Rohinton Mistry’s “Such A Long Journey” is the story of turbulent life of Gustad Noble and his family, who lives in Khodadad Building north of Bombay. The story portrays the series of events such as his son Sohrab’s refusal to attend Indian Institution of Technology, hardships faced by his friends and family, political turmoil and chaos caused by the war between India and Pakistan. Gustad transforms from a stubborn, materialistic and awful person to an open-minded and more adaptive to circumstantial
life changing discovery for the Europeans. Although it was a dream come true for many foreigners to become an American, they were completely unaware of the several obstacles that were needed to actually earn that title. The documentary The Long Long Journey shows the struggles of a polish family migrating to the US during early 18th century. This documentary shows not only the perspective of Europeans of new America, but as well as show how “Americans” treated the immigrants. This film begins off
minorities in a nation of Hindus" (Such a Long Journey, pg. 23). Malcom was a Christian and they used to fight about their different religions and who's religion came first. Gustard told Malcom "Our prophet Zarathustra lived more then fifteen hundred years before your son of god was even born; a thousand years before Buddha; two hundred years before Moses. And do you know how much Zoroastrianism influenced Judaism, Christianity and Islam" (Such a Long Journey, pg. 24). Gustard said "all religions were
In the play, Long Day’s Journey Into Night by Eugene O’Neil, the reader is presented with a lot of family conflicts. The main character is James Tyrone who was once a famous actor who toured in the United States with his wife Mary. James is now sixty-five but looks like he is ten years younger. When he was younger, his father abandoned him, which forced him to grow up very fast and be responsible for himself. Mary has this horrible morphine addiction that has lasted for more than fifteen years. She
deceit, a champion liar,” Jessica Lange says in her foreword to Long Day’s Journey Into Night concerning the character of Mary Tyrone (Lange, viii). In Eugene O’Neill’s play Long Day’s Journey Into Night, the mother character of Mary often is viewed as a victim, a creature subject to the poison she is addicted to. However, Mary Tyrone proves to be more complex than an addict spiraling back into her addiction. In Long Day’s Journey Into Night, Mary Tyrone proves she is manipulative and cunning and
Under Prime Minister Indira Gandhi’s first term (1971-1977), India remained their safe haven, but they were marginalized as nationalized banks seized their enormous share of the banking industry. During this time period, Gustad Noble from Such a Long Journey finds the Parsi cultural identity intensifying his community’s problems, adding to the already anxious and insecure mood of pre-war India. Nevertheless, it remained the community’s great source of pride, with their strong devotion to Zoroastrianism
Eugene O’Neill’s play, Long Day’s Journey Into Night is not morbid, full of despair and hopelessness or unpleasant. James, Mary, Jamie, and Edmund Tyrone all had the opportunity to change their ways. The Tyrone family had opportunities of redemption to help each other and help themselves but they chose to not to take them, even though they all loved each other they couldn't help one another as much as they needed but the opportunity of hope was still present. O’Neill’s play is not morbid because
The novel, Such a Long Journey by Rohinton Mistry is set in the city of Mumbai, India, during the year 1971. The book explores the journey of a Parsi man named Gustad Noble and his relationships with others as he goes through the difficult times in his life. The book is not just about Gustad’s personal life journey but it also explores the political background during that time. The battle between India and West Pakistan during the Bangladeshi Liberation War that helped East Pakistan form their own
the characters throughout Rohinton Mistry's "Such a long journey" include the contrast of many opposing forces. Good and bad, bitterness and forgiveness, saving and destruction, heaven and hell as just a few of the conflicting themes. Many secondary characters in the novel are important in the life of Gustad, and encourage these themes. In The Road to Salvation: Mythological and Theological Intertextuality in Rohinton Mistry's Such a Long Journey, Michel W. Pharand states: "Since good and evil
haven’t even been close to that. In the book, “A Long Walk to Water” by Linda Sue Park, the author describes a true story about a boy named Salva Dut, who lived in a village called Loun-Ariik in Southern Sudan. Salva started his journey at 11 years old because he was forced to evacuate his school after an attack on his village. When this happened, Salva separated from his family and went on a journey to save his life. As he continued aging on his journey, he was considered a refugee at the refugee camps
