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Fighting Oppression in The Yellow Wallpaper, At the Cadian Ball, and The Storm
In their works, Charlotte Perkins Gilman and Kate Chopin show that freedom was not universal in America in the late nineteenth and early twentieth century. The three works, "The Yellow Wallpaper," "At the 'Cadian Ball," and "The Storm" expose the oppression of women by society. This works also illustrate that those women who were passive in the face of this oppression risk losing not only their identity, but their sanity as well.
Gilman's female narrator, who either chose not to fight this tradition or was unable to do so, loses her sanity at the hands of an oppressive male-dominated American society. The narrator feels certain that the "rest cure" prescribed by her doctor is not working. She says that the men in her life are wrong to limit her activity. She feels that she could escape her depression if given the chance. "Personally, I disagree with their ideas. I believe that congenial work, with excitement and change, would do me good."1 But despite this knowledge, the narrator does not act out against what she believes to be the incorrect ideas of the men who confine her and make her mental illness worse. Her growing insanity is inspired by and represented in the wallpaper of the story's title.
The pattern on the wallpaper represents to the narrator and to the reader the male-dominated society that is depriving the narrator of her freedom. For the narrator, on a personal level, the pattern on the wallpaper represents the actions of her husband, doctor and her husband's sister to keep her locked in the room and idle. While these people are ostensibly attempting to aid the narrator, they are in effect imprisoning her i...
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...he Yellow Wallpaper," the narrator does not act out and she loses her sanity. In "At the 'Cadian Ball," Clarisse acts out and she is successful. Calixta does not act out and she submits to a marriage to a man for whom she feels less passion. In "The Storm," Clarisse continues to be happy because she acts in a manner that suits her. She goes away when she feels like it and both she and Alcee are happy. The theme that is recurrent in these stories is that it is important for a woman's happiness and well-being to act out against an unjust society.
Works Cited
* 1 "The Yellow Wallpaper," Charlotte Perkins Gilman, The Norton Anthology of American Literature, 1994, W.W. Norton & Company, New York, p. 646.
* 2 Ibid, p. 653.
* 3 "The Storm," Kate Chopin, The Norton Anthology of American Literature, 1994, W.W. Norton & Company, New York, p. 493.
After being deadlocked in Congress, the Missouri Compromise was finally passed by a new Congress in 1820. As part of the compromise, Massachusetts had offered its northern most counties to become the new free state of Maine. The addition of two new states kept the balance between free and slave states. This settled the fears of the South gaining votes in the House or Senate. Along with this there was the Thomas Proviso which would admit Missouri as a state on the condition that the South would agree to outlaw slavery above a line from the Spanish Territory to the southern border of Missouri.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 1684-1695.
The Missouri Compromise was a very successful yet flawed document that stalled the civil war for at least thirty years. The compromise framed the westward expansion of slavery. It set many laws in regards to slavery that would hold the northerners from lashing out at the southerners and sharing the war even earlier. Lastly it separate the economic, political and ethical interests and beliefs of the northern, southern and western regions of the U.S. Although it delayed the Civil war by at least thirty years, it was inevitable. Eventually the issue of slavery would have to be faced head on. Slavery was either going to be tolerated everywhere or no where at all. The North had decided that slavery wouldn't be tolerated and the south seceded from the united states.
Throughout the story, the reader is called to trust the narrator although it is clear she is going crazy, for she is the only telling the story. Gilman is able to develop the theme through this character’s point of view by showing that the narrator has no choice in the world in which she lives-- she must obey the men in her life above all else. If Gilman chose any other perspective, the story would not have been able to portray the woman’s oppression as well, because the reader would not have been able to see into her mind as it slipped away well into insanity.
