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Effects of drug trafficking in Nigeria
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The degeneration of moral values in the Nigerian society in the last decades led to a multitude of scourges; one of which is drug smuggling. Drug mules’ numbers increased to reach an alarming level. In her short story “Last Trip” the Nigerian writer Sefi Atta tries to shed light and give some explanation to this phenomenon through the journey of a drug smuggler who is a single mother with her mentally disabled son from Lagos to London in what might be her last trip.
Sefi Atta is a notable Nigerian writer born in Lagos, winner of Wole Soyinka’s prize for Literature in Africa in 2006 and the Noma award for publishing in Africa in 2009. “Last Trip” is a short story taken from her collection “News from Home” (2010). Atta declared in an interview that she was influenced by newspaper articles for her short stories, thus, she provides readers with realistic portraits of the actual Nigeria and its urging problems. “A writer observes and interprets the norms, values and the customs of society. He or she affirms or negates those values according to his or her personal convictions” (Lauretta Ngcobo) in other words, the contemporary African writer acts as an interpreter in the way he or she interprets some aspects of his or her society and projects them in his or her artistic creations. In her short story “Last Trip” Atta tries to expose the illicit drug smuggling as it is, from the perspective of an unnamed woman, we come to know only her alias “Simbiyat Adisa”. She is a single mother, raising her handicapped son Dara alone. Atta kept her narrator unnamed, a sort of a common experience narrator that serves as a case study, for hundreds of drug mules, which should be observed, studied and learned from. The short story is full of flashbacks, ...
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...ugs with no judgment or prejudice. She left it for readers to consider these drug mules as victims or as criminals, to sympathize with or accuse. She had used drug smuggling to refer to the decay in the Nigerian society's morals and values. The society is no longer concerned with what is right or wrong, what is good or bad, but only concerned with what is profitable and what is not, consequently, confirming that corruption prevails where moral values fail. She can earn a lot of money from one single trip and has plenty of time to spend with her son, so even if she says that each trip is her last she doesn’t mean it and doesn’t make an effort to actually change her situation and stop it. Ultimately she will make her last trip but then it would be too late to her inevitable destiny unless she considers an alternative, she is going straight toward her own destruction.
“Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu” (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new trade in the nineteenth century and the coming of new ideas from Europe (legitimate commerce). However, Segu does not simply explain these circumstances externally, but rather with a re-enactment that tells a story of the state of affairs on a personal level, along with the political one. By doing this, the book actually unfolds many deceitful explanations for the decline of West African countries in the eighteenth and nineteenth century.
Introduction: Imagine being born into a very poor lower class family in a beautiful society where everyone knows each other, a big family. Now, this society begins to drown in the abuse of drugs, violence, corrupted government, all influenced by the drug cartel in your very own backyard. But don’t forget that you are as poor as you can be trying to make ends meet in a corrupted government, but the only option you have is to survive by joining the drug cartel to support yourself and your family. It’s not a big deal because you’re making easy money, so it’s worth the risk, and your cousin who’s been working for them can vouch for them. Such is the Colombian way of life, especially in Medellin.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
Cocaine Cowboys is documentary film that was released in 2006 that was directed Billy Corben, and produced by Alfred Spellman and Corben. The film is about the rise of cocaine smuggling and the Miami drug war during the years of 1970s-1980s in Miami, Florida. In our textbook that is chosen for this course which is called, “Sociology: A Global Perspective” (Ferrante). We go over deviance, conformity, and social control in chapter seven; all in which becomes very relevant when put in the same conversation with this film, Cocaine Cowboys. This film is a true example of deviance that our society struggles with still to this day.
Chinua Achebe was an influential Nigerian author during the 1900’s who was credited with his three essays which have been fused together into the book “Home and Exile”. In his stories he discusses things such as his own Igbo people, the problems with colonialization, the strength that stories can have and many more topics. A big part of his essays are on his thoughts of colonialism, the impact it has had on his home of Nigeria, and how stories written by others either helped justify colonialism or rejected it. Chinua argues that stories have their own power to fight, and while stories themselves do not have the ability to directly fight colonialism; they do, however with their power of words, stories can motivate and encourage people to stand up against colonialism. In proving this thesis to be a true statement, I will be providing evidence of the how, why and the extent to which stories can fight colonialism.
