2001 was released in the tumultuous spring of 1968, at the same time that Americans were reeling from President Lyndon Johnson’s announcement that he would not seek reelection and the assassination of Martin Luther King, Jr. It might seem odd that so many people would get so excited about a science fiction movie in the midst of urban race riots and campus protests against the Vietnam War, but to many, 2001 had far greater importance than its sci-fi trappings. Baffling early audiences with its non-traditional
The genius in not the music used in "2001: A Space Odyssey", but what Kubrick does with that music. He reduces each musical score to its essence, and leaves it playing long enough for us to contemplate it, to listen and watch as the movie progresses, which is mostly silent; this technique helps it inhabit it in our imaginations. Among science-fiction movies, perhaps “2001" is the only movie in which the director, in this case Kubrick, is not concerned with thrilling us with his music choice, but
2001: A Space Odyssey The following paper will analyze the movie, “2001: A Space Odyssey” by Stanley Kubrick” and “The Centinel” by Arthur C. Clarke. Although there are many themes present between the story and the film, the following are the most dominant. I will be discussing Scientific themes, Religious and Moral Themes, and Clarke’s development of the short story into a full-length film. The first issue, I will be discussing the scientific themes of the movie. The movie, “2001: A Space Odyssey
“2001: A Space Odyssey,” directed by Stanley Kubrick in 1968 shows the audience the evolution of humans from when they were apes. The apes learned how to use tools such as bones and rocks to better compete against other apes, which directly reveals that the tools lead the evolution of these creatures into civilized humans. As people continued to evolve and advance their intelligence, they also advanced their primitive tools throughout the years into computers. However, these computers were no ordinary
Cold War & subsequent space race. Films unwarily impact the viewer with subtle differences in thoughts, emotions, and actions after participating in this modern art. The social and cultural impression of film is quite significant as the correlation can be made that great films can enlighten those that experience them with a new perspective and motivation. On the far end of the spectrum, this can result in instances of uprising for change. Stanley Kubrick’s 2001: A Space Odyssey did not inspire such
2001: A Space Odyssey Three million B.C. The gunpowder for a smashing evolutionary hit was amassing for a long time, but the necessary spark came from an outside help, which soon set the whole world ablaze. From this heated inferno, came the most proficient species ever to grace the planet. And now man has to be prepared for what comes next. Arthur C. Clarke skillfully proves the point that 'truth is stranger than fiction' in his remarkable book - 2001: A Space Odyssey. He also carefully
How 2001: A Space Odyssey makes you think about what mysteries lie beyond the world around us is exhilaration because it brings you into the setting and makes you want to learn more about what is happening to the characters. This extrordinary book was written in a time when it was hard to see us going to any planet much less the moon, but the detail in which is told to the reader is so real that anyone back when the book was made would believe it could happen, even now when it still can't happen
2001: A Space Odyssey is just that: a long wandering voyage of the body and mind. Stanley Kubrick and Arthur C. Clark collaborated brilliantly. In examining both works, the film and the novel, there are certainly differences, yet the theme and overall idea coincide thoroughly. That this was made in the 1960's augments both accomplishments. The visuals, seen in 2004, are still captivating. What they must've seemed like in 1968! I flout those who received this movie poorly in those days. Would I have
A Response to 2001: A Space Odyssey I love having the Blue Danube waltz in 2001; it's my favorite part of the movie. What I find most amusing about it is that it ties in so well with the smoothness of a space orbit. In the first space scene, anything that is free floating, like the pen or the ships themselves, is perfectly in balance with the music. Nothing in orbit is ever rushed, and at no time does it ever falter from its halcyon state of existence. The Blue Danube matches this perfectly
RR (makeup) (Group A): “Introductory Readings for Kubrick’s 2001: A Space Odyssey” Robert Poole, in his article, “2001: A Space Odyssey,” explores how the film was put together, edited for better responses from viewers and critics, and how our culture and politics of the 1960s influenced its making. Poole describes how Kubrick’s ahead-of-their-time special affects set the stage for future science fiction films and inspired many. Poole gives his readers a summary of the film, describing how man
