2002 Cannes Film Festival Essays

  • Bowling For Columbine

    2146 Words  | 5 Pages

    more concerned with the proximity of the weapons plant to Columbine High School and its possible influence on the shooters comfort around weapons. He follows the interview with the public relations person from Lockheed and Martin with a montage of film footage of Americans distributing arms in foreign countries then later bombing the same countries, suggesting that distributing arms fed American society’s fears of these foreign countries. This confronts the audience with evidence of the government’s

  • The Venice Film Festival and the Cannes Film Festival

    931 Words  | 2 Pages

    Nowadays film festivals have become common in our culture; from the Sundance Film Festival in the middle of January to the Rome Film Festival at the end of October, there is barely a day in the calendar where some Film Festival is not being celebrated in some part of the world. The most famous ones, such as the Venice Film Festival and the Cannes Film Festival, began their history in the 30's and despite critiques and negative reviews, they continue to be held every year. As a consequence, film festivals

  • Ecocriticism In The Road Cormac Mccarthy

    2054 Words  | 5 Pages

    The Road by Cormac McCarthy, is set in a post-apocalyptic United States. A father and his son have survived the event that cause the destruction and death of so many. The two of them follow a road that will lead them to the coast where they hope to find and untouched landscape that they can live in. Through their journey they encounter others that are just trying to stay alive, one’s who will steal, enslave them, or even kill them. An ecocriticism is is a lens that looks at the relationship between

  • Examples Of Survival In The Hunger Games

    862 Words  | 2 Pages

    Survive, to remain alive or existent, to function and prosper, to prevail. The true definition of survive, is none other than remaining alive, at all cost, people can go to lengths they thought was not possible. Some survive because maybe they have strength, smart, or just because they did what they must’ve needed to do, to prolong their hour of death, that will end their legacies. A quote that represents survival is, “Survival of the fittest”. The movie Hunger Games capture the quote very well

  • Bowling For Columbine Essay

    1274 Words  | 3 Pages

    Columbine is an American documentary film, released in 2002, and was written, directed and narrated by Michael Moore, which also utilizes a variety of persuasive documentary techniques for the purpose of provoking a response from the audience. The purpose of bowling for columbine is to show audiences issues made by the American gun laws such as violence e.g. The Columbine massacre. Moore presents the audience with new ideas and the issues facing America. It is a film about guns and America's culture

  • To Build A Fire

    583 Words  | 2 Pages

    'To Build a Fire'; In Jack London's, 'To Build a Fire';, it is obvious to see that as the story progresses, the man becomes more bestial. However at the same time the dog seems to gain the human quality of good sense. This quality of good sense, which the dog acquires, allows it to away from the same fate of the man. There are many examples of how this is portrayed as the story makes headway. The first example of how the man becomes more bestial occurs after his first fire fails. After his fire fails

  • Bowling For Columbine

    844 Words  | 2 Pages

    The film Bowling for Columbine is an American Documentary, written, directed and narrated by Michael Moore. In the film Moore is searching about what he believes are the main causes of the 1999 Columbine High School massacre as well as what caused other violent crimes, acts and massacres. He focused on the background, history and environment of Columbine and the surrounding areas as well as all the violence, shootings and terrorism that has happened in all of the United States. Lastly he spoke

  • What Is The Theme Of The Road By Cormac Mccarthy

    1176 Words  | 3 Pages

    Cormac McCarthy’s, The Road is a story of love. Although the characters are nameless, the reader cannot help but grow to love the boy and the man and develop a deep and personal connection with them. Despite all the negative situation they’re in, there is so much positive that comes out of this story. This story is taken place in a post-apocalyptic waste land where people are literally fighting to stay alive, killing other people just to eat them, reproducing only to eat the new born and kidnapping

  • The Good vs. The Bad in The Road: Which Would You Do?

    961 Words  | 2 Pages

    Imagine a desolate and dismal world that deteriorated with scarce supplies of food and shelter and there is only a few survivors left--including yourself and one of your family members. In hopes of survival, what measures would you take? Would you go to the extreme by cannibalism or committing suicide? On the other hand, would you choose to be on an ethical route by grasping on life delicately? In the midst of the unflinching and empty world with virtually no hope, the father and son in the novel

  • Bowling For Columbine Convention

    1379 Words  | 3 Pages

    The film ‘Bowling for Columbine’, a 2002 documentary by Michael Moore, is a brilliant example of the documentary mode: Interactive Participatory. Bowling for Columbine is an in your face, hard-hitting documentary directed and produced by Michael Moore, whose other works include Fahrenheit 911, Where to invade next and Sicko. This film focuses heavily on the American right to keep and bear arms; specifically centred around the Columbine High School massacre in early 1999.Moore puts emphasis on the

