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Essays on wuthering heights
Treatment of love and marriage in the novel Wuthering Heights
Treatment of love and marriage in the novel Wuthering Heights
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Although Wuthering Heights is highly acclaimed as a literary masterpiece, it is a controversial work of literature that has been criticized with a multitude of perspectives. One critic, Carole Gerster, argues that the true message of the novel is to break free from Victorian gender norms while Annette Federico emphasizes in her criticism that the novel depicts a transition from arrested development to a bildungsroman, which outlines a character’s development into adulthood.
Bronte’s unconventional approach toward romance is interpreted by critic Carole Gerster as a form of social commentary on gender roles. Through the lens of the relationship between Heathcliff and Catherine, Gerster argues that the novel “is a projected world that reveals
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I agree with this sentiment because the passionate outbursts between Heathcliff and Catherine model the equality between genders that Bronte desires because both the male and female comfortably express their opinions, which signals mutual respect. Catherine professes that Heathcliff “has killed [her]--and thriven on it” to which he retaliates that he has not “broken [her] heart--[she] [has] broken it; and in breaking it, [she] has broken [his]” (Bronte 157, 159). Not only does the couple’s arguing reveal their passionate, anguished love, but it also demonstrates that neither lover is afraid to assert himself or herself. Furthermore, Gerster claims that Bronte depicts the Earnshaws with masculine traits and the Lintons with feminine characteristics regardless of sex in order to deny “the conventional …show more content…
Federico asserts that Catherine undergoes an arrested development because she“[fails] to develop a mature understanding of [herself] and others…” (“Wuthering Heights”). I agree with Federico that Catherine does not experience growth because her dramatic reunion with Heathcliff is only a continuation of their relationship during their childhood, driven only by passion. She naively believes throughout the novel that even if she is married to Edgar, Heathcliff will “be as much to [her] as he has been all his lifetime” (Bronte 81). Her stubborn mentality is reflective of adolescence, not of mature adulthood, which contrasts with the complex development of her offspring, Catherine Linton. According to Federico, young Catherine “represents a successful passage through the difficult rites of adolescence” (“Wuthering Heights”). I concur with this idea; unlike her impulsive, self-centered mother who constantly aggravated her late grandfather, young Catherine expresses caring for others, especially for her father. Within all her actions, “her affection for him [is] still the chief sentiment in her heart” (Bronte 247). Even at a younger age, young Catherine is already more selfless and compassionate than her mother, a fact juxtaposed with the static development of Catherine Earnshaw in the first half of the
In Goethe’s Faust and Brontë’s Wuthering Heights, the imbalance between transgressive passion and conformity of norms leads to death. Gretchen, Catherine Sr., and Isabella share in desire, passion, and love through their involvement in forbidden romantic relationships with the male protagonists. Gretchen follows moral and social norms up until she falls in love, as when she gives the jewels to her mother. Contrastingly, Catherine acts wildly and transgressive until she marries Edgar. Isabella follows the rules as a child, but desires transgression as she grows; with her defiance and realization of Heathcliff’s wild passion, she soon reverts to the norms.
To further contrast Edgar’s and Nelly’s opinion s of Catherine ways, Edgar sees Catherine as docile, calm, and loving. This side to Catherine can be attributed to when she stays at the Linton’s home. Catherine spends five with the Linton’s and while she is there she does not show her rough rude side in their company. As describe by the narrator, she took care not to act like a young ruffian and worse than a brute; comparing her to Heathcliff (her lover). While on the other hand, Nelly recognizes this calm behavior displays by Catherine as one of double standard; she being deceitful to get her own
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound.
