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Marxist Critique of The Hunger Games
One of the strongest themes in The Hunger Games is its condemnation of imperialism, which is represented by the Capitol of Panem. Throughout its pages, the novel invites readers to denounce the oppressive socioeconomic forces and repressive ideologies of the Capitol and its representatives. The Hunger Games certainly has a Marxist agenda as it reveals the crippling effects of the oppression of the people by the elite few. Citizens of the Capitol are living lives of luxury and ease while the hard-working and impoverished citizens of the other districts struggle to get by. These are “men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces” (Collins 4). They are the perfect representation of the Marxist proletariat, “the majority of the global population who live in substandard conditions and who have always performed the manual labor that fills the coffers of the rich” (Tyson 54). They have lost hope and merely toil under the domination of the privileged elite, the bourgeoisie who control the world’s natural, economic, and human resources. This domination pervades every aspect of their lives – they are constantly watched by “Peacekeepers” who ensure that there is no hint of rebellion among the people. Katniss and her best friend Gale (a boy who also lost his father at a young age) have nothing but disdain for the Orwellian “big brother” intrusiveness of the Capitol. “District Twelve. Where you can starve to death in safety,” Katniss mutters. Then she glances quickly over her shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you” (Collins 4). ...

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...home, they are seen as mere entertainment. The value of human life is directly equal to the amount of wealth and influence one has. After the games, Katniss hears the reactions from the citizens of the Capitol as she recuperates, and she is sickened by their view: It’s funny, because even though they’re rattling on about the Games, it’s all about where they were or what they were doing or how they felt when a specific event occurred. “I was still in bed!” “I had just had my eyebrows dyed!” “I swear I nearly fainted!” Everything is about them, not the dying boys and girls in the arena” (353). Ultimately, the Games are a stark reminder to the citizens that they are not autonomous, but are completely controlled by the Capitol. Peeta, the other tribute from District 12, longs to break out of this repressive ideology, but Katniss shoots him down: “‘Only I keep wishing I

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