Throughout the novel Grendel by John Gardner, the monster Grendel has many different encounters that change his view on the world. Whether it was through nihilism, existentialism, or idealism Grendel was influenced in many ways by all of them. The monster Grendel starts out as an existentialist, but morphs into a nihilist after he talks to the most nihilistic character in the book, the dragon. Influenced through nihilism, existentialism, and idealism Grendel is reshaped and sculpted into a new thing entirely.
Grendel is first influenced by nihilism in our book. "Why can't I have someone to talk to?" I said. The stars said nothing, but I pretended to ignore the rudeness. "The Shaper has people to talk to," I said. I wrung my fingers. "Hrothgar has people to talk to." (Grendel, p. 53) Grendel's isolation drives him to petulance. He asks the cosmos for someone to talk to, but of course he gets no answer. Grendel is essentially a lonely child looking for a friend. He envies both the Shaper and Hrothgar and their companionship, even though he is constantly complaining about their self-de...
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Philosophies such as nihilism, existentialism, and solipsism are explored throughout Grendel, a novel by John Gardner. Throughout the book, Grendel embarks on a journey of self-discovery, in which he tries to find himself through philosophy. Despite trying many different philosophies, Grendel is only met with dissatisfaction. However, the nihilistic philosophy that is introduced by the enigmatic dragon seemingly provides Grendel with a way out of his banal existence. Despite this, Grendel couldn’t fully commit to nihilistic beliefs therefore leading to the development of his scepticism philosophy. In the end, Grendel meets his death at Beowulfs’ hands, who disproves his scepticism and forces him to die an existentialist. The fact is that if Grendel had decided to
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
It bears mentioning that Grendel was strongly influenced by the idea of nihilism, which means that he believed that nothing has meaning and everything in life was an accident. “Nevertheless, it was
Authors often have to choose between concentrating on either plot or social commentary when writing their novels; in John Gardener's Grendel, the plot becomes is a secondary consideration. Grendel's exploits provide the reader with a clear understanding of the strong opinions the author carries and can be seen clearly as a narrative supporting nihilism in its many forms. The reader easily perceives the blatant religious subtext in the guise of corrupt priests and the foolish faithful. The notion of the old being wise is unacceptable to Gardener along with any notion of hero idolization. Within his novel, Gardner expresses his views concerning religion, wisdom and nature.
In Grendel, nearly all of the characters are driven to shape the world to their ideas. Hrothgar spends his life crafting a government. Grendel's mother is described as loving her son "not for myself, my holy specialness, but for my son-ness, my displacement of air as visible proof of her power (138)." Both Grendel and the Shaper constantly seek the ability to reshape reality with words. While they have differing motives, all of these acts of creation give power and significance to the creator. As Baby Grendel desperately convinces himself, it is the act of observing and commenting on what is outside that makes one real: "I understood that, finally ...
After taking a closer look, he can be considered an anti-hero because of his noble and also realistic traits. Grendel expresses some of his humanlike qualities when he says, “Why can’t I have anyone to talk to?” (Gardner, 53). Grendel is lonely because no one can understand him. His mother does not speak his language and although he understands English, the villagers do not know what he is saying. Additionally, Grendel is an outcast because of his appearance. “The doe in the clearing goes stiff at the sight of my horridness” (7). He is misunderstood because he is a beast. Grendel looks so terrifying that it is emotionally challenging for him to always have that awful first impression with others. Furthermore, when Grendel would hear the harper’s beautiful music he would often begin to daydream joyful thoughts. When his mind would wander, he would be quickly pulled back into darkness because evil was his reality (54). Grendel lives a difficult life because he is constantly reminded that his only choice is to live a life of evil. Because he has such relatable feelings of being lonely and an outcast, this causes the reader to consider his point of view as an
Throughout the novel, this monster, Grendel, seems confused as to whether he wants to view life like his existentialistic dragon mentor, or like the ignorantly optimistic humans on which he feeds. At times he is captivated by the romantic songs of the Shaper, and feels no desire to kill, while at others he thrives on the "knowledge" of the dragon, and goes on bloody rampages. At one point during Grendel's insecure state, the dragon tells him something that changes his outlook, and gives him a new feeling of self-worth.
He does not act like the blood hungry beast he is seen as in Beowulf. In
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
After having thoroughly read the book, there is no doubt that Grendel shows proof of support in existentialism. The novel follows the life of a character who is gradually "disillusioned," turning from a teary romantic into a cold nihilist. Indeed, as the main character describes his childhood/adolescence in the beginning of the novel, his naiveté and innocence clearly stand out. “And so I discovered the sunken door, and so I came up, for the first time, to moon light”, recalls Grendel, remembering his first days out on earth as he analyzed and discovered various creatures and his surroundings with blatant ignorance. With the story of his first encounter with men, after getting his foot stuck in a crac...
In Grendel, each character tells of his or her view on philosophy, theory, and life. Grendel is a monster who is not sure where he fits in life. “Grendel is not just searching for one philosophy; he is just searching for the best way to live in the world” (Simmers 183). He goes to extreme limits to discover his character. Grendel shows a self-centered approach to the world as he exclaims, "The world resist me and I resist the world" (Gardner 28). Nothing in the world is going right for Grendel. Grendel feels resistant to life. Therefore, if society does not need him, then he does not need the society. The Dragon also views the world negatively, as a result of his praiseworthy perception of himself. Out of all the characters in the novel, the Dragon is one of Grendel's closest companions greatly impacting Grendel. The Dragon’s destructive philosophy views the world as meaningless. The dragon shares his selfish approach of life with Grendel telling him, "My advice to you, my violent friend, is to seek out gold and sit
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
As Grendel dies, he whispers the words, “ Poor Grendel’s had an accident, so may you all” (Gardner 174). I believe that this is a blessing because throughout the story, it is clear that he has fundamentally changed. Although he does not like society, he is not wishing death upon them, rather he is wishing “an accident”. Moreover, it seems that Grendel has finally understand his change as death draws near, when he sees “cold, sharp outlines, everything around me: distinct, detached as dead men. I understand” (172). He sees the harshness of reality. Grendel has changed, understanding that his search for whatever meaning there was in the world, was essentially and ironically meaningless. This is because his true role was something else and he