berlin Childhood Around 1900, he applies a variety of concepts with respect to time: past, present, and future. The concepts are highlighted in his vignettes: “Victory Column”, “The Telephone”, and “Butterfly Hunt”. Benjamin attempts to imbue his writing with a different structure of time from what was conventional. He perceives history as a section of moments, and each moment is an integral whole in its own right, making it equal to the present (Knights). Benjamin also notes
In Walter Benjamin’s essay, “The Work of Art In The Age of Mechanical Reproduction”, he argues that in the result of art no longer being created for traditional and ritualistic value, that now, in the age of mechanical reproduction, art will be based on politics. Benjamin goes on to say that the art that was once created in the past served a different purpose and as the reader, it is important to understand the context then and understand the modern techniques of art. Throughout the essay, Benjamin
In Walter Benjamin’s essay on “The Work of Art in the Age of Its Technological Reproducibility,” he examines the multiple concepts of tradition art and applies them to newer inventions of technology such as the camera and film. In the introduction to his essay, Benjamin clearly states that politics is an overriding concern, specifically fascism and how “the concepts which are introduced into the theory of art differ from those now current in that they are completely useless for the purpose of fascism
Walter Benn Michaels' Our America: Nativism, Modernism, and Pluralism Walter Benn Michaels is an active literary theorist, and is currently a Professor of English at the University of Illinois, Chicago. In Our America: Nativism, Modernism, and Pluralism, Michaels examines American literary modernism, emphasizing its “participation in a crucial shift in American conceptions of race [and identity]” (Lee). While Progressivist racism is based upon a “racial hierarchy and the assimilation of non-Negro
and there was an upstart franchise called the American League there was a pitcher, his name was Walter Johnson. Known as the 'big train' because of his high powered fastball which was unequaled in all of baseball Johnson was a poor Kansas farm-hand who became one of the best pitchers baseball has ever been lucky to have ever seen, and he was on one of the worst teams in the history of baseball. Walter Johnson was born in 1887 in a small town called Humboldt,Ks. As a teenager his interests turned
Brassicaceae, also known as the Mustard family. The Brassicaceae is a large family comprised of approximately 3,000 described species apportioned among 350-380 genera. The precise number of genera will vary depending on the authority(Heywood, 1978; Keil & Walters, 1988). The classification scheme for broccoli and indeed all of the other brassicas is clear and straightforward until one reaches the species level. At that point the addition of numerous subspecies, varieties, and cultivars results in a rather
happened to Mark Charles Parker because he allegedly raped June Walters a pregnant white woman on February 23 1959. In Howard Smead’s historical nonfiction book Blood Justice he describes one of the most important investigations of a racist, motivated crime in the history of the United States. Blood Justice is about the killing of Mark Charles Parker and the investigation after his death. Mark Charles Parker was accused of the rape of June Walters which Occurred on March 1, 1959. R. Jess Brown a well-known
Malory's rendition of traditional materials, we have inherited a character that has become the image of the quintessential knight. How is it that "the outsider, the foreigner, the 'upstart' who wins Arthur's heart and Guinevere's body and soul" (Walters xiv) has taken the place that, prior to Malory, was reserved for Sir Gawain? Malory has made this character larger than life. Of the grandeur of Lancelot, Derek Brewer says, "In the portrayal of Lancelot we generally recognize a vein of extravagance
the past decade a series of checks and balances has begun to fail our government. In our failing system of government inmates have taken advantage of the court system and have flooded it with an inconceivable number of frivolous lawsuits. Laurel Walters, a writer for the Christian Science Monitor, investigated inmates' lawsuits and found that these "recreational litigators...are suing the courts as an intramural sports activity." Action needs to be taken in order to rectify and protect "US" from
Critique of the Movie Educating Rita Director: Lewis Gilbert Screenwriter: Willy Russell Released: 1983 With Julie Walters, Michael Caine, and others Rita (Julie Walters) is a twenty-six years old hairdresser from Liverpool who has decided to get an education. Not the sort of education that would get her just a better job or more pay, but an education that would open up for her a whole new world--a liberal education. Rita wants to be a different person, and live an altogether different sort
any cost, a soul must find salvation. O'Connor states, "In my own stories I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace" (qtd.in Bain 407). Dorothy Walters, Associate Professor of English at Wichita State University, believes O'Connor's single theme is the battle between God and the devil "dueling
reporter at WTVF-TV in Nashville. In 1976 Oprah was offered a job at the ABC-TV station for WJZ in Baltimore. The newstation posted billboards around the whole city support of the new show. The goal was to make a record-breaking salary such as Barbara Walters with her one million dollars a year. Oprah approached her new job with typical gusto. But WJZ’s management frowned on Oprah’s habit of spontaneous reporting and her refusal to read the news copy ahead of time. The lack of preparation resulted in mistakes
When Walter decides not to take the extra money he is offered it helps prove Hansberry's theme. Her theme is that money can't buy happiness. This can be seen in Walter's actions throughout the play. While Mama is talking to Walter, she asks him why he always talks about money. "Mama: Oh--So now it's life. Money is life. Once upon a time freedom used to be life--now it's money. I guess the world really do change . . . Walter: No--it was always money, Mama. We just didn't know about it." Walter thinks
she also changes because Atticus, her father, asks her to. In the early chapters of the book, Scout picks fights at the slightest provocation. One example of this is when Scout beats up Walter Cunningham, one of her classmates, for “not having his lunch”, which isn’t a very good reason at all. “Catching Walter Cunningham in the schoolyard gave me some pleasure, but when I was rubbing his nose in the dirt Jem came by and told me to stop. ‘You’re bigger’n he is,’ he said … ‘He made me start off on
Reynolds and Walter Calloway illustrate that some slave masters provided their slaves with the necessities of life, did not stand for slave cruelty, and were concerned for their slaves' spiritual well-being, while others did the complete opposite. Mary Reynolds, who spent the first part of her life as a slave in Louisiana, and Walter Calloway, who spent the majority of his life on a plantation in Alabama, both spoke about how hard the work was on their master's plantations. Walter worked in
approach to life and its moral dilemmas (Walters 22). Ethical inquiry is important to us when we are unsure of the direction in which we are heading. “New philosophy calls all in doubt,” wrote John Donne in the wake of the Copernican Revolution and of Charles I’s violent death, suggesting that new thoughts had challenged old practices (Donne). Today, new practices in the biomedical sciences are challenging old thoughts: “New medicine calls all in doubt” (Walters 22). Few moral convictions are more deeply