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Charlotte perkins gilman the yellow wallpaper
Annotated bibliography on postpartum depression
Charlotte perkins gilman the yellow wallpaper
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Tyer 1 Drew Tyer Jennifer McCune ENGL 1312 24 February 2005 No Work and No Play Makes Jane a Dull Girl Jane in Charlotte Perkins Gilman’s “The Yellow Wallpaper” was “touched” as some say long before she was prescribed, and administered the “rest cure” by her husband for her then unknown ailment now called postpartum depression. The boredom and isolation of this cure only allowed her mind to venture farther down a dark and winding corridor of insanity. Jane has recently had a child and is experiencing what we know today as postpartum depression. Back in the 1800's doctors had no understanding of these symptoms, so they chalked it all up to a temporary nervous depression. This was cured by a treatment called the “rest cure” popularized by Dr. S. Weir Mitchell. This remedy consisted mainly of isolation and bed rest. We now know that this does nothing to promote a healthy mind or body. But, at the time this was the best-known cure. As a child Jane had hallucinations, “I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.”(Gilman 593). This sort of behavior is more than just your average child’s rampant imagination. This is truly the sound of someone who is delusional and needs some form of psychological counseling. This overly active quasi delusional behavior followed Jane to adulthood, and was noticed but dismissed as pure silliness by her husband even before the baby came about, “... he says that Tyer 2 with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies...”(Gilman 592) Anytime Jane acted a little bit weird he would just say it was her hyperactive imagination at work again. Little did he know the depths of her problems that were to become evident over the next three months. The demons in her mind first began to attack her psyche about ... ... middle of paper ... ...traits of a mentally unstable individual. The “rest cure” coupled with the postpartum depression Tyer 4 she was experiencing merely accelerated the mental flaws she had, and brought about the inevitable. The cure had taken an already frangible mind and thrown it into complete and total disarray. Tyer 5 Works Cited Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Literature: An Introduction to Reading And Writing. 7th ed. Edgar V. Roberts and Henry E. Jacobs. Upper Saddle River: Prentice Hall. 2004. 590-600.
We learn that Jane is a young girl who is a victim of emotional and
She must take note of the woman that she sees in the pattern to make sense of its mysteriousness: “Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard.” Not only is this woman that is a core part of the misfit held in some sort of prison, so is Jane. In the “bright spots”, in view of her husband and other people, she must “stay still” and pretend she is alright. However, in the “shady spots”, when she is alone, Jane allows herself to let go and, thanks to the misfit, is able to be aware of the bars that surround her own life. This exact woman and the misfit that she is a part of, is the exact reason why Jane is even given the opportunity to escape the prison that makes up her current reality. The misfit, the yellow wallpaper, even lets the woman inside of it out of its grasp during the day: “It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.” Just as the misfit is abnormal and doesn’t conform, this woman shares the same traits and she has become a part of the misfit. Jane is aware of the fact that creeping by daylight is abnormal, just like the misfit. In the beginning Jane most likely would not have accepted this behavior. Now Jane even admits to creeping, just not in plain sight.
Jane's treatment leads her to insanity. When this story was written, there was neither the medicine nor the treatment methods that we have today. If Jane was in today's
Jane and Emily became irrational due to their confinement. Being separated from social interactions and also their lack of abilities to participate in daily activities caused insanity upon the two characters. For years, Miss Emily was rarely seen outside her house. She did not linger around town or participate in any communal activities. She was the definition of a homebody.
Postpartum psychosis has a wide range of symptoms, all of which the narrator of “The Yellow Wallpaper” exhibits. The disorder, which sets on up to several weeks after giving birth, “is characterized by symptoms of extreme agitation, confusion, exhilaration, and an inability to sleep or eat. It may be hard to maintain a coherent conversation with a woman who has postpartum psychosis. She may also experience delusions, hallucinations, and altered and impaired concept of reality, rapid mood swings, insomnia, and abnormal
After the birth of her daughter Katharine, she developed postpartum depression which usually arises as a result of hormonal changes, psychological adjustment to motherhood, and fatigue. For years, she battled with this disorder suffering from “a severe and continuous nervous breakdown tending to melancholia - and beyond” until going to an infamous neurologist by the name of Silas Weir Mitchell. Weir advised Gilman to abide by his rest cure, forbidding her from working another day in her life. “..He concluded there was nothing much the matter with me and he sent me home with solemn advice to ‘live as domestic life as far as possible (245)”. Like the narrator in “The Yellow Wallpaper” this did not make Gilman better but worsened her distress. She obeyed the doctor’s directions only for over three months before she came “so near the border line of utter mental ruin that [she] could see over” (245). Then she abandoned the rest cure and moved to California, divorced her husband, remarried, and dedicated herself to the world of literature and politics (232). Unlike Gilman, the narrator succumbs to insanity at the end of the story. Gilman uses this alternative ending to her story to alert national attention to the problem of the resting cure and not “drive people crazy, but to people from being crazy” (246). And it worked. By 1850, postpartum depression was nationally acknowledged by medical professionals as a disorder
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
Matt Ruff uses the protagonist’s tragic flaw to show her true nature. After Jane Charlotte killed the Janitor in her house, she acts in a very unexpected way: “I got sleepy. I mean, the guy was dead- I kicked him a couple times to make sure- so it’s not like notifying the cops was urgent anymore,” (Ruff, 2008, p. 43). The actions
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Author Charlotte Gilman in “The Yellow Wallpaper” gives a personal short story about mental health care during her time. This account is personal, as the character in the story has experiences close to what author Gilman had during her period of receiving the ‘resting cure’ (Gilman). While many themes are described in the short story, the theme of passive health-care is especially prominent. The story delves into particular detail with the administration and effects of the resting cure in regards to the main character’s mental state. This paper will analyze the evidence given by “The Yellow Wallpaper” that the resting cure is not effective, give reasons why it may be due to the main characters need for a creative outlet, and examine the actual
...way. Mentally Jane and Bertha have completely gone mad, ending in death and complete psychosis.
Because her husband was a physician, he decided to treat her with the common “rest cure” and she was unable to write like she loved to do. In secret, the narrator kept a journal where she was able to spend time to herself and relax which at times made her feel better. What was ironic about this treatment was that it had the reverse effect on patients which was the point Gilman was trying to make to her audience. According to critic Rena Korb, “Gilman claimed a purpose for everything she wrote. "The Yellow Wallpaper" pointed out the dangers of the medical treatment imposed by Mitchell and other doctors like him” (Korb 2003). Suffering from postpartum depression herself, Gilman felt it was necessary to depict the management of her own mental illness and how she was treated by others and how it was ineffective. Korb also stated, “At that time, the medical profession had not yet distinguished between diseases of the mind and
The creeping woman is Jane’s mental illness personified, and it affects Jane’s behaviour by making her more assertive. Although she does not speak to John, she wants to tell him that he “can’t open [the door]” and “it’s no use,” both of which are uncharacteristic of Jane’s passive nature. The absur...
In “The Yellow Wallpaper,” Charlotte Perkins Gilman gives us insight to how postpartum depression was addressed in the nineteenth century. The main character whose name was never given to us was diagnosed and handed a treatment that was to fix her depression. Ironically, the “resting cure” that was supposed to make her feel better was the thing that made her go insane.