Author Charlotte Gilman in “The Yellow Wallpaper” gives a personal short story about mental health care during her time. This account is personal, as the character in the story has experiences close to what author Gilman had during her period of receiving the ‘resting cure’ (Gilman). While many themes are described in the short story, the theme of passive health-care is especially prominent. The story delves into particular detail with the administration and effects of the resting cure in regards to the main character’s mental state. This paper will analyze the evidence given by “The Yellow Wallpaper” that the resting cure is not effective, give reasons why it may be due to the main characters need for a creative outlet, and examine the actual …show more content…
From the beginning, details in the story suggested that she was an artistic, creative person. She makes comments about the yellow wallpaper in her recounts, bringing attention to the “…sprawling flamboyant patterns committing every artistic sin” and the “…bloated curves and flourishes- a kind of “debased Romanesque” with delirium tremens”; something that would only be noticed by someone acquainted with art (Gilman 238 & 241). Also, her husband John makes reference to her “…imaginative power and habit of story-making”, further suggesting her creative intuition (239). With this in mind, a new outlook on her degrading mental state can be reached in regards to her inability to express herself due to the resting cure. The main character frequently references her desire to do any amount of …show more content…
However, it is important to first fully understand the act of prescribing the resting cure and its intentions and mannerisms. The story states that the husband is a physician, and that he doesn’t believe that his wife is truly sick, only sick with a “temporary nervous depression”, and therefore she must rest for the majority of the day (Gilman 237). This was a common diagnosis of the time period, first given by a physician called Dr. Silas Mitchell (Feluga). The administration of this treatment began with Dr. Mitchell’s time as a contract surgeon during the Civil War where he gave men who were injured and suffering from signs of hysteria a strict regimen of rest and nutrition, involving “rest, a fattening diet, massage, and electricity”(Feluga). This led to him to taking this treatment to his patients, who were typically…”nervous women, who as a rule [were] thin, and lack[ed] blood” (Mitchell 9). The treatment received by his patients was forceful, sometimes involving force-feeding through other orifices if they refused to comply with the heavy diet (Poirier). Judging by the nature of the treatment and the number of first-hand accounts about the horrors of the treatments, it can be inferred that the resting cure was not only a falsely believed treatment, but also a method of controlling those diagnosed with ‘hysteria’, or any number of nervous diseases. Having to lay in
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
The narrator claims that John loves her, “He loves me very dearly, and hates to have me sick” (651). The narrator believes that John loves her and wants to get her better. If the narrator is correct, then John would provide the best treatment for his wife; especially, because he is a “…physician of high standing…” (648). John provides rest as a recommended treatment, “I lie down ever so much now. John says it is good for me, and to sleep all I can” (653). In this quote, the narrator is saying that he is offering advice that he thinks is best for her. “The Yellow Wallpaper” has a historical setting that occurs during a time in medicine where any physician can treat a patient’s physical body or their physiological well-being. In today’s health profession, there are now doctors who treat the physical body and doctors who work solely on the physiological part of the body. Since there isn’t any specialist on the mental part of health, a common treatment for depression is “rest cure”. When one is treated with the “rest cure”, a part of the treatment is to get a lot of rest, so John is simply giving her what treatment is available in her time period. In addition to John’s affection and professional opinion of the narrator’s mental health, the narrator declares, “John says if I don 't pick up faster
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Charlotte Perkins Gilman experienced a relatively similar life story to the life of the narrator in “The Yellow Wallpaper”. She was prescribed the same “rest cure” as the narrator that subsequently led to a mental breakdown. The prescribed “rest cure” entails minimal human contact, repressed imagination, and female confinement. Comparatively, persistently being told that you are insane especially if you’re not, may drive someone to actually become psychotic.
The patriarchal times prescribed a “rest cure” for neurasthenia (minor depression). Today neurasthenia would be called post-partum depression. Rest and quiet was prescribed as an antidote used ardently by the medical establishment in the United States. The medical establishment was dominated by men, like the husband John in The Yellow Wallpaper. The wife in The Yellow Wallpaper defeated her husband John by accepting madness over repression, refusing a life of "unhappy, silent acceptance." John, her husband, forbids her to do anything but marital things. He did not like her to write. Writing symbolized her using her mind. Artistic abilities including writing, was trivial to him. In rebellion, within the yellow wallpapered “cell”, she used her mind to create a Gothic, shadowy world full of her mad fantasies and artistic revolt (including thoughts of burning the house down), and escaping into a suppressed rage. The suppressed rage eventual...
Gilman tries to show that according to her husband, the narrator continually brings her great depression upon herself. The author, Charlotte Perkins Gilman also attempts to show that the lack of social exposure, physical repression, and ugly wallpaper cause the treatment to be extremely ineffective and detrimental. The disorder which is being treated is actually strengthened to the point of a serious mental illness. Similarly in today’s society, medical and psychological advice may have the same effect. Medical technology and practice have progressed considerably since the time of the “Yellow Wallpaper.” This is not to say that today’s physicians are infallible. Perhaps some of today’s treatments are the “Yellow Wallpaper” of the future .
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
Charlotte Perkins Gilman’s tantalizing short story, “The Yellow Wallpaper,” tells the horrifying tale of a nineteenth century woman whose husband condemns her to a rest cure, a popular approach during the era to treat post-partum depression. Although John, the unnamed narrator’s husband, does not truly believe his wife is ill, he ultimately condemns her to mental insanity through his treatment. The story somewhat resembles Gilman’s shocking personal biography, namely the rest cure she underwent under the watchful eye of Dr. Silas Weir Mitchell in 1887, two years after the birth of her daughter, Katherine. Superficially, the rest cure the narrator in "The Yellow Wallpaper" endures loosely replicates Gilman’s personal anguish as she underwent such a treatment. More complexly, however, the story both accentuates and indirectly criticizes the oppression women faced in both marriage and motherhood.
Signs of the depth of the narrator's mental illness are presented early in the story. The woman starts innocently enough with studying the patterns of the paper but soon starts to see grotesque images in it, "There is a recurrent spot where the pattern lolls like a...
Blackie analyzes Gilman’s take on the rest cure created by Weir Mitchel in this document and goes into depth to describe the regimen that is to be followed. He expresses his view that the rest cure may not have been as bad as it is portrayed in The Yellow Wallpaper. This document will allow me to provide the accounts of others, both good and bad, when it comes to the treatment known as the rest cure. This will be relevant to my research because the main character in The Yellow Wallpaper undergoes this treatment herself. I will be able to compare the experiences of the woman in the short story with that of women who had actually completed the regimen and get a good idea of any opposing views that may exist. Comparing and contrasting these two perspectives may give better insight on whether or not the cure worked
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.