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William hearst spanish american war
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Yellow journalism is a type of journalism that focuses on writing pretty much anything in an effort to make big sales instead of writing from an impartial standpoint. It wasn’t until the final days leading up to the Spanish-American War that yellow journalism reared its ugly head. The idea of yellow journalism started with a comic strip printed by Joseph Pulitzer’s New York World, in which there was a little yellow man nicknamed “The Yellow Boy”. William Randolph Hearst, owner of the New York Journal, hired out the cartoonist who designed the “Yellow Boy” comic strip, thus causing hostility between the two owners and their newspapers. They were always at competition with each other when it came to selling big headlines. Their headlines would always contain human interest columns, dramatic crime stories and a heavy dose of cartoons that would make the paper sell well, not to mention the decrease of the price of a paper to one cent. In 1895, a revolt broke out in Cuba against the Spanish government, with America coming in to help Cuba soon after. During the war, America built the U.S.S. Maine, a ninety-nine meter battleship that had been built and sent to Cuban waters to match the growing Brazilian navy as well as to protect American assets. The two men saw this war in Cuba as an opportunity to write emotionally stirring stories. They both wrote horrific tales concerning the condition of the people in Cuba. Suddenly, on February 15, 1898, the Maine suddenly exploded, killing two hundred sixty one sailors and wounding nineteen others. Both Hearst and Pulitzer, among other newspapers, saw this catastrophic event as a chance to make it big in the media world. Without any concrete evidence, they wrote up headlines declaring that Spain ...
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...hos (Ceremonial), and ethos (Political). Forensic rhetoric deals with wrongdoing and its motives; pathos deals with the forms of virtue, as well as praising one thing over another; ethos has to do with the knowledge of what is good, as well as dealing with the four main types of government. When Hearst and Pulitzer wrote their dramatic news articles were filled with logos, or forensic rhetoric. They looked at the situation, saw the possibility that the Spanish could have sunken the ship, and went after that theory. They identified the perpetrators, the Spanish, and the victims, the men aboard the U.S.S. Maine and all America. They made their accusation and declared that they had been wronged. While other newspapers used forensic rhetoric in an impartial manner, Hearst and Randolph used forensic rhetoric in the manner of yellow journalism. And look how it turned out.
He draws attention to his argument by using statistical evidence and methods of persuasion. The methods that the author uses to better explain his argument of this book include that of researched evidence and rhetoric of ethos, and logos. Examples of each can be found throughout the book. For the researched evidence an example is all the quotes the author uses to better each argument of almost every paragraph of this book. When using quotes, the author can show that he has done research because he pulled the quotes out of multiple sources. An example of ethos is on page 32 chapter two, it states “Tolstoy once wrote what fascinated him about war was “its reality” – not the strategies of generals or the maneuvers of troops but the “actual killings”. “He was more interested to know in what way and under the influence of what feelings one soldier kills another”. This is a prime example of ethos because it evokes emotion of the reader, not only this but it talks about emotion which is in fact ethos. For an Example of logos, the reader can look at page 250 paragraph one, the example is that of the death toll of the Union soldiers. This is logos because it appeals to logic by using statistics to make a logical assumption that lots of Union soldiers were killed and the war was brutal for both the North and the
An example of Moss’s outstanding usage of ethos, pathos, and logos is Jeffrey Dunn’s story. Dunn held an executive position at Coca-Cola in 2001, when the main company goal was to drive Coca-Cola into poorer areas. On a business trip to Brazil, Dunn realized that “these people need a lot of things, but they don’t need a Coke” and decided to push the company in a healthier direction. This choice led to Dunn’s eventual firing (491-494). This story not only appeals to pathos by getting to readers’ emotions, but also to ethos and logos because Dunn is a credible source and gives an authentic experience that adds to the credible feel of the article. (very good info./analysis, keep but
Aristotle’s rhetorical triangle links three elements of arguing together: the speaker, the story, and the audience. The relationship between the elements determines the speaker’s argument and whether it will be successful in oratory or literature. Ethos, Logos and Pathos are each different aspects of the argument that must be balanced in order to succeed in persuading or convincing an audience. Ethos, or character, relates to the speaker’s credibility that the audience appeals to: it is useful when persuading a group of people to trust what you are saying or doing. Logos, or logic, is a way of convincing and appealing by reason, truth, and facts. Pathos relates to the audience’s emotions and their response to what the speaker is saying.
“The story is worth more than the paper it is printed on.” Frank Munsey’s words symbolized the history of the pulp magazine. Frank Munsey started the pulp magazine craze with his first magazine, the Argosy, in 1896. The Argosy was a revamping of his children’s magazine, the Golden Argosy, shifting its focus from children to adults. The Argosy offered large amounts of fiction for a low price, because these stories would be printed on cheap pulpwood scraps, thus gaining the name ‘pulp magazine’. The pulp magazine has been a part of American history for well over a hundred years. During the late 1890’s, there was a period of high immigration. These immigrants and other working poor had no source of inexpensive literature, and this led to the development of the pulp magazine. Pulp magazines held a collection of stories in every issue, serialized so that in the following issue the next chapter of the story would appear. Since the first pulp magazine’s success, the Argosy, other magazines spawned, such as All-Story and Weird Story, and sinc...
