Civil Disobedience Reflection I think civil disobedience is an effective means to creating change. Civil disobedience gets the message across and it can bring about change. Violence cannot fix any problem, as it leads to more violence and more hatred. On the other hand, civil disobedience is a way to show the enemy that you do not hate them, but you hate what they are doing or claiming. In addition, civil disobedience shows the opponent that you are willing to let them do anything to you, as long
Sometimes one coil provides the increased voltage to the distributor or there is no distributor at all and each cylinder has its own coil to provide voltage for the spark plug. The coil is a compact, electrical transformer that boosts the battery's 12 volts to as high as 20,000 volts. The incoming 12 volts of electricity pass through a primary winding of about 200 turns of copper wire that raises the power to about 250 volts. Inside the distributor, this low-voltage circuit is continuously broken by
produce the sparks that ignite the compressed mixture of air and fuel in the combustion chamber. This system consist of the ignition coil, the distributor, the spark plugs, and high and low tension wires. Ignition Coil- This is a transformer designed to step up the 6 or 12 volts from the battery to approximately 20,000 volts. Distributor- The distributor which is driven by the camshaft, sends the high tension current it recieves from the ignition coil to the proper spark plug at the correct instant
investors (Arundel group) is looking into the idea of purchasing the sequel rights associated with films produced by one or more major movie studios. Movie rights are to be purchased prior to films being made. Arundel wants to come up with a decision to either purchase all the sequel rights for a studio's entire production during a specified period of time or purchase a specified number of major films. Arundel's profitability is dependent upon the price it pays for a portfolio of sequel rights. Our
In the article “The Magic of Movie Going” the writer claims that going to a movie theatre is a magical experience that a person can’t experience anywhere else. However, I’ve found that watching a movie at home can be just as enjoyable and intense as watching a movie at the theatre. The movie theatre is always known as a social place but your living room can be just as social, you can also customise your movie watching experience at home to make yourself more comfortable. Also not going to the movie
Media is very powerful. It devoured the major industries of the modern world. Everything from television shows to social media networks is under the umbrella of almost omnipotent media. The most interesting fact is that people have been addicted to it since long time ago, and this addiction keeps expanding exponentially. What attracts people so much? How media is capable in controlling society so well? Why everyone is so dependent on it? The uses and gratifications research can be very helpful to
were a big hit in his time, and laid the foundations for producers to later share his work in film. Most people have a preference to the genre type of movies. Picking a movie can be a difficult task, which is why they have different categories to describe the overall content of the movie. Depending on the mood and setting, one may crave a certain genre over another. One common genre is comedy. Comedy films are favored by many for the relaxed positivity it projects onto the audience. Most comedies
The average production budget of a major studio film in 2007 was $106 million. (http://www.mpaa.org/2007-US-Theatrical-Market-Statistics-Report.pdf.) There is a financial concept called the Parkinson’s Law which is, the film’s budget will go beyond what is expected and used up all the money that is available even if it help make the film better or not. It is said that
Independent film is in many ways, an oxymoron. At one point the well-known independent films truly were independent from the influence of the major studios. They were creations from the artistic ideas and expressions of persons free from the influence and oversight of a studio. While there still is a plethora of independent filmmakers throughout the country and worldwide, the independent films that receive the most exposure tend to at some point receive support from a major studio or one of the studio’s
Channel for Film Industries in Indonesia INTRODUCTION This paper is trying to seek the possibilities of developing commercial distribution links for alternative film in Indonesia for present and future. Although in big scale alternative film is within the area of non-commercial terms and obviously need external support (because its characteristic as an important avant-garde in culture development and film expression), but if we try to see on commercial distribution side from these films, they can
Sometimes Australian cinema can be overlooked in many international markets, and even domestically as the distributors needed to gain worldwide attention are not generally signed with the productions. Coupled with the different setting and characters as of other Hollywood films, makes the Australian film genre a difficult sell to many international markets. This was clearly evident in the 2014 Australian film Paper Planes. Paper Planes was released here in Australia theatrically on the 15th of January, 2015
p.10). This corporation was at first created as a music distribution company (Records on Wheels Ltd., 1973), later acquiring new subsidiaries and moving into segments of Television, Family and Film (“About Entertainment One”). Entertainment One Films, which is structured as eOne’s subsidiary, acquires film content rights and distributes these across several territories: Canada, UK, the Benelux, Australia, New Zealand and USA. Distribution channels enable theatrical distribution, home entertainment
Film Piracy, What is it? Australian Screen Association defines Film piracy as, “anyone viewing a full length movie via ‘unauthorised’ means, including: digital (downloading, streaming, digital transfer of pirated copies), physical (buying counterfeit/copied DVDs), and secondary (borrowing or viewing pirated copies).” Thanks to advancements in technology film piracy has been on the rise, making it easier to copy and distribute films worldwide with Australia being one of the highest contributors in
resides in people that are ethnically white. Brent Lang and Dave McNary believe that black films are usually not picked up by studios because very few people in powerful positions are black. Therefore, most studios don’t understand what would appeal to black audiences. This causes analysts to undervalue the potential profit of black films, turning executives away from being interested in pursuing black film projects. Examples of black movie profits far exceeding predictions are found in this quote
streaming is its largest business (62.3% of total revenues in 2014). This is followed by international streaming (23.8%) and domestic DVD (13.9%). Netflix started out as an Internet store offering DVD rentals in early 1998. At the time, the largest US distributor of movie rentals video was Blockbuster, which
The four Warner brothers, Albert, Sam, Harry, and Jack, first entered the movie business as film exhibitors travelling around Ohio. They bought their first theaters in New Castle, Pennsylvania and became major distributors on the east coast. They soon realized, however, that maximum profits could only be had by producing films as well as distributing and exhibiting them. So, they headed west to California. In 1918, the brothers built their first studio on Sunset Boulevard in Hollywood. This was their
Although the philosophical concept of dispositif is applicable to any social structure, the terminology has been widely adopted by film scholarship, beginning in the mid-1970s, with theorist Louis Baudry. A dispositif can be described as the product of heterogeneous elements in relation to one another, which have a specific effect of subjectification on an entire social body. In 1975, theorist Louis Baudry specifically coined the concept of cinematographic angle for dispositif, based on features
The 1920s was a time of the great success and thrive of the film industry. It was the beginning of the studio era, as the main eight studios emerged (The Big Five: Warner Brother Pictures, Metro Golden Meyer, 20th Century Fox, Paramount, RKO; The Little Three: United Artists, Universal, Columbia Picture). Especially in 1920s the market started to grow rapidly. First of all it was because of technology progress, (such as the ability to create longer movies; starting from 1910s there were experiments
The film which depicts the Algerian struggle for independence against French colonial power, was awarded the Lion d'Or at the 1966 Venice Film Festival. Yet, despite this acclaim, the inherently controversial film was banned in France until 1971 due to its graphic portrayal of torture and repression during the Algerian war. The politically engaged director had however sought to make The Battle of Algiers within a 'dictatorship of truth,' neither supporting the Algerians nor reducing his film to propaganda
Since the blacklisting continued in Hollywood, the making or films became very difficult to express. The restrictions, such as the production codes, kept the big corporations to produce films that had no interesting subjects. These films also had to be films that show no signs of communistic values. The film industry was failing to bring in the audience to the theaters. With the TV making a big wave all over, the U.S. the film industry was losing it is money. Then in 1961 something big happened