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Shakespeare literary analysis
Portrayal of women in Shakespeare's work
Gender roles in the Renaissance era
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1. Introduction
In Shakespeare’s comedy “The Taming of the Shrew”, the audience becomes aware of a variety of different love concepts. Such as romantic and rational love, mature and immature love, intimate and reserved love, paternal love and the love of a daughter. These concepts are represented by the different characters and are contrasted with each other.
I will sum up the play and furthermore elaborate on the contrast between the conventional and social accepted love and the unconventional love, which is looked down upon by society.
2. Summary of the play
The comedy consists of an induction and five acts. The play ends with a short scene, which one might call an epilogue. The induction and the “epilogue” serve as frame for the real comedy.
2.1 The induction
Christopher Sly, a drunken tinker, is turned out of an alehouse by the hostess. A lord and his train, who return from hunting, find Sly sleeping. For his own amusement the lord has sly taken to his castle. There the tinker shall awake and be told and treated as if he is the lord of that household. Along coming actors are invited to come to the castle and play in front of the “new” lord Sly, who does not really find his way around in his new situation, in order to cheer him up.
2.2 The comedy
The young Lucentio, son of the rich Vincentio from Pisa, arrived at Padua to start his studies. At first sight he falls in love with Bianca, the daughter of the old Baptista, who looks for a wealthy son-in-law. Before Bianca can marry, Baptitsta wants to find a husband for his older daughter Katherina. But Katherina has no admirers, or better, men get out of her way, because she is rebellious and high-spirited.
Petruchio, a nobleman from Verona, is interested in Katherina, to whom it seems as a task to tame her. By reacting fundamentally cruder than Katherina and repaying her doubly for what she says or does, he enforces in a quite short time the marriage with her. To which he not only comes late but also in ragged clothes. He also takes her immediately after the ceremony with him to his country house, where he has her go without food and sleep. By spoiling everything for Katherina, Petruchio achieves that she gives in everything, even that she leaves it to him if the sun or the moon shines.
In the meantime several suitors courted Bianca and Lucentio won the day over the others.
All in all, Shakespeare’s writing depicts the complexities in situations regarding love; each scene of the play brings forth tension and obstacles for each lover, but the use of personification and metaphor, especially with Theseus’ extended metaphor, shows the theme of love’s difficulty to exemplify the ability to overcome obstacles.
The comedy, “Much Ado About Nothing” depicts the story of a group of high-ranking soldiers who travel through a town called Messina. They had been to the town before, and this time Claudio confesses his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
In the beginning of the play Kate is “consistently in opposition to everything around her”2, meanwhile “Bianca obeys so gently and with such sweet submission that it is obvious why she is Baptista’s favorite daughter”2. In the end of the play, the roles switch and Katherina is submissive to every word of Petruchio and Bianca resists the commands of her new husband.
The love of the protagonist and his wife in William Shakespeare’s trgedy Othello can not stand up against the repeated assaults of the sinister Iago. Let us in this essay search for and comment on the examples of love found in the play.
In Shakespeare’s A Midsummer Night’s Dream, love is explored between the discord of reason and imagination. In Act 1, Helena’s soliloquies her inner thoughts and present’s Shakespeare’s unique perspective on childlike and mischievous love: “And therefore is Love said to be a child” (1.1.238). This perspective of a capricious love is echoed throughout and forms a basis to propel the action of the play. It is within this framework that Shakespeare reveals that the complex nature of love is so powerful that it renders those in pursuit of it disillusioned, impulsive, and irrational, like a child.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
Bassanio makes many choices that sets a path ahead of him. Bassanio is low on money since he is not very good at keeping it. Nevertheless, Bassanio continues to acquire money and owing several people. Bassanio is in love and is taking a chance to go win the love of a fair lady. He asks his good friend, Antonio, for money for his travels. “I owe the most in money and in love, /and from your love I have a warranty/to unburden all my plots and purposes/How to get clear of all the debts I owe.” (1, 1, 131-134) Antonio agrees to lend the money to Bassanio out of love. Antonio wishes Bassanio to be happy and with the woman of his choice. Bassanio reaches Belmont in high hopes of winning over fair Portia. He chooses to risk the consequences of the lottery just for a small chance to be with his love. “Confess and love/ Had been the very sum of my confession. / O happy torment, when my torturer/ ...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
... between Petruchio and Kate is contrasted with the superficial properness of the relationship of bianca and lucentio.
Bianca and Lucentio are considered stock characters in this play for many reasons. On the surface of things, Bianca is a sweet, mild-tempered young woman. She shows obedience towards her father and fosters his favoritism for herself by playing the part of a noble victim who cannot marry until her shrewish sister is wed. "Bianca is the epitome of a stock character. She is the sweet, innocent girl that all the g...
Shakespeare’s Romeo and Juliet is a play commonly viewed and known as a true love story; however, after analyzing several hints portrayed by the protagonists, it is evident that Shakespeare did not intend to make Romeo and Juliet seem like a true love story but a criticism of how superficial society’s view on love is.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
...nt to creating a deeper, more harmonious relationship involved a mature acceptance of the dark, shadow sides of Kate. The “baggage” of her wounded past with all of its unmet needs had been waiting to be loved and transformed. In the radical courtship of Kate and Petruchio, all “buttons” got pressed, character armor was released, and in the mirror of lover and beloved, childhood vulnerabilities eventually diminished freeing up enormous reserves of creative energy. It is in this light that I appreciate Kate’s final impassioned speech to the other women who, in their selfish defiance of their new husbands had acted immaturely. For here, Shakespeare ironically exposes Bianca as the real, untamed shrew and reveals a very sagacious and loving Katherine.