Boris Karloff Essays

  • Frankenstein Comparisons

    656 Words  | 2 Pages

    possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel. James Whale's adaptation of the story of Frankenstein

  • Sympathy in Mary Shelley's Frankenstein

    993 Words  | 2 Pages

    Sympathy in Mary Shelley's Frankenstein Frankenstein for many people is a huge fiendish monster, a brainless oaf with a couple of neck bolts, who is a horrible murderer. This image has been created by Boris Karloff and other television/film images. I also thought like that, believing Frankenstein to be a monstrous murderer, so when I was met with the text I was surprised to find as a mad scientist who creates a monster. This changed my opinion greatly at first. As the central characters

  • The Two Forms of Frankenstein’s Monster

    1743 Words  | 4 Pages

    seeking vengeance on his creator. The creature’s depiction on film created an entirely new character in the social consciousness, splitting the character of Frankenstein’s monster into two distinct forms: the childlike creature made famous by Boris Karloff, and the articulate, revenge-obsessed creature from the original novel. An analysis of the similarities and differences between the two characters reveals that the film Frankenstein is a much more sympathetic creature than Shelley’s original creation

  • The Mummy Feminist Theory

    757 Words  | 2 Pages

    Horror genre films have been produced since the beginning of movie making. Though the word "horror" to describe the film genre would not be used until the 1930’s. This was after Universal Pictures released Dracula and Frankenstein both in 1931. One of the first horror movies created was The Mummy (1932) and it was directed by Karl Freund. The movie was a huge success and many remakes followed for years to come. This film had no official sequels, but rather semi-remakes done over the years. In 1999

  • Shelley's versus Whales' Frankenstein

    1011 Words  | 3 Pages

    Mary Shelly’s novel, Frankenstein and James Whales version of her book differ in many ways. The most important difference is Whales making the monster less human. He made him a deaf mute and violent. He came across as almost sub-human and barely capable of anything but following basic orders, grunting and shouting. While Shelly’s novel the monster constantly wanted to communicate with people but was unable to do so due to his appearance. He simply scared people. This resulted

  • Frankenstein

    1041 Words  | 3 Pages

    the monster more than his creation. His faults in his creation lead to his demise. Work Cited 1. Shelly, Mary. Frankenstein. Penguin Group. London, England. 1992. 2. Frankenstein. Produced by Carl Laemmle Jr. Perf. Colin Clive, Mae Clarke, Boris Karloff, and John Boles. Universal Pictures. 1931. 3.Gods and Monsters. The Flick Filosopher. AF 100:#87 http://www.flickfilosopher.com/flickfilos/archive/004q/frankenstein.html

  • Analysis Of Penny Dreadful

    1483 Words  | 3 Pages

    For this assignment I chose the show Penny Dreadful which is an American-British drama series. I chose this show because it involves many aspects that intrigue me on another level besides just entertainment. Penny Dreadful entails historical and biblical references; each questionable reference to these attributes of the show always leads me to think deeper and to do my own research about the statements. This habit to double check facts in a fictional show is something I think others find odd, but

  • The Bride of Frankenstein

    1747 Words  | 4 Pages

    The Bride of Frankenstein A horror film is a film dominated by elements of horror. This film genre underestimates a number of sub-genres and repeated themes, such as slashed themes, vampire. Horror films are designed to frighten and panic that cause dread and alarm within our hearts, and to invoke our hidden worst fears, often in a terrifying and shocking endings at the same time entertaining us with excitement and therapeutic experience. Most horror films are designed to show the dark side

  • Frankenstein: Don't Judge a Monster Based on His Appearance

    1505 Words  | 4 Pages

    Do not judge a book by its cover. A famous American proverb that says a person’s character cannot by judged by their appearance. A prime example of this is the monster from Frankenstein. On the outside, he has a terrible appearance but he is a kind soul simply looking for a little compassion. He is a victim however due to his monstrous appearance and is left in bitter misery in the story. Both the book and the play present him as a sufferer in a cruel world but ultimately the book does a better job

  • Penny Dreadful Personality

    1465 Words  | 3 Pages

    For this assignment, I chose the show Penny Dreadful which is an American-British drama series. I chose this show because it involves many aspects that intrigue me on another level besides just entertainment. Penny Dreadful entails historical and biblical references; each questionable reference to these attributes of the show always leads me to think deeper and to do my own research about the statements. This habit to double check facts in a fictional show is something I think others find odd, but

