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Recommended: Essay about psalms 1
St. Albans Psalter Psalm 68 is not long, but it does have lots of detailed material to study the author’s choice of language, and the power of the images that are being conveyed to the readers through an emotional and sentimental way. The simplicity of this psalm’s gives it power, since it expresses an emotional despair in a careful shaped prayer, which comes from a human being in what seems to be a life-threatening situation. In the image and the content, the psalmist’s travels an arc of desperation to salvation, in a vivid personal plea to Christ to save him from what seems to be a swirling vortex of hopelessness that threatens to pull him under forever.
Asking Christ for help should not be shameful, therefore if you are ashamed to ask Christ for help, he will not do very much to help you in the end once you have sinned.
In the St. Albans Psalters image Christ is sitting in the center of the upper frame, on each side of him are two angels, the wings of the angels are touching the head of Christ. The two angels and Christ are all wearing blue tunics beneath the red and white outer robe. In the figure Christ has the psalmist by the hair, with his left hand. His right hand is extended out, with the palm up, as the hands of the angels. Both of the angels are looking up at Christ; however, the angel on the right to Christ, looks like he is doing some type of gesture of supplication or appeal.
The frame underneath of Christ, is the drowning psalmist, who is looking upward while water is pouring out of his mouth. As the water swirls around him, there are seven fish (the commentary suggest that the fish may represent the sins deadly sins). The feet of the psalmist are unpainted (commentary notes) the feet are partially obscured a...
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... a cry for help “Save me god (commentary note)”. Maybe the psalmist is saying that it is this coming to awareness of our failing as human beings and our efforts to transcend those flaws are those that will bring true salvation. It may not be misfortune that Christ does not look at the drowning supplicant, but to the angel next to him; perhaps man is really alone, he finally must come to Christ, confessing all of his sins and weaknesses.
Works Cited
Coogan, Michael David., Marc Zvi. Brettler, Carol A. Newsom, and Pheme Perkins. The New Oxford Annotated Bible with the Apocryphal/Deuterocanonical Books: New Revised Standard Version. Oxford: Oxford UP, 2007. Print.
"The St Albans Psalter. Translation & Transcription Page 202. University of Aberdeen." The St Albans Psalter. Translation & Transcription Page 202. University of Aberdeen. N.p., n.d. Web. 12 Feb. 2014.
which cover his waist and some of his torso. He is holding a very tall, slender cross in his left hand, while looking with a diffused look to the right. Also, to the left of him (to the right from the viewer’s perspective) there is a sheep lying upon a rock.
1432.) is a magnificent work of Christian art. The painting of the Lord is covered with symbolism from top to bottom. The background has Christian’s symbols of wine and pelicans which relates to blood of Christ. The Lord wore clothing such as the headgear that represents the trinity, and sash that reveals the Sabbath. The phrases in the painting that reveal about eternal life and power of the Lord. Finally the painting has symbols of power: the large amount of gold presented in the painting and the crown below his feet. The painting is rich with symbolism, and the work of art need to be carefully overserve to see the full
Kleiner, Fred, Gardner's Art through the Ages: A Global History, Fourteenth Edition The Middle Ages, Book B (Boston: Wadsworth, 2013), 348.
The painting is of a young St. John the Baptist preaching to his congregation. St. John is an important figure in Catholicism not only for his preaching and baptisms in the River Jordan, but for his role as the last prophet and the forerunner of Jesus Christ. His preaching foretells the coming of Christ as the Messiah, and thereupon Christ’s baptism, the voice from Heaven told St. John that Jesus was God’s son. This piece by Calabrese captures John at the height of his oration. Fixed atop a decrepit tree trunk yet grappling for stability, John is shown here in his ascetic attire composed of camel hair, holding his staff and scroll bearing the words “Ecce Agnus Dei,” which translates into Beho...
and the Dove of the Holy Spirit rests on Christ's halo. In front of the
...ic meanings that still are puzzling art historians today. Some of the key symbols that Stokstad points out in the text is the dove, representing the Holy Spirit; the white lilies as a symbol of the Virgin Mary. She also points out, two rather unknown symbols to the sacrilegious, the date of the Annunciation in signs of the zodiac on the floor, as well as the lone stained glass window that is symbolizing God rising above the three windows that are placed in the background behind Mary. These three windows represent the Father, Son, and Holy Spirit.
