interrupted by a boisterous crowd containing Baptista Minola and his alluring daughter Bianca. Upon seeing Bianca, Lucentio proclaims, “Tranio, I burn, I pine, I perish, Tranio, if I achieve not this young modest girl. (Act 1, Scene 1)” This ultimately leads to Lucentio’s passionate pursuit of Bianca. In order to achieve his goal of wooing Bianca, Lucentio decides to give up his studies and to disguise himself as Cambio, a tutor that wishes to educate Bianca. In doing so, he also has Tranio disguise himself
The topic of the unfair treatment of women starts with two of the main female characters Kate and Bianca Minola the daughters to the man named Baptista Minola. The two main female characters have very dynamic personalities, for example Kate is a tight, open, uncaring, rude, and insensitive person, but as the story progressed Kate started changing become more of a wife obeying, and incentive. While Bianca on the other hand started off as a charming, sweet, loving, and sensible person, but as the story
Shrew”, Kate is categorized as a dynamic character through her transformation of being an obedient wife for Petruchio, her acknowledgement of other people’s ideas and love, and her better treatment of other people. Kate, the eldest daughter of Baptista Minola, has transformed throughout the story from being a “shrew” to an obedient wife for Petuchio. In the beginning, Kate is well-known by the society for many of her violent actions and cursing words towards other people. According to Gremio, “she’s too
play he watches is what constitutes the main body of The Taming Of The Shrew. In it, a wealthy landowner, Baptista Minola, attempts to have his two daughters married. One is very shrewish, Katherine, while the other is the beautiful and gentle Bianca. In order to ensure Katherine is married, Baptista disallows Bianca to be espoused until Katherine is wed, forcing the many suitors to Bianca to find a mate for Katherine in order for them to vie for Bianca's love. Most of the play's humor comes from
between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older
sister and Bianca as the clever one. Katherina is described by Grumio as the "fiend of hell" (I.i.88) and by Tranio as "curst and shrewd" (I.i.180). In contrast, Lucentio sees in Bianca's silence "mild behavior and sobriety" (I.i.71). Early in the play, Katherina forcefully binds Bianca's hands and beats her and a weeping Bianca resorts to her father to get away from Katherina (II.i.1-25). Bianca does not use force but instead relies on cleverness to get her way. As part of her cleverness, Bianca displays
Female Ambiguity: Kirke from The Odyssey vs. Bianca from The Taming of the Shrew Women are ambiguous characters throughout texts such as The Odyssey and The Taming of the Shrew. In these two stories, there are female characters that are deceitful and beguiling towards men. Kirke and Bianca are two comparable characters that display such behavior. I will explain how both characters display ambiguity by hiding their true nature behind actions that they wouldn’t normally take; therefore these female
of the Shrew, Shakespeare portrayed women as objects or shrews that needed to be tamed. Kate was the daughter of a wealthy man named Baptista Minolta from Padua. She was the oldest sister and, under tradition of the time, had to be married first. Bianca, on the other hand, was the younger daughter and was courted by many. Due to Kate’s wild behavior, the suitors were afraid of her. Along came a man named Petruccio, who was determined to marry her and get the money that would be given to the
shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not “tamed” but just putting on an act to “show up” her younger sister Bianca, whom has always been more beautiful and charming. Kate is “like a wasp, like a foal, like foal that kicks from his halter; pert, quick and determined, but full of good heart.” 1. This statement made by one author, shows clearly that he does not see
Every play, story, or poem always has that one object or person that is relevant to every single important scene. In Othello, the handkerchief is that object. It was present since the beginning of the play and most of the conflicts, doubts and jealousy was brought to life through it. The handkerchief which was suppose to be only a symbol of love between Othello and Desdemona suddenly became much more. It represented their lives and represented whether they would live or die and According to the book
tells that she is a shrew, (1.I .54-60) and that she will never find a groom. When she first speaks we see her responding to these insults, but she was provoked so her words seem appropriate. Yet as the play continues we see Katharina tying up Bianca, (2.I.29) and hitting her. This can be rejected as sibling rivalry, but later Katharina slaps Petruchio when he is trying to woo her (2.I.214). Katharina seems to have a physically violent side that isn't present in Beatrice. She also does not seem
beautiful sister Bianca. Bianca wanted to get married. She had all of the men's hearts, Katherine had none. If Katherine got married then Bianca could get married. She truly was a shrew who needed to be tamed. Petruchio came to Padua. Petruchio could tame Katherine for the right amount of money. Before Petruchio's arrival, Katherine, the terriable, untamed shrew, caused problems with everyone. All that knew her hated her. She felt very jealous of her beautiful sister Bianca, because of her
A Feminist Analysis of Othello In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper. In the essay “Wit and Witchcraft: an Approach to Othello” Robert B. Heilman discusses a scene which occurs late in the play and which is sexist: When Othello summons Desdemona and dismisses Emilia, “Leave procreants
The Taming of the Shrew: Deciphering Kate’s Shrewish Character The Taming of the Shrew is one of Shakespeare's most popular plays. It is both a witty and complex play with characters that are appealing and believable drawn from life and based on a keen understanding of human nature. One can see this in the main character of the play, the shrew Katherine. The reasons for Kate's shrewd behavior as well as her tameness have puzzled Critics and Shakespearean scholars for ages. This essay will attempt
The Strength of Women in Shakespeare's Othello In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers. Emilia is a realistic woman. She does not always do what is right, but does things to make life easier for herself. When Emilia
his new situation, in order to cheer him up. 2.2 The comedy The young Lucentio, son of the rich Vincentio from Pisa, arrived at Padua to start his studies. At first sight he falls in love with Bianca, the daughter of the old Baptista, who looks for a wealthy son-in-law. Before Bianca can marry, Baptitsta wants to find a husband for his older daughter Katherina. But Katherina has no admirers, or better, men get out of her way, because she is rebellious and high-spirited. Petruchio, a nobleman
Katherine and Bianca of The Taming of the Shrew The Taming of the Shrew brings out the comedic side of Shakespeare where irony and puns carry the play throughout. In my paper, I will concentrate on one the irony of the play, the introduction of the two sisters. These two sisters begin off with the elder, Katherine, viewed as a shrew, and Bianca as the angelic younger of the two. However, as the play proceeds, we begin to see the true sides of the two sisters and their roles totally
tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when
incongruities at many levels as we analyze the three main plot lines of the play: The Induction, The Wooing of Bianca and The Taming of Katherina. Each of these subplots is based on earlier works of literature or folk tradition. Shakespeare is not alone in his choice of "false supposes" as a theme. According to The Shakespeare Handbook, Shakespeare adopts the entire narrative [for the Bianca story] complete with some stock characters and some pieces of staging, from George Gasciogne's play Supposes
main theme of this play is that what a person is really like is more important than how they appear to be. This is shown by Petruchio's relationship with Katherine; the changing roles of Tranio, Lucentio, and Hortensio; and the true characters of Bianca and Katherine. All three of these situations help to enrich the theme. The first predicament that supports the theme is Petruchio's relationship with Katherine. When we first meet Petruchio, he is only after the money of Katherine, and accepts