  • Comparing Frankenstein's Monster, Dracula, And The Mummy

    1070 Words  | 3 Pages

    Universal’s classic monsters we know today are Frankenstein’s Monster, Dracula, The Wolf Man, and The Mummy. These four iconic monsters have changed the industry and keep changing it with the never-ending releases of newer adaptations. However, The Mummy differed greatly from the other monsters due to its story and how it was projected. Frankenstein’s monster, Dracula, and The Wolf Man are all based on some sort of literature or mythological background. The older, classic versions of these films

  • Frankenstein's Monster: A Short Story

    1154 Words  | 3 Pages

    Matching green "trousers" and a pair of yellow boot-shaped feet completed what, essentially, was a visually ironic mishmash of superhero and what a child's vision of what a robotized Frankenstein's monster would look like. A look that Spring couldn't help but start to underestimate, as Dee raised her fist and pointed it towards the antennae on the robot's head. Another burst of RF signal from the ring, and after centuries of inactivity, Frankenstein Jr.'s eyes slowly flickered open. The well-made

  • Film Analysis: Young Frankenstein by Mel Brooks

    1078 Words  | 3 Pages

    Camp Rhetorical Analysis Mel Brook's film ,Young Frankenstein, is a comedic throwback and famous parody to Univeral's Frankenstein (1931), Bride of Frankenstein (1935), Son of Frankenstein (1939), and The Ghost of Frankenstein (1942). (quote from interview generally describing movie experience). Young Frankenstein has important visual effects that bring to this film a well-rounded sense of both frivolity and campy thrill. Satirically embodying the older films, Young Frankenstein includes overly

  • James Whale's Frankenstein

    1358 Words  | 3 Pages

    Paradoxically, the creation does not result in progress but manages to destroy more than what it was made from, in turn, causing more conflict and damage. Whale’s cynical view towards the war was especially exposed in “Bride of Frankenstein” which was made three years after Hitler came into authority. The technology used within this film was beyond its time as was the gender reversal and concept of re-animation after death. This could symbolize the people’s resistance to evolve and improve. The

  • Victor Frankenstein

    1753 Words  | 4 Pages

    Question #7- What difficult circumstances is Walton encountering when he meets Victor Frankenstein? In the letters that Robert Walton sent to his sisters, there is legit evidence that he was encountering difficult circumstances when he met Victor Frankenstein. When Walton's vessel was sailing to the Northern Pole they encountered heavy fog and lots of ice. Walton's exact words were, "...we were nearly surrounded by ice" (8). and he also exclaimed, "...we were compassed round by a very thick fog"

  • Analysis of Hazlitt's Article on Travel

    1218 Words  | 3 Pages

    Analysis of Hazlitt's Article on Travel Hazlitt's article on travel advocates the benefits of solo travel within one's own country. His affection for travel is strong. He calls going on a journey "one of the pleasantest things in the world". Hazlitt stresses that solitude while on a journey is a must, saying "nature is company enough for me", and "I am never less alone than when alone". Hazlitt insists that sharing in the experience of nature with a companion takes away from the sensory

  • Victor Frankenstein Critical Analysis

    1671 Words  | 4 Pages

    Life is precious and death is inescapable. Love is the only thing that holds our words together, because without it, life is dull and meaningless, and actually not so different from death. To try and conquer the very thing that takes away life would require a great and powerful amount of love, and yet in Frankenstein, the very opposite was directed towards the same purpose. Victor Frankenstein successfully created a living being that was derived from death itself, but he doomed his scientific discovery

  • Vladimir Putin - A Modern Machiavellian Prince

    2412 Words  | 5 Pages

    In 1513, an Italian politician by the name of Niccolo Machiavelli distributed, though privately, a political treatise called The Prince. This treatise was, essentially, a guide on how to effectively rule one's country. It's important beforehand to define exactly what a Machiavellian is, before describing one. A Machiavellian is a leader who, through his power and influence, works toward the common good of his people. This can be done through fear, through deceit, even through manipulation. It is

  • Essay On Mikhail Gorbachev

    964 Words  | 2 Pages

    region. This ambitious group of young performers earned money from tickets to their performances and with the money they bought 35 ... ... middle of paper ... ...-Soviet era, he expressed criticism at the reforms carried out by Russian president Boris Yeltsin. He tried and failed to run for presidency again in 1996, but soon after he established the Social Democratic Party of Russia, a union between several Russian social democratic parties. In May 2004, Gorbachev resigned as a party leader. After

  • Matthew Halperin

    581 Words  | 2 Pages

    two countries during the cold war, nuclear missile threats had caused a lot of fear to the citizens. As Boris Yeltsin came into power, tensions started to decrease because of his beliefs of democracy; but as Vladimir Putin came into power in 2000, tensions increased causing panic about another possible world war; most likely containing nuclear weapons. Born in a small village of Russia, Boris Yeltsin became the first president of Russia to be elected by popular vote. Although he was elected as a