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Chapter 1- The Nature of Theatre
Chapter 1- The Nature of Theatre
Chapter 1- The Nature of Theatre
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Recommended: Chapter 1- The Nature of Theatre
Although classic literary works are considered key parts of the English curriculum in schools, many characters are unrealistically shallow because they are characterized by one singular emotion and not a balance of many emotions like real people. This singular distinction of their character makes them painfully unrealistic and unpleasant to read about. Especially in works of tragedy like Hamlet, Wuthering Heights, and Frankenstein, the characters are all slaves to their impulses and desires. This lack of forethought erodes their humanity. Hamlet’s lack of humanity manifests itself in his lack of empathy. This is evident in how he treats Ophelia. In Act three scene 1 Hamlet tells ophelia “I loved you not” and “Get thee to a nunnery. Why wouldst thou be a breeder of sinners?” (Shakespeare III.i.129-130). By referring to Ophelia as a “breeder” he rudely debases her by implying that she is only valuable as breeding stock. Then in Act three scene …show more content…
The situation is terrible: Catherine is married to a man she does not love and she is more than happy to fix the problem by cheating on her husband with Heathcliff. The situation worsens when she refuses to attempt to conceal this from her husband. As Edgar, her husband, is arriving and Heathcliff, her lover, is leaving, she tells Heathcliff “‘You must not go!” (Bronte 103). Then, acting as the voice of reason, Catherine’s servant asks Heathcliff: “‘Will you ruin her, because she has not wit to help herself?’” (Bronte 103). When Heathcliff stays, it shows a lack of empathy and just how blatantly they do not care about the effects of their immoral actions. This will irreparably “ruin” Catherine’s reputation, yet they do not have the foresight to cease or at least conceal their actions. Their blatant disregard for how their actions might affect the future and hurt Edgar is what makes Catherine and Heathcliff grossly
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Throughout Shakespeare’s Hamlet, Hamlet struggles with an assumed obligation to avenge his father’s death. Hamlet repeatedly deprecates himself for not having avenged King Hamlet’s death, and yet is never quite ready to do so whenever the chance arises. Hamlet’s “O, what a rogue and peasant slave am I!” soliloquy in Act II Scene 2 of the play reveals the internal conflict that Hamlet has between the seemingly obligatory option of murdering Claudius as revenge for King Hamlet's death and his lack of commitment to do so. Through the firm decision that Hamlet makes at the end to expose Claudius’ alleged guilt, the “O, what a rogue and peasant slave am I!” soliloquy serves the thematic function in the play of marking the start of a transition from an emotionally distressed Hamlet to a more rational one.
Are sociopaths born or are they created? Did they go insane because they are mourning the loss of their loved ones or are they hell bent on vengeance? In this tragic tale, Hamlet, prince of Denmark, is visited by a ghost that appears to be Hamlet’s dead father, the old king. The ghost tells him, he was murdered by his brother, Claudius to claim his throne and encourages hamlet to take revenge. This task causes Hamlet to take on the personality of another and is constantly trying to wreak havoc upon his uncle. This new personality formed from the trauma of his father’s death has emerged a shadow that has consumed Hamlet and taken control, playing him like a puppet in its sick game. As suggested by Carrasquillo, “Our light side, our conscience,
Her selfishness lies within the reality that she married Linton for the things he could have provided for her. Nothing parted Catherine and Heathcliff. Not God, nor Satan, it was Catherine herself – Catherine was the cause of her broken heart. Along with breaking her heart, she also broke Heathcliff’s, which led him to loathe and yearn for vengeance against what Heathcliff thought was the cause of Catherine’s death – her daughter.
How are the perceptions of human nature conveyed by individuals subject to the influence of
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
The final sense of alienation and the most implicating occurs with Catherine's marriage to Edgar, Heathcliff considers this a betrayal of his love for her, since she wants the social status and existence at the Grange. Heathcliff is however proud and determined and does not cower when opposed by those consider themselves to be superiors. Finally, when he realizes that Catherine has chosen status, wealth and position over him, he disappears for three years and returns in the manner of a gentleman.
After he meets the ghost, Hamlet begins to treat people cold-heartedly. His is led by his mind, but not his heart. The acts of cruelty on Hamlet’s part were done because pity or sympathy no longer exists within. His treatment of Ophelia, his only true love, is disgusting. He also treated his mother in a rude fashion. He felt betrayed by his mother because he loved and trusted her, but she went and married his uncle soon after his father’s death.
Catherine is free-spirited, wild, impetuous, and arrogant as a child, she grows up getting everything she wants as Nelly describes in chapter 5, ‘A wild, wicked slip she was’. She is given to fits of temper, and she is torn between her wild passion for Heathcliff and her social ambition. She brings misery to both of the men who love her, ultimately; Catherine’s selfishness ends up hurting everyone she loves, including herself.
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?
The only characters to soliloquize in Shakespeare’s tragedy Hamlet are King Claudius and Prince Hamlet, the latter delivering seven notable soliloquies with much psychological content. However, the psychological dimension of others is presented.