The situation is terrible: Catherine is married to a man she does not love and she is more than happy to fix the problem by cheating on her husband with Heathcliff. The situation worsens when she refuses to attempt to conceal this from her husband. As Edgar, her husband, is arriving and Heathcliff, her lover, is leaving, she tells Heathcliff “‘You must not go!” (Bronte 103). Then, acting as the voice of reason, Catherine’s servant asks Heathcliff: “‘Will you ruin her, because she has not wit to help herself?’” (Bronte 103). When Heathcliff stays, it shows a lack of empathy and just how blatantly they do not care about the effects of their immoral actions. This will irreparably “ruin” Catherine’s reputation, yet they do not have the foresight to cease or at least conceal their actions. Their blatant disregard for how their actions might affect the future and hurt Edgar is what makes Catherine and Heathcliff grossly
It is no longer an innocent love, but a consuming need to be together, regardless of the social implications. Their early friendship, before the messiness of romantic love enters the equation, seems to be Montaigne 's exemplary "…perfect friendship…[which] is indivisible: each one gives himself so wholly to his friend that he has nothing left to distribute" (67). However, in their treatment of one another, it remains throughout the novel that the relationship dynamics are unequal. Catherine is very wishy-washy and selfish in her feelings and attitude toward Heathcliff, and the hot and cold leaves him confused, frustrated, and unwilling to move on. The inequity that reigns over their relationship can be viewed as a relationship of utility, which as Aristotle says, "those who love for the sake of utility love for the sake of what is good for themselves…thus, these friendships are only incidental…Such friendships, then, are easily dissolved, if the parties do not remain like themselves; for if the one party is no longer pleasant or useful the other ceases to love him” (129). The “perfect relationship” that Brontë seems to be after is nothing more than a façade. She borrows concepts and themes from both Aristotle and Montaigne but fails to implement
The story of social class in Wuthering Heights is no less paramount and essential to the novel. There are two high class families in the novel, The Lintons and the Earnshaws. Both families are of the aristocracy, and they make it apparent from their manners and action towards the people of the lower class. Both families, like many rich people today and of the late eighteenth and nineteenth century, believe that the only people good enough to associate with them or on a romantic level are those of noble birth. This becomes an issue in the novel when Heathcliff comes to live with Catherine and Hindley. While Catherine isn’t particularly fond of Heathcliff at first, she becomes emotionally attached to him, and he becomes a great source of happiness for her. This leads into a problematic issue and a love triangle between Catherine, Edgar, and Heathcliff. The feelings that Catherine faces lead into love and a difficult question she must conclude with. Should she hold true to family values and forget the romantic fondness with Heathcliff? Or follow in her true instinct of love and neglect the option of tradition? Although immediately after Catherine’s decision of doing what is “rational” and marries Edgar, she clarifies to Nelly, the housekeeper, that her reason for doing this is because, “It would degrade me to marry Heathcliff…” (81). These previous
Catherine Earnshaw appears to be a woman who is free spirited. However, Catherine is also quite self-centered. She clearly states that her love for Edgar Linton does not match how much she loves Heathcliff. She is saying that she does love both, and she is unwilling to give one up for the other; she wants “Heathcliff for her friend”. Catherine admits that her love for Linton is “like the foliage in the woods”; however, her love for Heathcliff “resembles the eternal rocks beneath”. She loves Heathcliff and yet she gives him up and marries Linton instead, Catherine believes that if she marries Heathcliff it would degrade and humiliate her socially.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
Throughout the ages, literature and her artists have given anyone the chance to be something they are not: a princess, a pirate, lovers like Elizabeth and Mr. Darcy, anything imaginable, or “call me Ishmael.” Perhaps one of the greatest of these artists is so underrated and misunderstood, but belongs to a category that can only be described as brilliant. Emily Bronte employs powerful characterization and grotesque imagery to manifest the fierce symbolism in the tragic love story that is Catherine and Heathcliff, in her novel Wuthering Heights.
In conclusion Emily Bronte employs the literary devices of repetition and anthesis to make closure for the wild love of Catherine Earnshaw and Heathcliff with the union of Hareton and Cathy’s love.With the characters being so similar the reader can't help to tie these sets of doubles together making Catherine’s and Heathcliff's forbidden love acceptable with the peaceful relationship of Cathy’s and Haretons relationship.
Catherine is free-spirited, wild, impetuous, and arrogant as a child, she grows up getting everything she wants as Nelly describes in chapter 5, ‘A wild, wicked slip she was’. She is given to fits of temper, and she is torn between her wild passion for Heathcliff and her social ambition. She brings misery to both of the men who love her, ultimately; Catherine’s selfishness ends up hurting everyone she loves, including herself.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...