Semitone Essays

  • Do-Re-Mi with Drinking Straws

    789 Words  | 2 Pages

    When playing a musical instrument, shortening the length of the air tube will make the pitch higher, and expanding the length of the air tube will make the pitch lower. Drinking straws can be cut to different lengths to produce different pitches. They can form a type of “oboe” (a woodwind instrument, similar to a clarinet) that will vibrate and create a sound when it is blown into. A straw that is half the length of another straw will be exactly one octave higher than the longer straw. It is recommended

  • Harmony of the Spheres

    1876 Words  | 4 Pages

    Through history, as said before, many philosophers have supported and developed what Pythagoras first exposed to the world. One of the most important philosophers to support Pythagoras’s ideas was Plato. In some of his writings he discusses the creation of the universe based on the musical proportions discovered by Pythagoras (Timaeus), and the explanation of the sound emitted by the planets, which is exposed in the “Myth of Er” in The Republic. It talks about a man who died and came back to life

  • Pythagoras's Theory of Harmony of the Spheres

    1197 Words  | 3 Pages

    established a direct relation between these two to show what the “melody” of each planet through its orbit was. In this cases, 5/4 (Saturn) corresponds to a mayor third or a difference of four semitones between two notes. Jupiter’s ratio, 6/5, is the same as a minor third or a difference of three semitones. Works Cited Harmonices Mundi, Book 5, Chapter VII

  • The Nationalistic Dlements in the Concerto for Orchestra

    616 Words  | 2 Pages

    augmented fourth (tritone) and is made up of alternating tones and semitones, like an octatonic scale. The theme at this point is asymmetrical. It is built on three bars, followed by three bars inversion. There is also a very frequent change of time signature in this section. Bar 155 sees the beginning of an Arab style melody in the oboe. This theme has a very narrow range and is, at first, built on two notes a semitone apart. This tune gradually expands and extends throughout the orchestra

  • Overview of Edgard Varèse’s Density 21.5 for Unaccompanied Flute

    1644 Words  | 4 Pages

    crystals and their influence on his compositional method. Bernard aptly states, Varèse “emphasizes growth through orderly expansion of a bare minimum of an idea that is cell-like in nature.” In Density, Varèse explores the possibilities of a three-note semitone motive through repetition, expansion, and elaboration. During an interview Varèse, the composer explained a “crystallization” analogy and its relationship to his compositions: Musical form, considered as the result of a process, suggests an analogy

  • Chord Progression

    979 Words  | 2 Pages

    Hello, Everyone. Today, I am going to break down a jazz song called ‘For tomorrow’ by Mccoy Tyner and see what techniques we can steal from it. Also, to support the explanation of the song’s features, I would like to explain some of my understanding of Chord Progression. So the main questions I want to focus today are -What is Chord Progression? -What is 2-5-1 movements and how we use them? -What is chromatic movements? The first question ‘What is Chord Progression?’ Well, it’s a set of several chords

  • Absolute Pitch

    1129 Words  | 3 Pages

    Absolute Pitch: A Coveted Ability Jennette Folta Physics of Music Spring 2005 The Basics Absolute pitch, otherwise known as AP, is a person's ability to identify and produce a given pitch. This is done without the use of a reference tone. Pitch is determined by the number of vibrations per second. There are two types of AP. Passive pitch is when a person can identify the name of the note that is played and active pitch is when a person can sing a named note. Absolute pitch possessors can

  • Transgender Voice Therapy

    1818 Words  | 4 Pages

    Male to female (MtF) transgender people often feel as though they can be perceived as a woman until they begin to speak (Hancock, Krissinger, & Owen, 2011). As a result, this population is becoming more represented on speech-language pathologists’ (SLPs) caseloads in an effort to feminize their voice and communication styles. There are several aspects of voice that can impact the perceived gender, including pitch, vocal quality, resonance, and prosody. Typically a higher fundamental frequency (F0)

  • Secular Music

    528 Words  | 2 Pages

    Secular Music In addition to being a time of great religious significance, the sixteenth century was also a period of bawdy earthiness, irreverent humor, and celebration of sensual love. The same composers who created works for the greater glory of God also wrote compositions of an entirely different character. In Italy and England, the principal form of secularmusic was the madrigal, which in France was called chanson, and in Germany Lied. The madrigal is one of the most representative examples

  • Mathematics Of Harmonic Relationship In Music

    1389 Words  | 3 Pages

    is expressed using semi-tones and full-tones. A semi-tone is the difference of one pitch up or down from a starting pitch for example: G and G sharp, the difference between the two notes is one semi-tone as well as G and G flat where G flat is one semitone below G. The twelve notes are specified by the following: A, A#, B, C, C#, D, D#, E, F, F#, G, G# these can be also expressed as: A, Ab, G, Gb, F, E, Eb, D, Db, C, B, Bb. The “#” symbol represents sharp and the “b” represents flat. Both can be interchanged

