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Impact of social media on personal relationships
Great depression 1930s to 1940s essay
Impact of social media on personal relationships
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The 1936 comedy You Can’t Take It with You depicts the story of a man, Toby Kirby, from a wealthy and powerful family who becomes engaged to a woman, Alice Vanderhof, from a good-natured but undoubtedly odd family. There is an unavoidable conflict of different classes and lifestyles between the Kirbys and the Vanderhofs. In You Can’t Take It with You, the writers Moss Hart and George S. Kaufman want people open their eyes to realize living the joyful life is more important than successes, ambitions, financial profits or positions. The comedy is about an escape route during the Great Depression. You Can’t Take It with You begins with Penelope Vanderhof Sycamore, daughter of Grandpa Vanderhof and Paul Sycamore’s wife, using a typewriter to write …show more content…
a play in the living room of a house close to Columbia University. Penelope is working on her eleventh play in nearly eight years. In this family, a typewriter’s delivery is plenty to start a literary job. Essie Carmichael, wife of xylophone player, Ed Carmichael, comes in from making candy in the kitchen, and her unceasing action starts. While Essie tries to practice dancing, her daughter, Penny, attempts to escape her heroine from the monastery where she has spent the last six years. Sometimes, she wonders out loud if she could come back to sculpture. Mr. Sycamore and Mr. De Pinna, Paul’s assitant, appear to be making fireworks in the basement of a house; they sketch out an impressive show with balloons. Ed Carmichael begins playing the xylophone. When Donald, who performs weird works for the Sycamores, comes by to visit the maid Rheba, his date, he carries flies that will become food for Grandpa’s snakes. Ed intends to make some words from Trotsky to wrap it on Essie's next set of candy. Grandpa Vanderhof, who is seventy five years old and still energetic, has just graduated from Columbia University. When Paul and Penny's other daughter, Alice Vanderhof, comes home, she is very different from the other family members. While Alice introduces her boyfriend, a young man who she works with, Tony Kirby, the son of an administrative company; a government man, whose name is Wilbur C. Henderson, makes a request for Grandpa to pay back income taxes. Grandpa has not paid taxes yet, he has been doing whatever makes him happy since he's given up his work for thirty-five years. Grandpa interred a nameless milkman who died eight years ago as a Vanderhof member. It was before the time of the play. When mail arrives for Grandpa Vanderhof, not a single person thought to bring it to him. Having received none of the letters from the United States government, he does not recognize that he has been owing twenty-four years' worth of income tax and the government inquires him pay back taxes. Tony comes to Alice’s house to meet the family. Kolenkhov, Essie's Russian ballet trainer, and Essie start a dance lesson. During a slight silence, a set of fireworks booms out from the basement. The silliness keeps happening in the second scene. Alice attempts to explain to Tony that her family is abnormal; many members in the household are proofs for that fact. Nonetheless, Tony still wants to marry Alice. In Act two, about a week later, Penelope tries to practice one of her plays with an ostensible actress, Gay Wellington, who she met on a bus and passed out drunk on the sofa of the house of the Vanderhof.
Mr.De Pinna dresses like a Roman discus thrower and positions himself for Penelope to paint his portrait. Kolenkov wears his undershirt and teaches Essie about ballerina, while Ed Carmichael plays the xylophone for her. In the climax of the mess, Tony and his parents, Mr. and Mrs. Kirby, come in, in elegant clothing. Tony remembered incorrectly the day that they were supposed to come to the Vanderhofs' house for dinner. The Kirbys were surely supposed to come by in the following day. Seeing the madness of Alice’s family makes the Kirbys shocked. Alice is astonished. Frantically, the Vanderhof family attempts to calm the Kirbys down. All efforts to small talk failed over and over again by the ideological differences between the two families. Mrs. Kirby is disappointed by Grandpa’s snakes, Mrs. Wellington gets up, goes out of the room and sings as she is drunk. Some eggs which were prepared for dinner, are dropped down the sink by Rhebe. The play reaches a climax when Kolenkov shows off his wrestling move by knocking Mr. Kirby out to the ground. Penelope tries to appeases the atmosphere by starting a game which is called Forget-Me-Not. Unluckily, the game starts to uncover some embarrassing truths about the marriage of Mr. and Mrs. Kirby; the couple evidently loses their …show more content…
calm and decides to leave the house. After what occurred in the evening, Alice takes those things as evidence that proves that her marriage to Tony would go the dead end and she tries to abrogates her engagement. Immediately after the Kirbys leave the house, the play reaches the falling action when the Department of Justice's officers come to the house and arrest all the Vanderhof members who they suspected are involved in the rebellion, which is printed and sticked on boxes of Essie’s candy by Ed's innocence. The act closes in smoke and bangs of fireworks by Paul and Mr. De Pinna that are set off by Mr. De Pinna’s pipe without intention. In act three, probably the day after, Alice is embarrassed and insists that her relationship with Tony is not possible; she comes up with plans to leave the house alone immediately as a way to extricate.
