TAKI 183 Essays

  • TAKI 183: An Analysis

    579 Words  | 2 Pages

    This primary source is an article from the New York Times newspaper and was published on July 21, 1971. The article talks about a graffiti writer known as TAKI 183 and gives some info on graffiti and the effects it has. This article was the first time graffiti was brought into the mainstream’s view through a major media source. The name TAKI 183 was popping up on buildings and bus stops all throughout New York City, and to the average person walking by they made no sense. The article says that “He

  • History Of Subway Graffiti Art

    1258 Words  | 3 Pages

    Shortly after the CORNBREAD and COOL EARL effort, the Washington Heights section of Manhattan was giving birth to new writers. In 1971 The New York Times published an article on one of these writers. Taki 183 was an alias of a kid from Washington Heights. TAKI was a nickname for Demetrius and 183 was the number of the street where he lived. He was employed as a messenger, so he was on the subway frequently and he took advantage of it, by doing tags. On the streets of Brooklyn a movement was going

  • Graffiti Artists: Silent Writers

    1635 Words  | 4 Pages

    Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that

  • Graffiti

    749 Words  | 2 Pages

    society and individual artist. Some of the first graffiti artists include Cornbread, Cool Earl and TAKI 183. Darryl McCray aka Cornbread started graffiti art while he was in prison; he used to write his nickname “Cornbread” all over the prison walls, and he continued with this trend after he was released. Demetrius “TAKI 183” became popular for his unusual tags on 183rd Street subway. When TAKI 183 made the front page in New York Times, tagging spread quickly everywhere in the city and artist would

  • Graffiti: Art or Vandalism?

    1110 Words  | 3 Pages

    in juvenile prison he would write his tag sign “Cornbread” all over the prison. He continued to tag outside of prison and it spread to New York City. It was until Taki 183 that this art form was brought to national recognition. On July 21, 1971, The New York Times, published an article on the front page of the paper titled “Taki 183... ... middle of paper ... ... sparked interest in graffiti once again. This film follows a French immigrant in Los Angeles and his obsession with street art.

  • Understanding Graffiti: Art, History, and Expression

    821 Words  | 2 Pages

    Vandals; Cornbread, Taki 183, Phase 2, Banksy, Jean-Michel Basquiat are only a few of the OG street artist who were able to take claim of their identity and express their art through their graffiti. Graffiti forms from Graffito, an ancient inscription. Graffito was found in the form of drawings and writings on walls of Pompeii in the ancient city of Rome. During the 1960’s and 1970’s the phenomenon of this writing was created into Graffiti and opinions began to emerge. Looking into a piece of

  • Illegal Typography

    2520 Words  | 6 Pages

    Illegal Typography Enter TAKI 183, a kid that lives on 183rd street in the Washington Heights area of Manhattan. The number means just that, TAKI lives on 183rd street, therefore he chose his number street as a sign of location, as a base saying " yo' kid I'm from 183rd ". TAKI works as a messenger, going through all 5 boroughs of the city. When he travels he writes his name on all of the stations that he came upon, he was "up" (name being written everywhere). Which is an important part of graffiti

  • Style Wars Film Analysis

    707 Words  | 2 Pages

    Style Wars mentions the craze surrounding Taki-183 to highlight that he received media attention at the expense of less-privileged writers. A Greek-American seventeen year-old from Washington Heights, Taki worked in lower Manhattan near media offices, and thus could tag his name in “strategic spots” to garner a front-page New York Times article that popularized graffiti. Understanding

  • Graffiti Negative Effects

    1226 Words  | 3 Pages

    He was a Greek-American named Demetrious. (Celebrating Forefather of Graffiti.) His full name has never been released, but he went through 5 boroughs of New York City and tagged his pseudonym TAKI 183 all around.(Celebrating Forefather of Graffiti.) This name began to be a common thing for people to see and his name stuck. He was seen as one of the forefathers of graffiti, sparking many people in New York to take up graffiti as a hobby. The history

  • Racism Street Art

    2058 Words  | 5 Pages

    The first documented case of “tagging” was done by a Puerto-rican boy known as “Julio 204.” However, the tag “TAKI 183” received much more attention due to the fact that Julio kept his tag within his neighborhood while Taki put his tag all over the city. (Werwath) Taki, short for “Demetaki” which was a different version of his name, “Demetrius” is known as one of the most influential graffiti artists in history. Tagging was a way for people

  • Graffiti's Effect On Graffiti

    1805 Words  | 4 Pages

    The problem with painting over graffiti is that it is seen as a sign of order in an area that, implied from the original act of vandalism, has seen social backlash and feel the need to voice that opinion.(Graffiti Can Actually Be A Good Thing For Cities) This leads to heightened tension between the people and government. The response typically involves a multitude of cases of graffiti in the targeted area.(Graffiti Can Actually Be A Good Thing For Cities) The local government’s general opinion on

  • Hip Hop Subculture Essay

    956 Words  | 2 Pages

    To most people they believe that the Hip-Hop subculture is African American youth who tend to rebel against authority , graffiti walls breakdance beatbox and rap lyrics. Although some of these stereotypes may be true but there is deeper meaning to side of this. Hip-Hop conveys a voice or message about the feelings and the never ending struggles and the slow evolving successes of black urban youth in America. In order to understand the culture of Hip-Hop one must define

  • The History of Graffiti

    1793 Words  | 4 Pages

    Graffiti is a different form of art, not a crime. Graffiti is a way for people to show their unique creativity. Graffiti is a widely growing activity that is taking notice to many people. Today some people believe that graffiti is cool and wonderful, while others think it is useless and makes cities appear dirty. “Graffiti is the name for lettering scratched or images, scrawl, painted or noticeable in any manner on property. The term graffiti referred to the inscriptions, figure drawings, etc., found

  • Graffiti Art in New York City And it’s Subways

    1547 Words  | 4 Pages

    We all know what Graffiti art is; well we think we know because of the “modern” graffiti art that is still occasionally seen. However Graffiti Art has been tracked back all the way to the time of 1851. Firstly graffiti comes from the Italian word “graffiato” meaning scratched and was later called graffiti through the media as we see it today. ‘Additionally early forms of graffiti were seen back in ancient Italy at the ruins of Pompeii’ in 1851. “Painting on sidewalks, and other forms of graffiti

  • History Of American Graffiti

    1779 Words  | 4 Pages

    Daelyn Harris March 6th 2014 History of American Graffiti from 1960 to 2014 The name graffiti was created in 1971 by the New York Times when they wrote an article on a writer named Taki 183. Graffiti is just about anywhere you look, from subway stops to tall skyscrapers. A lot of artists use spray paint cans and chalk to make their graffiti on. ``Art in the Street`` unrolled at the Museum of Contemporary Art in Los Angeles, California in 2011. This exhibit shows the works of U.S and international