A Long Journey of Reflections “I learned from the age of two or three that any room in our house, at any time of the day, was there to read in, or to be read to. My mother read to me” (Welty). Growing up, I remember my mom would always take me to the library and teach me how to read. My parents always encouraged me to read and write, which is why I never had a problem in writing papers. The only problem I do have is that it takes me a maximum amount of hours to write a decent paper. Writing a paper
Symbolism is prevalent throughout the play, Long Day’s Journey into Night. The three most notable symbols, the fog, the foghorn and Marys' glasses, interpret the author’s life at best. There is double meaning to fog in this play because it is seen as the substance abuse issue and the atmosphere of the family. These are representations of illusions and the family as a whole not wanting to face actuality. The Tyrone family appears to progress during the day and possess a sense of normality, but pulled
differences between the archetypes of the hero’s journey. For instance The Hobbit is about a hobbit that is taken on a journey with dwarves to reclaim the Lonely Mountain. While A Long Way Gone is a story about a boy who is separated from his family and is drafted into the army to do unspeakable things.The hero’s journeys in The Hobbit and A long way gone were very different from each other. In these books, the Call to Adventure step in the hero’s journey is very different. For instance, in The Hobbit
Eugene O'Neill's "Long Day's Journey into Night" As the fog descends around the Tyrone’s summer home, another fog falls on the family within. This fog is that of substance abuse, in which each of the four main characters of Eugene O’Neill’s play, Long Day’s Journey into Night face by the end of Act IV. Long Day's Journey into Night is a metaphoric representation of the path from normalcy to demise by showing the general effects of substance abuse on human psychology and family dysfunctions through
was opportunity and a clean slate. In “The Long Journey Home” David Laskin takes his audience through the scary yet suspenseful stories of nearly a dozen immigrants as they leave their home lands for the promising land of the United States. The author did a great job in portray how immigrants in the early 1900s were affected by America’s involvement in World War I. He starts off the book explaining the stories of the immigrants before they take their journeys to America and ends it explaining their
American Religion in Long Days Journey into Night The modernist sentiments throughout Long Days Journey into Night, by Eugene O'Neill, are apparent in many different ways. Among the methods he used was the portrayal of America's withdrawal from traditional religion and modes of behavior. He used his immigrant Irish family, the Tyrones, as a pedestal for this idea by highlighting their departure from traditional Irish beliefs and their struggle to form new, uniquely American, ones. O'Neill
Symbolism is used throughout O¹Neill¹s Long Day¹s Journey into Night, a portrayal of the author¹s life. The three prominent symbols, the fog, the foghorn, and Mary¹s glasses, represent the characters¹ isolation from reality. The symbols in ³Long Day¹s Journey into Night² are used to substitute illusion for reality. Although Mary is the character directly associated with living in illusion, all characters in the play try to hide from the truth in their own ways. At the beginning of the
Long Day’s Journey into Night by Eugene O’Neill is a complicated story. It shows a day in the life of a dysfunctional family. This family is made up of four extremely different personalities. Tyrone is the sympathetic father. Mary is the morphine addicted mother. Jamie is the difficult older son and Edmond is the sick younger son. Everyone in this family has their strengths and weaknesses. In Tyrone’s case his strengths and the weight of his family’s weakness makes him the most sympathetic
Long Day’s Journey Into Night ,a family drama written by Eugene O’Neill, demonstrates the tension and resentment present in family members who suffer from substance abuse. The characters in the drama are all addicts as a result of dramatic past events. Jamie Tyrone’s monologue strongly represents struggles the characters face because of substance abuse. Throughout the monologue Jamie Tyrone verbally attacks Edmund Tyrone, and blames his brother for many of their families’ problems. In this essay
how his family of four deals -- or doesn’t deal -- with their issues with themselves and eachother. The autobiographical play serves as a catharsis for O’Neill as he reveals his inner thoughts and feelings through his own character, Edmund. Long Day’s Journey into Night illustrates the ironic but important life lesson that Edmund learns that results in a deeper understanding of life and family. While family is supposed to nurture you and love you the most, they’re the same people who hurt you the