Penelope and Paul are broken when they know about their daughter’s leaving plan; they start to have suspicion about their vain life choices. Meantime, Tony desperately attempts to convince Alice to stay and marry him, but Alice rejects to meet him again. Forcedly, despite what happened in the previous night, the Vanderhof family’s weird actions keep reoccurring. Kolenkhov comes and asks the former Grand Duchess, Olga Katrina, who is from Russia and works at Child’s Restaurant at Times Square as a waitress for dinner. Greeted enthusiastically by the Vanderhoff, Katrina instantly gets into the kitchen to prepare her famous and delicious blintzes. Mr. Kirby suddenly shows up at the door and exerts to get Tony to go home with him. After the circumstance seems most serious, Tony and Alice start to lose hope on love and they see their love as an impossible hopeless dream. Grandpa Vanderhof begins with his philosophy of putting the happiness over money, ambitions, financial profits and successes. Grandpa persuades Tony, Mr. Kirby, and Alice not to abandon their dreams and not to lose hope on love. Mr. Kirby takes Grandpa's advice and agrees to stay for dinner. More importantly, Alice accepts to get married to Tony. At the final of the play, Grandpa reveals how he has been capable
of dodging paying back his income taxes, by convincing the government that he is dead. The 1936 play about the story of the Vanderhof family and Tony and Alice’s love proves that happiness and love are more important than anything in the world. The play is an escape way in the middle of the Great Depression. The writers Moss Hart and George S. Kaufman of the comedy You Can’t Take It with You want people put their dreams, hopes and loves above ambitions, money, financial profits, positions and successes. More importantly, the writers want people live every moment in their lives joyfully.
With only four characters in the play, each of these individuals plays a vital role in each other’s lives. Gary and Dave are juxtaposing characters in the play, with Christine and Sue-Anne being the other two. Prior to their first meeting, Gary was hardworking and determined, a classic Aussie tradie striving to build a house on a block of land he inherited from his passing father in hopes of providing a future for his unborn baby. Dave however, is quite contrasting in comparison to Gary. Dave is known for being laidback and lazy, playing a passive role. Despite not revealing much about himself, Dave is socializes well with the rest of the characters with c...
In his first year of school, he is only interested in Megan Murray, the first girl Paul has ever lusted for. However in his second year, he meets Rosie. Rosie watches him practise in the Music Room during lunch. Initially, Paul feels intimidated by Rosie as he thinks that she is too much like himself. He is afraid that he now has competition as she is the other smart kid in the class, yet he still chooses to teach her some piano. Choosing to spring lines from Herr Keller’s teachings, he makes himself sound smarter and more accomplished at the piano than he actually is. The characters show the development of Paul through the way they act with Paul and the language and content used in conversation. This enables us to see Paul’s “plumage” being presented to the world as Paul develops through time to become the swan that he is at the end of the novel.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
Thesis statement: The relationship Holden and Blanche have between family and people in society leads them to an inner turmoil, which eventually results in their psychological breakdowns.
The entire family is involved with lies to Big Daddy and Big Momma, as are the doctors. They tell them that Big Daddy does not have cancer, but only a spastic colon. Brick lies to himself about his feelings for Skipper until Big Daddy forces him to face it. He then understands that he is upset about the way his clean friendship has been misinterpreted. Gooper and Mae pretend to be loving and doting children, when in fact all they want is money and land. Big Mama lies to herself, think all the cruel things Big Daddy says are just jokes. She also lies to herself by thinking that a child from Maggie and Brick would turn Brick into a non-drinking, family man qualified to take over the family place. Big Daddy is even wrapped up in the mendacity. He admits to Brick that he is tired of letting all the lies. He has lied for years about his feelings for his wife, his son Gooper and his daughter-in-law Mae, he says he loves them, when in fact he can't stand any of them. Maggie, who seems to tell close to the truth the entire play, breaks down and lies about her pregnancy.
It was the 1930’s during the Great Depression and life was hard for almost every American. Men would travel from town to town, always in search for a job. Most men worked for a short period of time, collected their earning and kept traveling to discover new work. It was not always like this, some men stayed at their factories and ranches for their whole life. But for two men, traveling and leaving was their only option.
