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Portrayal of women in literature
Portrayal of women in literature
Analytical essays on aunt jennifer's tigers
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Aunt Jennifer’s Tigers
By Adrienne Rich
Aunt Jennifer’s tigers stride across a screen
Bright topaz denizens of a world of green.
They do not fear the men beneath the tree;
They pace in sleek chivalric certainty.
Aunt Jennifer’s fingers fluttering through her wool
Find even the ivory needle hard to pull.
The massive weight of uncle’s wedding band
Sits heavily upon Aunt Jennifer’s hand.
When Aunt is dead, her terrified hands will lie
Still ringed with ordeals she was mastered by
The tigers in the panel that she made
Will go on striding, proud and unafraid.
• The first stanza sets the setting for Aunt Jennifer’s dream world for her and her tigers (Aunt Jennifer represents all women who are caught under the oppressive hand of a patriarchal society). Aunt Jennifer’s tigers represent what women desired to be like during that time period. The tigers are do not fear men and as depicted on line four are heroic and conduct themselves in a manly fashion. These confidents tigers represent everything women desire to be.
• The second stanza represents the reality of Aunt Jennifer’s life. She is depicted doing needlepoint, which happens to be a very traditional activity for a woman. However, she is having trouble with this activity as expressed in line 7. Her inability to do this needlepoint represents her inability to express herself in a male dominated society. This weight that rests “heavily” on her hand is not something she enjoys and is oppressing her from doing what she really wants to.
• The third stanza gives us a truthful look at the reality and end of Aunt Jennifer. It re-emphasizes the impact living in this patriarchal society had had on her. Despite the tragic end of Aunt Jennifer’s life these tigers and the ideas of an oppressed free life for women carry on.
What does Rich say about this poem?
•“I’m startled because beneath the conscious craft are glimpses of the split I even then experienced between the girl who wrote poems, who defined herself in writing poems, and the girl who was to define herself by her relationships with men” (632).
• Rich says this poem is an example of a split that took place in her earlier writing. She has written in the oppressors (male) style however, has expressed feelings of a woman not writing for a purely male audience. Rich has gotten away with expressing these ideas because she wrote using the strategy of f...
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...beginning years as a writer. It gives the reader a starting point for her to show how drastically her writing changed throughout her career.
• She realizes years later when she is re-visioning that “in those years formalism was part of a strategy – like asbestos gloves, it allowed [her] to handle material I couldn’t pick up barehanded” (633).
• This means she was able to touch on subjects that weren’t directed solely for a male audience because she was able to make them sound the same by using formalism. Formalism was the male rule or known way to write poetry.
• It is also worthy to not the irony in this poem. Since it was written when Rich was still a student and wanting to rebel against the traditional female roles, you would never expect Rich to take on the role of Aunt Jennifer in real life. However, she then decides that she, ?was also determined to prove that as a woman poet [she] could also have what as then defined as a full woman’s life. She eventually found herself overweighed by her obligations as a wife and mother to not be able to put ample time into her writing. She was taking on the role of Aunt Jennifer and that is when she had her whole
awakening.
Fulfilling the roles of both mother and breadwinner creates an assortment of reactions for the narrator. In the poem’s opening lines, she commences her day in the harried role as a mother, and with “too much to do,” (2) expresses her struggle with balancing priorities. After saying goodbye to her children she rushes out the door, transitioning from both, one role to the next, as well as, one emotion to another. As the day continues, when reflecting on
1912. It shows how hard it was for her as she was young, had no
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Holloway dug into the history of African American death through a series of interviews, archival research, and analyses of literature, film, movies, theater, and music. Through it, Holloway showed how the vulnerability of African Americans to untimely death is inextricably linked to how black culture represents itself and is represented. In dealing with grief and loss, African American researchers have primarily focused on the “death-care” industry—black funeral homes and morticians, the history of the profession, and its practices. Holloway took a stronger and more active approach by researching all facets of the burial business: emergency room physicians, hospital chaplains, hospice administrators, embalming chemical salesmen, casket makers, funeral directors, and grieving relatives.
Collins, Charles O., and Charles D. Rhine. "Roadside Memorials." Omega: Journal Of Death & Dying 47.3 (2003): 221-244.Academic Search Complete. Web. 21 Apr. 2014.
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The conversation seems as though it confirms her biggest fear. She was possibly rich at one point in her life, although she can’t quite come to grasps with not having money. The reader assumes she is poor because she lives in “a dark room-like a cupboard”, meaning she lives, possibly in a small either boarding room or a modest one bedroom apartment, however, she has a condescension with reference to herself. Miss Brill is not only narcissistic but also has a great deal of vulgarity to herself, although in reality she was a social outcast. On the other hand, Jackson is an uneducated wise woman, who is very family oriented, stubborn, selfless, manipulative, religious woman. Eudora Welty’s “A Worn Path” takes place in a racist time era where, persons of Caucasian decent were considered to be superior to the African American race. Jackson uses this theory to her ability, and example of this is her leaving the house with no money and by the conclusion of the story has ten cents, which in that time period was enough to buy her grandson a toy for
The “Tigers Bride,” by Angela Carter is another widely known version that has to do with the fairytale “The Beauty and The Beast.” This version was written in 1979 and shows ways of femininity through the main character of the story who is narrating. She shows femininity in a way where she does not follow certain values in this time period. The main character exposes herself to the Beast by lifting her skirt and exposes her body in way society would not accept. This shows how women should break free of their beautiful appearance and figure and embrace parts that they never show before. This gives society an image about women in a different perspective. In this film the mother character is absent which shows how she only had a father figure, even though he did not play a good fatherly role.
Sandra Gilbert and Susan Gubar pursue a definition for what it means to be an authoress in a male dominated culture of writers. The central question for Feminists, according to Gilbert and Gubar, is: “Does the Queen try to sound like the King, imitating his tone, is inflections, his phrasing, his point of view? Or does she ‘talk back’ to him in her own vocabulary, her own timbre, insisting on her own viewpoint?” However, I cannot overlook the prospect of a man feeling just as mad and cooped up writing a text that others would view as out of his league. Chinua Achebe is the epitome of this Madman in the Attic. Born and raised in London, and brought up Christian he was as far away from being Okonkwo as I am as a white middle class American female. If Gilbert and Gubar are accusing women of feeling out of place writing in what then was a man’s field of expertise then Achebe masterfully channels the feminine madness into Things Fall Apart by writing a culture of strong independent women masked by silent passive girls.
Society has redefined the role of woman by their works thru poetry that has changed their life
Morality has been a subject of many philosophical discussions that has prompted varied responses from different philosophers. One of the most famous approaches to morality is that of Immanuel Kant in his writing Groundwork of Metaphysics of Morals. Kant in this work argues that the reason for doing a particular action or the drive to do good things is a fundamental basis of defining moral quality in a person. To him, an action could be considered morally right only if the motivation behind doing that action was out of ‘goodwill’. When he defines these moral rules, he characterizes them in the form of imperatives – the hypothetical imperative and categorical imperative. While hypothetical imperatives deal with motivations and actions that lead to a particular end, categorical imperatives are a product of rational behavior in human beings. Kant considers such categorical imperatives to be the moral basis for life.