  • The yangqin

    1230 Words  | 3 Pages

    another similarity it has with the piano. On a piano, it is seen that there are white and black keys, when it is said that an instrument is chromatic, it means the black and white keys are included or in other words, there are semitones. If the black keys or the semitones are excluded, then the instrument would be diatonic. Despite the similarities, the piano and yangqin have their differences. The piano can play a complicated ten- note chord, but the yangqin uses two " hand held" wooden or bamboo

  • Analysis Of Alban Berg's Opera Wozzeck

    1598 Words  | 4 Pages

    In Act III, scene 1 of his opera Wozzeck, Alban Berg employs his take on a theme and variations. When one hears that a piece of music is classified as an “invention on a theme,” they immediately associate the style with early composers from the Baroque era, a time when classical conventions truly started to take their form. By employing methods of long term tonicization, bending the classical expectations of form and harmony, and accentuating Marie’s sense of wandering conscious and morality, Berg

  • An Analysis Of On Wenlock Edge With The First Movement Of Ravel's String Quartet

    1486 Words  | 3 Pages

    Compare and contrast the songs of On Wenlock Edge with the first movement of Ravel's String Quartet Introduction: During the 19th century, France saw the birth and development of the art movement known as Impressionism. The term was initially coined when critic Louis Leroy commented on Claude Monet’s famous work, Impression, soleil levant ("Impression, Sunrise"), noting that the painting was simply an “impression”. Late during the 19th century, the term was applied to music, as music had become

  • History Of The Clarinet

    596 Words  | 2 Pages

    The clarinet is a woodwind instrament consisting of a cylindrical wood, metal, or ebonite pipe with a bell-shaped opening at one end and a mouthpiece at the other end, to which a thin reed is attached. The clarinet has five different sections, the mouthpiece, the barrel, the upper section, the lower section, and the bell. The length of the entire instrument is 60 cm long. The mouthpiece section consists of a slotted cylinder, to which a reed is attached by a metal clamp called a ligature. The mouthpiece

  • Main Items of Change in Bartok's Concerto

    616 Words  | 2 Pages

    figure which appears frequently is very chromatic. The Serbo-Croat melody in bar 76 is based on the germinal motive: F, G, Aflat, Bflat, Bnatural, C. The F – Bnatural of which is based on the octatonic scale made up of alternating tones and semitones, it is also an augmented fourth, tritone. In this section, the time signature changes very frequently. The clarinet and oboe parts at 118 play a whole tone scale, with the interval of a tritone between the parts. The theme at 155 in the oboe

  • Mozart Symphony 40 Analysis

    731 Words  | 2 Pages

    Mozart’s Symphony No. 40 Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Mozart would hear a complete piece in his head before he would write it down. He created pieces that had simple melodies, but also the orchestration sounded rich. Out of the forty-one symphonies Mozart composed, I have chosen Mozart’s Symphony No. 40 in G minor or better known as The Great G Minor Symphony, written in 1788. Mozart’s

  • The Second Viennese School's Approach to composition

    824 Words  | 2 Pages

    Over time, mankind’s music has developed from disorderly to orderly; tonal music was being one of the most brilliant chapters in the 17th century before Schoenberg’s big transformation of music. However, since the pioneer figure of Second Viennese School- Arnold Schoenberg began the atonal music, a new chapter of music composition has been created. Tonality collapse has been seen as the most important step towards music at the late 19th and early 20th century. (http://www.tourmycountry.com/austria/schoenbergviennaschool

  • Music 101 Assignment 1

    902 Words  | 2 Pages

    Vy Tran – C Music 101 Written Assignment 1 My name is Vy Tran. My background in music came from basic music classes I took in middle and high schools. I learned and played piano for about a year when I was a little girl, and I stopped at Method Rose level. I have taken few online classes such as History and Political Science. I decided to take Music Appreciation online because I like taking time to read more about music and its history without being rushed. By taking this class, I would like to

  • History of the Stringed Instrument

    1772 Words  | 4 Pages

    History of the Stringed Instrument Stringed instruments of one type or another are employed in musical activities worldwide. Despite some differences, they share many similarities in their mode of construction and manner of performance. The stringed instrument has a structural and playing adaptability that lends itself well to the rendition of the music of diverse cultures. The Harp Family of Instruments The harp is a stringed instrument in which the strings are plucked with the fingers

  • Essay About Indonesian Music

    1099 Words  | 3 Pages

    Indonesia that is rich heritage functions as a medium for religion rituals, entertainment, medium of self-expression, and communication. The differences between Western music and Indonesian traditional music: - Gamelan scales do not have twelve equal semitones like in Western music. The Javanese Gamlean pitches especially Slendro scale. The slendro has five pitches (1 – 2 – 3 – 5 – 6) and skip the pitch 4. - The Gamlean does not have an exact chord or tuning to produce specific sounds, in contrast all