  • Bowling For Columbine Gun Violence

    769 Words  | 2 Pages

    The documentary, Bowling for Columbine, is a strongly deceptive film which portrays America as a cruel, violent country. Although considered as an Academy Award Winning documentary, Bowling for Columbine fictionally depicts “gun violence” in the U.S; in reality gun violence is prevalent world wide. Guns are used for a multitude of reasons, not only violence towards others; It is ultimately the result of one’s personal actions and decisions. Regardless of the weapon, the person who uses it is responsible

  • Bowling For Columbine Essay

    959 Words  | 2 Pages

    Bowling for Columbine by Michael Moore was a documentary from 2002 which explores gun violence and gun culture in the United States of America. This award winning documentary uses influential film techniques such as interviews, montages and comedy to engage the audience and influence them subconsciously. Interviews were manipulated to convince the viewer towards one side and agree with Moore’s point of view. Comedy was used to mock the views and opinions of interviewees and people in the documentary

  • Bowling For Columbine Argument Essay

    843 Words  | 2 Pages

    The documentary “Bowling for Columbine” by Michael Moore discusses the shooting at Columbine Highschool in April of 1999. While going into the details of the shooting, Moore aims to answer why gun violence and mass shootings are so prevalent in the United States compared to other countries. Despite how the arguments that Moore makes are backed up with statistics and results, the documentary still falls short of being a fully effective argument due to one logical fallacy. The main point of Michael

  • How Michael Moore Makes His Arguments in Bowling for Columbine

    675 Words  | 2 Pages

    Using the school shootings of 1999 in Columbine and Flint as a starting point, Moore documents the fear and hypocrisy that has come to define this American culture. I'm going to avoid discussion of the specific material presented in this moving film; I feel no need to reinvent the wheel, it would only come out square. Personally, I have never been witness to a more powerful, more heartfelt documentary. Michael Moore, a Flint, MI native, is obviously shaken, and incensed by these shootings

  • Sion Sono's Dinner Table

    1275 Words  | 3 Pages

    Sion Sono, having directed 46 films since 1984, is one of the most prolific filmmakers of Japan, excelling, since the beginning of his career, in everything grotesque, abnormally erotic and exceedingly violent that can be found in a movie. He is considered one of the artists that finally modernized the preterit genre of J-Horror, transforming it into something closer to the ero guro style that includes, besides terror, eroticism, sexual corruption and decadence, both physical and spiritual. Sono

  • Menace II Society and Colonization

    3106 Words  | 7 Pages

    are from the soundtrack of the film Menace II Society and correspond directly to the hardships that people are given when growing up in the ghetto and when surrounded by a life of violence. Because they know nothing other than this aggressive and brutal way of life, they continue this violent cycle and rarely break away to begin a new way of life. Twin brothers Albert and Allen Hughes direct the film. The Hughes began making movies at age 12, but their formal film education began their freshman year

  • Critique La Ventura

    932 Words  | 2 Pages

    Critique La Ventura La Ventura is widely regarded as one of the greatest films to date. Michelangelo Antonioni didn’t win the Palme D’or, but it did get a Special Jury Prize during the Cannes film festival of 1960. No surprise he didn’t win the Palme D’or, but why give him an award in the first place? The reason for winning the title seemed unclear at first because the film had serious issues with breaking the rules of standardized filmmaking. For example having his actors enter the scene from

  • Censorship in the 1950's: How did this affect the making of “Night and Fog” one of the first ever cinematic documentaries on the Holocaust? A film by

    928 Words  | 2 Pages

    Censorship in the 1950's: How did this affect the making of “Night and Fog” one of the first ever cinematic documentaries on the Holocaust? A film by Alain Resnais. The ‘Night and Fog Decree’ was issued by Adolf Hitler on December 7th 1941. The ‘Night and Fog Decree’ (Nacht und Nebel Erlass) bypassed all forms of basic law and was an order from Hitler to his secret police to murder anyone in Nazi Germany and occupied Europe who was deemed to be a threat. The decree stated that such people were

  • Director David Cronenberg's Movie 'A History of Violence'

    2146 Words  | 5 Pages

    however, we only excuse his extreme reactions because of our overall exposure to violence and desensitized conscience. This type of brutal and unplanned violence becomes the protagonist’s way of making peace throughout the movie. The title of the film reflects not only the history of violence of the protagonist, but the history of violence in America. This simple movie gracefully indicates how movie violence prevails as a reflection of American culture. “The History of Violence” is not just another

  • Amelie: Interesting Premise and Beautiful Cinematography

    2480 Words  | 5 Pages

    international film and study it thereafter. We are to identify its genre and its particular conventions such as themes, sub-themes and etc. However, the main idea of this assignment is the film theory. We are to apply one of the nine film theories into our film choices and analyze it thoroughly in terms of mise-en scene, narrative structure, character interaction and any other criteria. For our film selection, we have gone through and watched a few international films which included Chinese films, Bollywood