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The symbolism in the yellow wallpaper
The symbolism in the yellow wallpaper
The portrayal of women in 19th century literature
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In Charlotte Perkins Gilman’s short story, The Yellow Wallpaper, the main character, otherwise known as the narrator, plays a crazed, mysterious character. Throughout the short story she tells of her own life, yet the reader never even learns her name. The narrator is undoubtedly a Jane Doe. Within the first lines of the story, we find out valuable information about our narrator. The narrator says, “It is very seldom that mere ordinary people like John and myself secure ancestral homes for the summer,” Just within this statement we find out that our narrator is a woman, more than likely middle class due to the fact she refers to herself as “mere ordinary people”, and that she has a husband named John. It is not her name or personal history that we need to know to understand …show more content…
This short story resembles parts of a dark or gothic novel. She has a domineering husband, unfair and unnecessary restrictions, and she is crazed. Even through all this, she still writes with sophistication and grace, and continues to write in her journal through her mental instability and breakdowns. Due to her lack of activity, she becomes obsessed with the wallpaper, and the woman inside. She begins peeling away at the wallpaper to free the woman behind the pattern. Referring to the woman in the paper, she says, “I wonder if they all come out of the wallpaper as I did?” She also says, “I suppose I shall have to get back behind the pattern when it comes night, and that is hard!” Through these quotes readers can see that the narrator has started to identify with the woman in the paper herself. She believes that she is a woman freed from behind ugly wallpaper, yet she still writes like a classy societal lady. The narrator was not just telling a story of a mentally impaired woman who was obsessed with wallpaper; she was conveying a message of social issues concerning treatment of the mentally ill and of women
In Charlotte Perkins Gilman’s story, “The yellow Wallpaper”, the main character is used as a symbol to express the feeling of all the oppressed women in her time. Most of the women had no voice and were enslaved by “masculinist” ideas and a cult of domesticity (Gilman 685), which would explain why the main characters name was never mentioned in the story alluding to the fact that the women of her era simply lacked their own personal identity. Her husband and brother, who were both Physicians, treated ...
The pattern on the wallpaper represents to the narrator and to the reader the male-dominated society that is depriving the narrator of her freedom. For the narrator, on a personal level, the pattern on the wallpaper represents the actions of her husband, doctor and her husband's sister to keep her locked in the room and idle. While these people are ostensibly attempting to aid the narrator, they are in effect imprisoning her i...
In Charlotte Perkins Gilman’s short story The Yellow Wallpaper, the main character is a symbol for all repressed women of her time. Throughout the entire story, her name is never mentioned, alluding to the fact that the women of her era simply lacked their own personal identity. Her husband treated her as a frail and incapable being. He laughed at her fears, and disregarded her concerns as frivolous worries. She recognized this as nothing beyond the normality, and accepts it because that is what her society deems standard. When commenting that there must be something queer about a house so large and beautiful, yet rented to them at such a reasonable price, she continued “John laughs at me, of course, but one expects that in a marriage” (1). John continually tells her that her illness is psychological, and encourages her to try and get more fresh air, for her own efforts will be the best for a quicker recovery. However, on the one occasion she asks him for permission to visit her Cousin Henry and Julia, he denies her so, leaving her in tears and telling her she could not handle such a trip.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
In The Yellow Wallpaper, the narrator weaves a tale of a woman with deep seeded feelings of depression. Her husband, a physician, takes her to a house for a span of three months where he puts her in a room to recuperate. That “recuperation” becomes her nemesis. She is so fixated on the “yellow wallpaper” that it seems to serve as the definition of her bondage. She gradually over time begins to realize what the wallpaper seems to represents and goes about plotting ways to overcome it. In a discussion concerning the wallpaper she states, “If only that top pattern could be gotten off from the under one! I mean to try it, little by little.” “There are only two more days to get this paper off, and I believe John is beginning to notice. I don’t like the look in his eyes.”
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
In the 19th century, women were not seen in society as being an equal to men. Men were responsible for providing and taking care of the family while their wives stayed at home not allowed leaving without their husbands. In The Yellow Wallpaper, Charlotte Perkins Gilman writes about a woman named Jane who is trapped by society’s cage and tries to find herself. Throughout the story, the theme of self-discovery is developed through the symbols of the nursery, the journal and the wallpaper.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
She finally escapes her life of depression and divorces her husband. The imagery the narrator gives this story lets you see how this woman uses the yellow wallpaper to show that not only was the narrator going through the imprisonment of her marriage and the psychological struggles in the late 1800’s but other women also was faced the same issues. “I 've got out at last ... in spite of you.... And I 've pulled off most of the paper so you can 't put me back!” (“The Yellow Wallpaper,” p. 53). The narrator uses metaphor in comparison of the wallpaper to the bars that held her captive in the room. One would say that the resolution of “The Yellow Wall paper” established a victory for women in the early twentieth century. After reading The Yellow Wallpaper Mitchell changed his treatment on women with and Gilman advocated for women
Through the narrator’s obsession with the wall, she begins to envision a woman, that is trapped behind the Yellow Wallpaper. “By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still.” (pg. 166) From this line, it is made clear to the reader that the pattern of the wall symbolizes the social constraints women face daily. While the woman behind the wallpaper is just a figment of the narrator’s imagination, she metaphorically represents the speaker and her desperation to break free of the mental and physical oppression that has been placed upon her not only by her husband but also society as well; this is seen in the line “I suppose I shall have to get backs behind the pattern when it comes night, and that is hard”
This yellow wall-paper of all the papers is most significant because of the yellow color. Yellow is usually a happy color it stimulates the brain in a positive way (Changing Work). Irony is created in the story because the usual meaning of yellow contradicts how it affects the woman. From the beginning the majority of what the narrator talked about was the wall-paper, and how she hated it. She described it in many ways; she described the patterns, the colors, and anything else she imagined about it. Her description of it at one point was “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing” (653). The narrator from the beginning thought of the wall-paper in a negative way, but was constantly interested in figuring it out. The woman became obsessed with figuring out the wall-paper. At one point she was so intent on figuring out the mysteries of the wall-paper that she would stay awake at night, she admits that by saying “John was asleep and I hate to wake him, so I kept still and watched the moonlight on that undulating wallpaper till I felt creepy” (652). She even got to where she thought there was a woman trapped in the wall-paper behind the front pattern, and that she moved and shook the paper. The narrator that she sees in the wall-paper is a representation of herself and how she has gone crazy. Paula A. Treichler explains “The woman in the wallpaper represents (1) the narrator herself, gone mad” (64). The woman she imagines causes her to be more and more interested in the wall-paper. The last night they were at the house, she was alone in the room and “As soon as it was moonlight and the poor thing began to crawl and shake the pattern, I got up and ran to help her” (655). The woman’s obsession with the paper got so bad over time, that combined with the other negative factors in her life she became completely crazy. Her
In Charlotte Perkins Gilman’s “The Yellow Wallpaper” we are presented a story in which the narrator is the wife herself. The story begins with her
Signs of the depth of the narrator's mental illness are presented early in the story. The woman starts innocently enough with studying the patterns of the paper but soon starts to see grotesque images in it, "There is a recurrent spot where the pattern lolls like a...
She utilizes a gradual pace to discharge goodies of allegory that hint the reader to see the wallpaper as an image of male specialist. The principle character's interest with the appalling paper starts as a pure disturbance, works to a hobby, and crescendos to a fixation. The excellence of the story, be that as it may, is that this development is extremely unpretentious, and simply after reflection and examination can the images of the wallpaper be seen. Without a doubt, the character in the story can't remember them herself, and it is the battle to perceive what is in the wallpaper that moves the reader