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Analysis of the tragedy of King Lear
Analysis of the tragedy of King Lear
The philosophy of social order in king lear
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Edmund of King Lear as Nietzsche's Free Spirit
In King Lear, Shakespeare creates a brilliant tragedy whose plot is driven primarily by its villains. Of these, Edmund stands alone as a man who makes his fortune, surrounded by those who seize fortune only when it is handed to them. Shakespeare's ability to create a vivid, living character in the space of a few lines of speech triumphs in Edmund, who embodies a totally different moral system than that of Shakespeare's era. Three centuries later, Friedrich Nietzsche's philosophy of the Free Spirit would respect these values.
Like Edmund, Nietzsche's unorthodox views have been deemed villainous ever since the time they were written. The Free Spirit is defined not by his attack on society's defined values, but the rejection of them. Unconstrained by the values of a society he did not chose, the Free Spirit makes his own path in the world, defining morality for himself and acting in a way which is truly free.
In Act I, Scene II, Edmund's character reveals itself. In his first soliloquy he clearly shows his knowledge of his situation, but at the same time questions its validity.
Thou, Nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base? (I.2.1-6)
This reveals the fundamental makeup of Edmund's character - why should society name him anything for events over which he had no control? Why should he be deprived of anything simply because he was born a year too late?
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...ll to Power, Book I, Aphorism 55
3. Friedrich Nietzsche, Beyond Good and Evil, Aphorism 260
4. Friedrich Nietzsche, Human, all too human, page 4
5. Friedrich Nietzsche, Thus Spoke Zarathustra, page 90
6. Friedrich Nietzsche, Beyond Good and Evil, Aphorism 26
7. Friedrich Nietzsche, Human, all too human, page 61
8. Friedrich Nietzsche, Thus Spoke Zarathustra, Prologue, part 9.
9. Friedrich Nietzsche, Human, all too human, Aphorism 230
Works Cited
1. Friedrich Nietzsche. Human, all too human, Bison Books, 1996.
2. Friedrich Nietzsche. The Will to Power. Bison Books, 1994.
3. Friedrich Nietzsche. Beyond Good and Evil. Penguin Publishing. London, 1973.
4. Friedrich Nietzsche. Thus Spoke Zarathustra. Penguin Publishing. London, 1973.
5. Shakespeare, William. King Lear. Peerage books. Cambridge, 1921
Nevertheless, it must “defend” its current market share if not increase it, by maintaining premium quality and develop innovative products. The marketing mix strategies will effectively achieve targeted revenue and profitability in the near future.
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
As for significant information I have learned about Maynard, I learned he holds his friends in high esteem and depends on his relationships with them greatly. He does not interact in moderately large social groups well, but does listen attentively. And he may be a little edgy. I find that the subjects ignorance to his observation or lack of attention given to it, is a strength of this type of research.
We have grown weary of man. Nietzsche wants something better, to believe in human ability once again. Nietzsche’s weariness is based almost entirely in the culmination of ressentiment, the dissolution of Nietzsche’s concept of morality and the prevailing priestly morality. Nietzsche wants to move beyond simple concepts of good and evil, abandon the assessment of individuals through ressentiment, and restore men to their former wonderful ability.
Shakespeare, William. "King Lear: A Conflated Text." The Norton Shakespeare. Ed. Stephen Greenblatt. New York:
While in Hamlet and others of Shakespeare's plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792)
King Lear is a perfect demonstration of the great consequences one man's actions can cause. While there are certainly religious Christian elements to the story, the story is not one of morality or hope. King Lear is a lesson, making an example of what can come of a single, foolish, egotistical action. King Lear's action is the surrendering of his throne to his daughters.
Based on the information provided in the L’Oreal case, Yue Sai struggled to grow and capture additional sales in the high-end Chinese cosmetics sector. In the past, L’Oreal attempted to position Yue Sai in several different ways which can be viewed as detrimental to the company image, showing uncertainty as the company struggles to see which positioning strategy will stick. The most recent positioning presented in the case, which desires to “deliver Yue Sai’s longstanding brand promise that ‘Nobody knows Chinese skin better than Yue Sai’”, allows the highest probability of success for the company capitalizing on countless fresh trends in Chinese cosmetics (6). The positioning statement would reflect this new strategy: “For the modern Chinese woman Yue Sai offers a line of high-end cosmetics. Unlike other high-end cosmetics Yue Sai combines traditional Chinese medicine and sophisticated technology adapted to the unique skin type of Chinese women.” Yue Sai saw reasonable success and hope in the new Vital Essential line which utilized traditional Chinese medicine and, therefore, resulted in above average repeat purchases. Continuing to focus the strategy around traditional Chinese medicine should benefit Yue Sai considerably. Another suggested strategy would be to wholly reposition Yue Sai, however this is ill advised. As stated in the case, Yue Sai tried numerous different positioning strategies, which ultimately provided no clear path strategy. Repositioning would show uncertainty in the company, lowering brand value in the eyes of the consumer.
Despite its undeniable greatness, throughout the last four centuries King Lear has left audiences, readers and critics alike emotionally exhausted and mentally unsatisfied by its conclusion. Shakespeare seems to have created a world too cruel and unmerciful to be true to life and too filled with horror and unrelieved suffering to be true to the art of tragedy. These divergent impressions arise from the fact that of all Shakespeare's works, King Lear expresses human existence in its most universal aspect and in its profoundest depths. A psychological analysis of the characters such as Bradley undertook cannot by itself resolve or place in proper perspective all the elements which contribute to these impressions because there is much here beyond the normal scope of psychology and the conscious or unconscious motivations in men.
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
British Airways has focused its mission and objectives towards satisfying its key stakeholders that include employees, customers, Government and the British public. The company has been successful in dealing with cultural differences that arise between the UK and foreign countries, adopting a geocentric approach to hiring workers. The airline has also created a flexible organisation that responds quickly to the changing needs of its consumers.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
The environment of L 'Oreal is very competitive and progressive. The trends of consummation force the company to be always more innovative in the production of products, but also in the sale of these products. To continue to be the leader and to compete on the market, L 'Oreal must adopt new strategy in the future in balance with his customers and his environment.
An Analysis of Divine Justice in King Lear: What the Character’s Deaths revealed about Justice