The first part of the rhetoric triangle is the ethos. Ethos, in a nutshell, is the author of what is being presented and if he or she can be trusted. In the Fountainhead, Ellsworth Toohey uses ethos by graduating from Harvard, becoming a humanitarian and then becomes a highly decorated writer for a prestigious newspaper. So in return, people are more open to what he says and recommends. Ethos is used by everyone, every day. When you are interviewing for a job, ethos plays a huge part in whether you’ll get it or not. In this world, people care about credentials and what you have done in the past. In the art of persuasion what you have done matters and can take you along way. Ethos can also apply to how you present yourself, how you look and act. Let’s say that two people were speaking at a convention; one was well dressed, articulate and well-mannered but spoke only gibberish and made a lot of information up, but the other was dressed badly, used very lowbrow terms and metaphors but he spoke a clear message
1964 was a very turbulent year for America; the people were still mourning the assassination of John F. Kennedy, the war in Vietnam, the cold war, race riots, boycotts, the civil rights movement, thermo-nuclear testing, political divisions, violent imagery was increasing on TV and film, a growing drug culture was becoming apparent, and crime rates were rising rapidly (www.historyorb.com). New York City had over 600 murders in 1964 alone (Lemann), and the residents were awash with fear. Yet during this horrendous time in our history, one reporter wrote an article specifically designed to spark moral outrage from the citizens of New York and the world. Martin Gansberg of the New York Times focuses on thirty-eight frightened residents of a middle class neighborhood in Queens, New York and blatantly accused them of indifference while witnessing the brutal attacks on Kitty Genovese, which ultimately led to her death. He used yellow journalism tactics, a term meaning to sensationalize a story with the express goal of selling newspapers, (oxforddictionaries.com) to carefully craft his version of the truth so it would fit this accusation; leaving out important details and falsifying others, he paints a partially accurate (but mostly inaccurate) picture, endangering the prosecution’s murder case against Winston Moseley.
This causes her strongest statement to lose logos and ethos. Rust-Tierney and Schneck also bring heavy doses of pathos and logos as they question the same question William Baude poses: “Yet what if someone goes through every possible procedure and after all is said and done still claims to be innocent? What if another court were to actually find him innocent?” (Baude, 20). Employing pathos and logos Baude gives an explanation for why the death penalty is flawed as he tells the tale of a man on death row. Baude claims
6. Joseph Pulitzer created the New York World that included color comics which received the name Yellow Journalism. Pulitzer was a leader in sensationalism. William Randolph Hearst was Pulitzer’s competitor who introduced large headlines in newspaper and changed American journalism. Cheaper newspapers meant that the content would be filled with rumor and interests of people instead of serious issues.
The public was further angered by something called “yellow journalism”. Yellow journalism refers to writers such as Joseph Pullitzer and William Hearst trying to outdo each other with screeching headlines and hair raising “scoops”. Where there were no headlines, the yellow press would exaggerate and fabricate stories to get readers interested in their newspaper. For example, Hearst once wrote about Spanish Customs Offic...
The author provides a rough timeline of the objective norm emerging in American journalism, and explains the inner origin of these co...
When researching the cause of the Spanish American War, there is much speculation that the sinking of the U.S.S. Maine was the lone reason for this conflict. In actuality, there is a sequence of incidents that gradually intensified U.S. sentiments about going to war with Spain. According to Wetzel (2012), the U.S.S. Maine exploding in Cuba’s Havana harbor was an event that helped to only precipitate the Spanish-American War. (p. 407) Prior to the sinking of the U.S.S. Maine, the demands of Cubans for their independence from Spanish rule made U.S. intervention more of a necessity. With the high tension because of possible war with Spain, a majority of Americans desired to avoid war and settle peacefully. When Spanish military commander, Valeriano Weyler y Nicolau, instituted a concentration camp style system which forcibly confined Cubans in garrison...
“Extra, extra, read all about it!” Almost everyone has seen the classic image of a newsboy hawking headlines in film and television but few know any history of these kids. Newsboys were young boys and, occasionally, girls who ranged from children to young teens, most of whom were runaways or orphans. These kids would buy papers from the publishers then walk the streets hawking headlines and selling papers. In July of 1899, a group of New York newsboys, dubbed newsies at the time, protested two of the most popular New York papers, the World and the Journal. This strike, caused by a high price for papers, affected the newsies, the papers, and the citizens of New York.
The author uses ethical appeal throughout the text and creates a convincing and reliable argument. Ethos convinces the reader that the author is dependable and knowledgeable by using camaraderie. King uses supported evidence from the article to strengthen his reasoning for why we are drawn to this gruesomeness.
Nothing has changed: A Demonstration of Blacks in Media during Civil War and Modern era
The causes of the Spanish-American War started off with Spain putting down Cuban's rebellion. The United States of America had investments in Cuba and feared that it would be affected. Then, yellow journalism was a hit during these times because it was the use of shocking or exaggerated information. It was not right, however, due to the false and bias information they were getting from rumors. When William McKinley warned Spain about Cuba, it responded by releasing Cuban prisoners and offering Cuba limited self-government. Then, McKinley sent battleship Maine to Havana to protect Americans. On Feb. 15, 1898, the Maine blew up in Havana's harbor and Americans blamed Spain for it. Americans declared war on Spain in April 1898. George Dewey attacked