a Staff member and to tell you how I want to become Staff member and my past experiences! I will keep mean people, hacker, advertiser, out of mapper and spammer away from the HCF server (OxPvP). I see many players insulting each other or saying 'hacker' because they died. When I help the player they often take me not seriously and insult me too or they say things like 'You aren't mod'. I know, that doesn't give them the right to insult someone but If I get the Moderator status I would take action
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example, way back when I was playing a lot of AoE over the Zone. I faced up against a player with a name such as CrackDevilz or something similar. Two minutes after the game started he had sent an attack with an obscene amounts of units, all the while taunting and even boasting about his ability to cheat. Another factor that adds to this problem is the lack of maturity or even common courtesy in many of the players in the Age community. They simply don't care about wasting other people's time, upsetting
Shakespeare’s tragedy, Hamlet, the players and their play emphasizes the importance of theatre and its’ power. The players arrive in Act2 Scene2. They are announced by a flourish of trumpets, which is the usual occurrence upon the arrival of actors; yet, this is the second time in the scene we have heard such a grand entrance, the first being that of the King and Queen at the start of the scene, therefore a similar feeling of importance is evoked for the players Immediately. Hamlet himself welcomes
Jo Dixon, the word “meta-theatre” is derived from the Greek prefix meta, which signifies a “level beyond the subject that it qualifies” (1). Arguably one of the most memorable examples of meta-theatricality is from William Shakespeare’s Hamlet in Act III, Scene II, where Hamlet stages a play in an attempt to “catch the conscience of the King” (2.2.526). However, while this is one instance of meta-theatre in Hamlet, Shakespeare created an entire work infused with meta-theatre, either through the direct
They audience was small overall especially for how large the theatre was but everyone sat together and everyone got a good seat. Most seemed excited. I predict this was because many were getting a chance to see the show for a second time which
Much like today, the popularity of this entertainment brought sometimes 3,000 people to the theater no matter what the price of the seat (Mabillard, Shakespeare’s Audience)In the Globe Theatre, cost of seats depended upon seat location, just like sporting events and theater of today. “Wealthy patrons sat in the upper levels, while the lower classes stood in front of the stage. These large playhouses made it necessary for plays to include
domain. Crucial to this satire is the collision of two concurrent plots that vie for the audience’s attention. These collisions allow the audience to see opposing ideologies in contrast through the dramatic effect of the breakdown in the boundaries of theatre. It is arguable that this play encourages one to question hierarchy and tradition through exploration of ideology, disputed genres, and Rafe's potential rebellion. In act two, the central characters of each narrative are forced into combat by the
At large, theatre as an art form has always been a hybrid, an amalgamation of other artistic endeavours. Arguably after all, the true essence of what actually constitutes theatre is the human voice and spoken text; an actor’s live presence in an empty space: a stage. But if we were to consider theatre on the whole we would find that actually, there is often a lot more going on than these basic qualities that theatre embraces. When we think of theatre, we cannot help but think about the connotations
The eighteenth century is widely reputed to have been the Age of Theatre in France. A unique form of entertainment and mass communication, theatrical productions brought together representatives from all degrees of social and economic status in one building to share a common experience. Despite an attitude that emphasized the glorification of French culture, the government viewed the theatre primarily as a form of entertainment and sought to prevent any deviation from this main emphasis. Although
implemented then they made the movies in full color. Today movies have special effects that are that have made them very realistic. There are two ways people can watch movies and one is at home and the other is at a theatre. Watching a movie at home is better than watching a movie at the theatre. They both have similarities and differences between its A movie theater has its advantages and disadvantages. One advantage is that people can see the showing of different movies that have been newly released
Define clearly the differences between drama and theatre and outline in some depth and detail there social function with and with some reference to your interest and experience to drama and theatre: What is drama? A simple question it may seem at first, but the majority of people would not be able to give a precise definition of the word. That is because the word is used synonymously depending on the context in which it is used. For example, there can be; a drama section in the video store
inside the theatre. The play turns out to be amazing through the whole play I was laughing, excited it really caught my attention because the actors did a terrific job playing each scene and lines. The setting and lights of the play was plan very well for example; in of the scene actors and actress talked
Without light, the theatre cannot exist, that much is certain. As actors, as audience members, as technical visionaries, we are only as powerful as the light we are given. The extent to which we depend upon light in performance has changed dramatically throughout history, however, as light technology developed and expanded. In the history of performance, the artistic community is constantly victim to the limits of lighting technology, and exponentially altered by breakthroughs. From the utilization
theater acting. Larque, Thomas. "Elizabethan Theatre - A Lecture - by Thomas Larque (2001)." Elizabethan Theatre - A Lecture - by Thomas Larque (2001). N.p., 2001. Web. 22 Oct. 2013. This source provided information about the Elizabethan Theater era of acting. Robinson, Scott R. "European Drama in the Middle Ages." European Drama in the Middle Ages. N.p., 01 May 2002. Web. 16 Oct. 2013. This source provided information about European Theater. "Theatre in the Middle Ages." The Finer Times: War, Crime
Theatre vs. film, and the different qualities each form has, is what makes the arts industry so revolutionary. While both theatre and film share a common purpose, however, these changing art forms are unique in the ways in which they speak to the audience. Certain art forms interact directly with the audience, giving them a sense of inclusion into the production, which make the relationship more intimate. Other art forms are simply presented for the audience to observe individually and are on no
Annoying People in the Theatre As said by Thornton Wilder, “I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with one another the sense of what it is to be a human being,” the theatre is one of the greatest art forms. An audience collectively gathers to watch and enjoy the show of their choice, taking in the storyline, characters, and emotions portrayed by actors. Such an experience can often be described as a whirlwind of different emotions
relationship between theatre and the people of the Restoration period (Elwin 5). As theatre of this era sheds light on the newly changing social normal and self-identification the reaction of the audience sheds insight back onto theatre itself. The concept of sex and sexuality is confronted and analyzed as women take the stage for the first time. The rapidly changing constructs of women are illustrated on stage and is widely received by rowdy and enthusiastic audiences. Theatre is used not only to
metaphysics to an ‘end,’ metaphysics finds itself flourishing in the theatre, which speaks of itself as ‘metaphysics-in-action’ and publishes treatises carrying such titles as The Act of Being: Toward a Theory of Acting. The irony of the situation appears to have been lost on postmodern philosophers. What this paper sets out to do is explore the potential consequences of the metaphysical weight that has been acquired by the theatre for the practice of philosophy. It argues that the theatrical performance
“Physical theatre requires no specific dance style from its performers – it is the freedom to express emotion in performance whilst integrating various acting and dance techniques.”(Quench, 2013) Physical theatre can be described as a freedom of expression That has less rules and restrictions than Dance. DV8 is a widely known physical theatre company that was founded by Lloyd Newson in 1986. Newson attended the London Contemporary School of Dance where he gained a full scholarship. Based on this