The ability to create a picture of The Annunciation in one’s mind is a key factor in understanding the analysis of the work. Francisco de Zurbaran approaches the painting with a naturalistic style. The painting features a room in which a woman – like angel is seen at the left kneeling on the ground before the Virgin Mary. The figure of Mary is placed between a chair and a small wooden table draped with a green cloth. Mary disregards an open Bible on the table, as she appears solemn while staring at the floor. Floating above the two main figures in the upper left side of the painting are cherubs resting on a bed of clouds. They happily gaze down at Mary with eyes from Heaven.
The painting depicts a pale St. Anthony, who was a mystic and possessed the gift of levitation, floating in mid-air being accosted and attacked by several demons, one holding a fiery torch. A correction to the upper curve of one...
Psalm 89 of the Book of Psalms, advocates the message of consequentialism, foreground by man’s relationship with God, with direct lin...
The New Oxford Annotated Bible. Herbert G. May and Bruce M. Metzger, ed. New York: Oxford University Press, 1957.
Today’s culture is one where people like to do as little work as possible. Even when it comes to reading our own scripture, The Holy Words of God, a lot of people like to look up one verse and reference it to something without knowing what the rest of the passage says. Psalms 109 is no exception, it is one the more widely misused passages as of late. A popular verse from Psalms 109 is verse 8 which reads “Let his days be few; and let another take his office”, this is seen in reference to our current president, but what people fail to realize is what else David is actually praying. This paper is going to go through Psalms 109 and unpack it verse by verse to show the true meaning of what David was praying and to give us a new look at how to pray.
Masaccio’s famous religious painting, “The Holy Trinity”, is known for the engagement of linear perspective to create an image that goes beyond just paint on canvas, (or should I say wall?) by creating the illusion of depth. This painting addresses many religious concepts by setting up different levels and layers in the constructed space. The characters depicted are made up of four groups of human figures, which include the Trinity (God the father, Jesus, and the Holy Spirit), the Virgin Mary and Saint John, a pair of donors, and a skeleton on a tomb at the bottom of the picture. There is an apparent point of separation, which is made clear due to each group being on separate levels. Their difference in power is fundamental feature in explaining the relationship that is being portrayed between mankind and divinity in this painting. Because of Masaccio’s use and manipulation of perspective and a vanishing point – a new line of finite and infinity is crossed because visual manifestations of a hierarchical division between eternal life above, death below and the living in between are expressed.
This is a dedication to the church. Unlike most there are no doves, angels but Mary is present in the art. This particular work doesn't have much for “extras” . To help the story along we have the above mentioned, fabric that Mary is wiping her tears, fabric or shroud, the pillow that props Christs head and the slab that he is laid out on. The wounds give a visual of the pain and sacrifice he has
The psalms in the wisdom category are so identified because they mirror language and form more common to the “wisdom” literature of the Hebrew Scriptures such as in Job, Proverbs, Ecclesiastes, and Song of Songs. They generally depict the retribution principle in the lives of people: those who are righteous will prosper, and those who are wicked will suffer. These help us in our devotional life because they stand as reminders of how to conduct our lives and bring us back to a point of acknowledging God as the true source of all the blessings (material, spiritual, emotional, etc) we possess.
Art appreciation –Draft 1 Christ Bearing the Cross “Carrying our cross” is a quite familiar concept to Christians. We tend to associate this notion with physical ailments or challenges, difficulties in prayer, mental illness, emotional distress, or any of a number of unwelcome events that inevitably occur in life. The painter portrays important figures that were narrated in the Old Testament the artist. Christ is bearing the cross invokes a depressing aspect of Christ’s suffering. Jesus took all the load of people's sins on his shoulders as depicted by the cross he is carrying.