Gustav Holst Music derived from astrology is surprisingly rare. The ancient Greek philosophers, whatever their intellectual attitudes towards astrology may have been, were certainly not ignorant of astrological teachings and ideas. It was they, after all who put forward the idea of the "Music of the Spheres", the idea that these vast objects twirling around and whirling through space, must have hummed a tone as they went along their courses, much as a ball spun on a string will whistle. They
Gustav Holst once said that, “Failure is the most important part of an artist's training, and one you cannot afford to do without”. A composer’s life is often one of many peaks and valleys that, in the end, help to forge them into a world renowned composer whose legacy stands the test of time. The life of composer Gustav Holst is no exception to this. From an early age he had to overcome several physical and emotional hurdles. However, by the time of his death Holst had become a mainly self-taught
Born Gustavus Theodore von Holst in Cheltenham, England on September 21, 1874, Gustav Holst was a famous popular modern composer of the early 20th century. He is best known for the First and Second Suites for Military Band, and his most famous work of all, The Planets suite, which left him as one of the most influential contemporary composers of the 20th century. Holst grew up in a family of several generations of talented, professional musicians. He grew up and learned playing the trombone, violin
As the handmaiden of Olivia, Maria is considered today to play a relatively minor role in William Shakespeare’s Twelfth Night, but despite her minor role, Maria is the driving piece in the subplot to trick Malvolio by writing a letter in her lady’s script, and she is, at the end of the play, married to Olivia’s cousin Sir Toby. Maria is typically interpreted as being “feisty, witty, and outgoing” (Marshall 217), but some would argue that this is not her personality in Trevor Nunn’s rendition of Twelfth
The Character of Emilia in Othello Emilia is one of the few straightforward people in the Shakespeare's Othello. Emilia is taciturn. When we first meet her in Cyprus, after his throwaway condescending remark about suffering her tongue, and Desdemona's rejoinder that "she has no speech", Iago has to admit that "she puts her tongue a little in her heart and chides with thinking". In the scene of light hearted banter that follows Emilia manages to utter two words. She really only finds her voice
Thomas Hardy's The Withered Arm In Thomas Hardy's "The Withered Arm" Gertrude Lodge and Rhoda Brook, although two very different people, from different classes and upbringings, are linked by their love for one man, Farmer Lodge. With the help of fate their two separate destiny's become one. In the beginning we believe that Rhoda is the one who is responsible in the role of fate but as the story progresses we see that the burden is placed more and more upon Gertrude's shoulders. Throughout
There is no doubt that Eustacia Vie is the Heroine of the tragedy "Return of the Native". Without the majestic air that Miss Vie adds to the novel we are left with a typical period soap drama. Eustacia Vie is on more then one occasion compared to classical characters of Greek mythology, and even in her death the nobility of her figure evokes images of classical sculpture."Pallor did not include all the quality of her complexion, which seemed More the whiteness; it was almost light. The expression
Mood, Atmosphere and Place in The Return of the Native Throughout The Return of the Native, Thomas Hardy is very successful in creating mood and atmosphere. Some scenes are so descriptive that a very clear mental picture can be formed by the reader, causing a distinct sense of place. It seems that through his words, Hardy is submerging the readers into his story letting us take part only as an onlooker. It is at the beginning that the strongest mood, the heaviest atmosphere and the most obvious
I attended the University of Michigan Symphony Orchestra, conducted by Kenneth Kiesler on January 25th. They performed Symphony No. 41, “Jupiter” by Wolfgang Amadeus Mozart (1756-1791) and all pieces from The Planets suite by Gustav Holst (1874-1934). I loved the venue of the performance, it was very warm and inviting. Of all the pieces performed, I think I liked Mars, The Bringer of War and Jupiter, the Bringer of Jollity the most. The titles of the pieces really helped immerse me into the music
Review of The Return of the Native by Thomas Hardy The return of the native was written by Thomas hardy in 1878, the story is based on a place called Egdon heath. When hardy wrote the novel it was the time of Charles Darwin, he had written his book ;on the origin of the species' so this was a big influence on hardy's view of god and evolution, it was also the time of the
“You gotta play this piece like an English military band would,” said Jules during band one day while rehearsing the first movement of Gustav Holst’s Second Suite in F. “1. March” begins with four notes played by the low brass which is then echoed by the upper woodwinds. The trumpets have a noble melody which broadens when the entire ensemble joins in. Next, the piece lightens up with an upper woodwind melody. Later on there is a euphonium solo, and following that is a grand theme with an extremely
Regional Band Competition The situation was insane. Not only did I have to make time in the busy schedule of my junior year to take a few days off from school to attend the District One East High School Band Festival, but I actually had to audition to get a decent seat. Don't get me wrong; I was thrilled about attending. I just wasn't looking forward to having to make up two day's worth of schoolwork. For once, I would be attending a festival where the seating arrangement wasn't based on
Later in their careers, Gustav Holst and Ralph Vaughan Williams gained fame from their unique creativity and modern expression, but the young composers began their careers drawing on influences from family and music exposures. The pre-World War I compositions of Holst and Vaughan Williams evolve as the composers collect life experiences and these influences can be heard in this early music. Yet, the music of both young Holst and young Vaughan Williams also present very original aspects that presage
The Southwestern Company. People in Place and Time. Nashville, TN: Southwestern, 2000. Print. Smith, Jane Stuart and Betty Carlson. The Gift of Music: Great Composers and their Influence. Wheaton, IL: Crossway, 1995. Print Britten, Benjamin and Imogen Holst. The Wonderful World of Music. New York: Doubleday & Co., 1958. Print World Book. The World Book Encyclopedia. Chicago, IL: World Book, 2013. Print Sartorius, Michael. www.baroquemusic.org. “Baroque Music Page: Biogs, Pictures, Music Samples” January