The analysed sequence is from 2001 A Space Odyssey (USA 1968; Stanley Kubrick). The computer HAL is malfunctioning and tries to get rid of the crewmembers. The only survivor is Dave Bowmen, who decides to disconnect HAL, and heads toward the Logic Memory Centre Room. Middle Shot: The camera is above Dave as he begins to remove HAL’s memory blocks. The room is extremely narrow and it is lighted by an aggressive red light, the preponderant colours are black and red. The mise-en.scene guides
film (the visual effects, the acting, the music), but say how it’s not Christopher Nolan’s best directed film. This is where i personally would have to disagree. Interstellar is truly a sci-fi epic like no other. To compare said film to ’2001: A Space Odyssey’ isn’t just a disservice, but unnecessary. The films are almost nothing alike, simply sharing small plot elements. Also, Stanley Kubrick’s vision of Arthur C. Clarke’s sci-fi epic wasn’t to ponder the philosophical questions that accompanied
Recently, our class read the book and watched the movie 2001: A Space Odyssey. The book is written by Arthur C. Clarke and the movie was directed by Stanley Kubrick. The book was written as a framework for the movie, so the two are mostly the same. But, while there were similarities, there were also some major differences. The story started with pre-historic ‘humans’ called man-apes. The man-apes were very primitive and on the brink of survival. One day, a huge monolith showed up and started
Summary Review The title of this novel is 2001: A Space Odyssey, this amazing book was written by Arthur C. Clarke. Clarke has many degrees that allow him to give depth to the plot. Clarke has also written a lot of books, like the Space Odyssey series, Childhood's End, and many more. There are three major settings in this story. The first takes place on the moon, where the climax begins when TMA-1 is found. The second setting is the Inter-planetary ship Discovery, when it is on its way to one
Donnie Darko and 2001: A Space Odyssey has central meanings that focus on science and religion. Richard Kelly's, Donnie Darko, introduces the protagonist as a teenage boy who is given the chance to live for twenty-eight more days after the mysterious jet engine crash that was intended to kill him. Donnie is plagued by visions of a giant sized evil-looking rabbit named Frank. Frank orders Donnie to commit acts of violence, warns of the impending end of the world, and is his guide throughout the movie
Analysis of HAL's guilt in 2001: A Space Odyssey In a court of law, killing while mentally disabled, killing under orders and killing in self-defense are sufficient justifications for taking another’s life. With this in mind, was HAL justified in killing the crewmembers of the discovery, or were Hal’s actions murderous and should he be brought to trial? Can Hal be blamed? The computer basically has 3 excuses for killing the crewmembers of the Discovery. First, Hal was disabled. Second, Hal was
technology is it can have unintended consequences that can be profound. 2001: A Space Odyssey is a science fiction film released in 1968 directed by Stanley Kubrick. The film examines the human relationship with technology in depth. Arthur C. Clark wrote a short story called The Sentinel on which the film was based. It is an epic story about the evolution of the human species and how technology plays an integral part in that process. 2001 has four major acts and begins with the genesis of human evolution
Would you destroy the first, most advanced, new iPhone to exist for decades if Siri killed all of your friends? Arthur C. Clarke was an English science fiction author and astronomy enthusiast who wrote in the 20th century. The Space Odyssey series by Arthur C. Clarke tells the fictional stories of spacemen as they try to find out the truth about life away from Earth. Arthur Clarke writes the way he does because he has been interested in science all his life, he writes about things that he believes
victim is a drunk homeless man. This is where Kubrick showed his audience why they were beating people for apparently no reason. Just before they beat the old man to death, he complained that there was no law or order anymore. And that everyone was in space "…circling around the earth and living on the moon…" This gives the simple reason that these four young gentlemen were beating people simply because they could.Alex is the leader of their clan. But along the way his other three "droogs" grow tired
"A Clockwork Orange" is a very different movie. It has everything a movie should have, but the plot is quite disturbing, especially for the time it came out. I have personally watched this film several times to find the meaning, and every time I watch it I come up with a different one. I am going to try to explain what this film contains as well as try to explain the plot. "A Clockwork Orange" is a story of a young man whose principle interests are rape, ultra-violence, and Beethoven. It's about