The narrator portrays her degrading identity through her cultural detachment from Europe and Africa. The novel does not only tell the story through the exile she has suffered. At times, the narrator’s nocturnal writing offers the reader her inner thoughts, but it also displays her initiative to confide within her exile through nostalgia and lyricism. An analysis of multiple passages - regarding writing and geogra...
Youth who chose to become traffickers often do so because they believe it is an exciting way to make a lot of money quickly. (National Crime Prevention Council, Washington, D.C. & National Institute for Citizen Education in the Law, 1992, p. 160)
In 2009 Chimamanda Adichie gave a TED talk about the ‘danger of a single story’. A single story meaning, one thought or one example of a person becoming what we think about all people that fit that description, a stereotype if you will. In today’s America, I believe that we have all felt the wave of stereotypical views at some point or another. Adichie gives many relatable examples throughout her life of how she has been affected by the single story. Her story brings about an issue that all humans, from every inch of the earth, have come to understand on some level. A young child reading only foreign books, a domestic helper that she only perceived as poor. Her college roommates single story about Africans and her own formation of a single
Diverse from other African authors of his time, Chinua Achebe, the “father of African Literature”, reconstructions the stigma surrounding traditional African tribes through his ground-breaking novel Things Fall Apart. Set in southern eastern Nigeria, the novel depicts village life through the eyes of Igbo clan members prior to colonization. This fresh take on perspective allows readers to view and examine the variety of individuals that mold Igbo life through the story of a village leader, Okonkwo. Contrasting other authors of his time, Achebe takes great measures to illustrate the varied substantial roles of not only men, but women in his novel Things Fall Apart. The contributions accompanied by pivotal roles in Igbo society are displayed
Immediately after landing in Nigeria, I noticed how disparate this nation was compared to the United States. Many young children were on the streets trying to sell merchandise to make ends meet. Growing up in the United States, I occasionally saw people - always adults - begging, but never young children. What struck me the most was a young boy, wearing a ripped soccer jersey and no shoes, try to sell me water saying, “Mmiri, mmiri maka ire ere,” which, in Igbo, simply means “Water, water for sale.” Immediately I gave what I could
Chinua Achebe’s book, Things Fall Apart, was based on a story and the culture in Nigeria, Western Africa. Women’s roles and responsibilities have transitioned over several of years. The book arises a situation of how the Ibo women were treated and looked upon. In the Ibo culture, the women did not only suffer a great loss of their dignity, but also their pride as women. The whole role of women in the Ibo culture is different in various ways compared to the female race in modern society. The modern society in Nigeria, women are not so powerless, and also have the opportunity to work alongside the opposite gender.
There has been notions and perceptions of the treatment or adaptation of African literature as a perception that Africa’s is a cultural body. It is referred by Chinua Achebe as a metaphysical landscape. This term refers to a geographical entity that has surpassed historical experiences. It is also this perception that also gave rise to Organisations of National Unity and also the African Union. Conferences such as the African Writers’ Conference that happened at the Makerere University in the year 1962 discuss the nature and argue the role played by African literature in the African context.
...econd African Writers Conference, Stockholm, 1986. Ed. Kirsten Holst Petersen. Upsala: Scandinavian Institute of African Studies, 1998. 173-202.
The traditional short story is a genre of a prose. It is a fiction work that presents a world in the moment of an unexpected change. The traditional short story obeys some rules, such as the unexpected change and major events with detail. The modern short story is a revolution which is based on the traditional short story. In other words, if the traditional short story is in the first floor, the modern short story is in the second floor. Therefore, the modern short story still obeys some rules that the traditional short story obeys, and breaks some rules that the traditional short story obeys. One rule that the modern short story still uses is the unexpected change. The rules broken by the modern short story are that the major events are not detailed, and that the border between the real world and the fiction world. This paper first talks about the unexcepted change and uses the examples of “Eveline” and “The Open Window.” Then, this paper talks about major events with detail, and uses the examples of “Lottery,” “The Open Window” and “Hills Like White Elephants.” Finally, this paper talks about the meta-literary and the border between the real world and the fiction
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text have heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began(the bond of 1844) through the personal lives of Anowa and Kofi.