Every time the family comes to a confrontation someone retreats to the past and reflects on life as it was back then, not dealing with life as it is for them today. Tom, assuming the macho role of the man of the house, babies and shelters Laura from the outside world. His mother reminds him that he is to feel a responsibility for his sister. He carries this burden throughout the play. His mother knows if it were not for his sisters needs he would have been long gone. Laura must pickup on some of this, she is so sensitive she must sense Toms feeling of being trapped. Tom dreams of going away to learn of the world, Laura is aware of this and she is frightened of what may become of them if he were to leave.
The grandmother who is miserable and mean to everyone, throughout the play she played her part well. There was a time in the story where she took the candies and pretzel behind Jay 's back and him to pay for them even though he takes it. He was so upset, he wanted to leave Uncle Louie to be a gangster to help his father so he could be able to come back for them. Another humorous moment was when Aunt Bella, would constantly go to the movies, and she met an usher name Johnny there and within 10 days he asked her to marry him. She wanted to but scared her mom would say no, and saying yes to giving her five thousand dollars for Johnny to open a restaurant. This was hilarious, who in their right state of mind, meet a guy and say yes to marrying him after such short time meeting
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
...g this news for the first time and is astounded and angry. Aunt Gertrude, though shrewd and unlikable, also realizes the attraction between Patrice and Natalie, and tells Patrice that he is marrying the girl he loves to his Uncle. Her awareness on this subject may be rooted in her hate for Patrice and her desire to destroy him because her son can never be as loved as Patrice, but that does not alter the fact that she feels and notices the love between Patrice and Natalie.
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
The 1936 film My Man Godfrey begins with two rich sisters picking up a “hobo” at a dump to win a preposterous scavenger hunt and ends with that same man living happily ever after in a mall that he created out of that same dump.This impressive man named Godfrey explains that his reasoning for first going to the scavenger hunt was “to see how a bunch of empty headed nitwits conducted themselves.” Godfrey’s insult at the crowd aligns with Christopher Beach’s reasoning in his work,“Working Ladies And Forgotten Men” that the main movie going population are drawn in and comforted by My Man Godfrey’s negative portrayal of the extremely wealthy. Beach states, “Given the generally hostile sentiment toward the wealthy few expressed by both the working
The play centers on what is seen and what is believed. Orgon believes what Tartuffe wants him to believe—Tartuffe paints himself as a holy and virtuous man. Orgon cannot judge Tartuffe beyond the image he has of him in his mind even though he is cautioned repeatedly by several characters. His brother-in-law, Cléante, warns Orgon. Dorine, lady's maid to Mariane, outspoken not only as a woman, but also as a member of the hired staff—berates Orgon for not seeing Tartuffe for what he really is. Even Orgon's own son, Damis, is the most outraged by Tartuffe's behavior, reacting impulsively and threatening violence on several occasions. Even when Damis hears Tartuffe attempting to seduce his stepmother (Elmire) and tells his father, Orgon will not listen, throws his son
...they will willingly hand him the letters with their blessing. In an obvious reversal of this prediction, however, is Miss Bordereau’s response to the narrator’s asking to push her wheelchair from the balcony overlooking the garden– “Oh yes, you may move me this way– you shan’t any other!” (James, 66). Miss Bordereau is always moving beyond the reach of the narrator, but he does not realize just how far beyond his reach the beloved papers are until the conclusion of the story: Miss Bordereau is dead, Miss Tina is no longer a pliable tool, and the papers have been irrevocably turned into unreadable ash. The relationship that he sought to form between himself and Miss Bordereau through the intermediary of Miss Tina has left him with nothing and has left Miss Bordereau laughing in her grave at the young, overconfident literary who thought he could get the better of her.
The main theme expressed in the play is change and the characters' inability to cope with this. Like many working-class people from this time the characters in the play are fairly uneducated and because of this, they do not have an understanding of the growing old process, they cling onto what they know best, which is youth and this brings about their downfall. Olive is the classic dreamer. She is thirty-nine but still continues to live as though she's a teenager. She has extremely strong ideals, which she refuses to let go of. She wants excitement; she wants "five months of heaven every year." She doesn't want the monotony and responsibility of married life. Roo and Barney, who once were fit young men, come down from the lay-off this year, dragging their ever-increasing age with them. Roo is not as fit and healthy as he used to be - he has a bad back - his pride also holds him back from realizing that he is getting older and that life is changing for him. Time is catching up with Barney as well and he is no longer the epitome of male prowess that he believed he once was. Underneath the smiling, joking façade he really is a fairly pathetic man who doesn't truly understand what is happ...