The Missouri Compromise happened on March 3, 1820 in a effort from the U.S Senate and House of Representatives to maintain balance of power between the slaveholding states and the free states. The slaveholding states feared that they would become outnumbered in the Congressional representation to protect their interests in property and trade. As the debates raised on the Missouri admissions, perhaps nobody was more unsettled than the man who had obtained all that modest land west of the Mississippi River. In 1820, Thomas Jefferson wrote to a companion about the battle over slavery in Missouri “like a firebell in the night, awakened me and filled me with terror.” Jefferson would die in 1826, but the fire bells over slavery had just begun to toll
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Overall I enjoyed reading Witchcraft at Salem. Hansen brought new ideas while challenging the old ones in a very enthusiastic manner. Many scholars have differing views on what happened at Salem. Some believe that girls were lying, while some believe that a physical ailment was the cause. This book was great for a reader who wanted to find several opinions on what took place in Salem. If the reader wanted to know just the basic facts of the Salem Witch Trials then I would not recommend this book. Witchcraft at Salem requires a general knowledge of what happened during the witch trials because it goes very in depth. This book might be confusing to someone who slept in high school history or english and knows nothing of what happened at Salem during 1962.
In 1823, Mary Crownover Rabb emigrated from Arkansas to Texas with her husband John Rabb, and together they settled in Stephen F. Austin’s colony. They made their first place of settlement by the Colorado River; however, this living arrangement did not last long. Harassed by Indians, the Rabbs made the trek to the Brazos River and settled there. Unfortunately for the young family, this did not last long either as the sandflies, gnats, and mosquitoes made living there unbearable. In the reminiscences of Rabb, she gives us look into the harsh conditions her family dealt with, ranging from the condition of their living arrangements to her recurring fear of alligators coming out of the Brazos River and eating her
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
At first glance, the compromise seemed have settled everything concerning the expansion of slavery, but it actually settled nothing. It merely put off the problem to a later time. Whether slavery should be allowed in the area gained in the Mexican War was still unanswered. The South and the North would continue fighting over unorganized territories. In fact, since the government decided not to intervene in the slavery issue, the people had to decided whether they want slavery or not. When they couldn’t decide for themselves, they turned to violence. The Kansas-Nebraska Act was “an 1854 bill that mandated “popular sovereignty”–allowing settlers of a territory to decide whether slavery would be allowed within a new state’s borders” (Foner). This was a logical extension of the Compromise of 1850 because it echoed the “popular sovereignty”. The act had the people living in the territory decide if they wanted slavery. Because of this the North and the South got into a fight over Kansas. This caused sectional
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
History is what creates the future. There are many events that impact society, and transform the daily life of all nations. Much of the change experienced throughout history is social change. During the 1920’s, many events took place that altered the way of life in America. Prohibition was passed, banning alcohol, and it caused a domino effect of change throughout the United States. The economy was booming, cities had electricity that allowed for the night to be lit up, and people were adjusting to the new way of life. Most of the adjustment was social, because people now wished to express themselves in new ways. The 20’s brought about alteration in the daily lives of most American citizens, and allowed people to express themselves unlike ever before. Flappers transformed the look of American women, the Harlem Renaissance exposed the troublesome lives and emotions of African Americans, and the mob brought organized crime and corruption to cities. The 1920’s were a decade of extreme change in the social norms in the United States’ society. The United States was changing more than ever before, and life would never be the same for the men and women living in America after the 1920‘s.
Before the Missouri Compromise, there are unofficial unanimous agreements to not deal with slavery among legislator because it will break the union with it divisiveness. For example, Thomas Jefferson compares slavery to a “firebell” that filled him with “terror” (D6). Another example is John Adam saying in his diary “ If the union must be dissolved, slavery is precisely the question upon which it ought to break (D5).” This shows the strength of slavery to kill the union with it divisiveness. After the Missouri Compromise, no one was happy. To the north, the compromise did not stop the spread of slavery. To the South, the government does not have the right to regulate slavery. This lead to more violent action by both sides to promote their
In “The Yellow Wallpaper” the narrator describes things in the room, which in way, is a symbol of male dominance in the story. The main symbolism in the story is the wallpaper. For example the horrid yellow that is on the walls represents her “illness” or depression issues diagnosed by her husband. However, the vulgar yellow wallpaper pattern shows the restrictions the narrator believed she was enforced too. During her time in the room the narrator creates an imaginative woman inside the wallpaper representing her and other women in society who are also trapped by the male-centric society. The woman in the wallpaper is trapped behind bars and shakes them violently as the narrator explains to escape from them.
Gilman, Charlotte Perkins. "The Yellow Wallpaper" The Harbrace Anthology of Literature. Ed. Jon C. Scott, Raymond E. Jones, and Rick Bowers. Canada: Nelson Thomas Learning, 2002. 902-913.