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Gender sensitivity of the epic of gilgamesh
Gender sensitivity of the epic of gilgamesh
Gender sensitivity of the epic of gilgamesh
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Females played a major role in Ancient Sumerian society. From the female characters in The Epic of Gilgamesh, it is possible to glimpse how women were treated in Ancient Sumeria. From the different positions women held in The Epic of Gilgamesh, and how female sexuality was portrayed, it can be inferred that the Ancient Sumerians treated women differently than the world’s historical treatment of women around that time.
The Ancient Sumerians did not view women as mere sex objects. They had a very different view of sexuality. Female sexuality and its role in The Epic of Gilgamesh is an important theme in this tale and in the society of Sumeria. Shamhat, a prostitute, is one of the most important female characters in this epic because of how the Ancient Sumerians viewed sexuality. When a hunter discovered Ekidnu, the wild man, hunting in the wilderness, he brought the harlot Shamhat to seduce Ekidnu and introduce him to civilization. The hunter instructed Shamhat: “Teach him, the savage man, your woman’s art, for when he murmurs love to you the wild beasts that share his life in the hills will reject him.” The harlot did so, and when they had slept together for six
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days and seven nights, Ekidnu’s lust was quenched. As a result of Ekidnu’s seduction, the wild animals spurned him, and the harlot was able to introduce him to society. Shamhat’s sexuality was the force that created Enkidu’s transition from his wild existence to civilization. Ekidnu’s engagement with Shamhat was both a reflection and a contrast from Adam and Eve’s fall from Eden. His fall from nature began with his sexual awakening, just as Adam and Eve’s fall from grace began when they discovered their sexuality. When Ekidnu tried to rejoin nature, the animals rejected him, just as Adam was forced to work and till the ground for its produce. Conversely, Ekidnu’s sexual awakening was not considered sinful. The gentle usage of “woman’s art” indicates that the Ancient Sumerians viewed sexuality in a positive light. The Ancient Sumerians viewed the female sexuality as a connection with the divine and a key to the progression of society. Through Shamat’s sexuality, Enkidu was domesticized and civilized. Prostitutes were not embodiments of human sin, they were considered divine servants of the high goddess Ishtar, the patron goddess of Uruk. Female sexuality represented the renewal of life and was something the Ancient Sumerians respected. Through the “women’s art” men could be tamed and introduced to civilization. In this way, the Sumerians must have believed that women themselves were a representation of civilized life and viewed women as more than sex objects. From what is described in The Epic of Gilgamesh it is apparent that the Ancient Sumerians allowed their women certain rights and freedoms.
When Gilgamesh sought Utnapishtim, he stumbled across Siduri, a wine maker who showed Gilgamesh the way to find Utnapishtim. It is important to note the fact that Siduri was a tavern owner as is stated in The Epic of Gilgamesh: “Beside the sea she lives, the woman of the vine, the maker of wine.” This is a major key in discerning how the Ancient Sumerians treated women. An argument can be made that women had extended rights in Sumeria to the extent that they were able to own their own businesses as is seen in Siduri’s case. Not only were they allowed to run their own businesses, but women held the most important position in that society: the role of the
priestesses. It is interesting to note that men did not hold the highest position in Sumerian society: women did, though, ironically, they were not considered citizens of Sumeria. The priestesses acted as mediators between the king and the gods. Gilgamesh’s mother blesses him and Enkidu in the presence of her priestesses: “In the presence of my women, my votaries and hierophants, I declare it.” Priestesses acted as witnesses before god and man, thus placing themselves in the highest role in Sumerian society. In summary, drawing from The Epic of Gilgamesh, it is evident that the Ancient Sumerians treated women very differently from the rest of civilizations around their time. Women were given the highest, and possibly most powerful, role in their society: the role of the priestesses, who acted as mediators between man and the divine. Women were not considered solely sex objects: their sexuality was cherished and respected. From what is portrayed in The Epic of Gilgamesh, it can be inferred that the Ancient Sumerians believed that female sexuality was a representation of life and contributed to the growth of civilization. Though men still held dominion over women, women’s sexuality was considered taming forces over man and nature. In this way, women were
Women are often treated as tools to accomplish men’s goals because of this authority and are seen as beings who cannot live without the support of men. In The Odyssey, Penelope, Telemachus’ mother, is used by Telemachus to show his authority as the man of the house by sending her away to her room by his “masterful words” (Homer 186). By doing so he is also warning the suitors who have come to take advantage of the xenia he and his mother provided to them. While Penelope is strong by refusing the passes of the suitors, she maintains the vulnerable image by weeping for Odysseus who has been gone for ten years (Weimer 1). In The Epic of Gilgamesh, Shamhat the Harlot is used as a tool to seduce Enkidu, Gilgamesh’s male partner and friend. Ninsun’s reaction to Enkidu brings to attention to her worries of Gilgamesh being taken away from her, showing that relationships between men were held in much higher regard than mother and son relationship (“The Epic Of” 51-52). Men are depicted more powerful than women thus leading to supporting women, especially those they are related to.
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man 's role. In fact, three women; Shamhat, Ishtar, and Siduri, were able to create and maintain a civilized Mesopotamian society with using their uniqueness of their body, mind, and spirit.
Women in antiquity did not have an easy lot in life. They had few, if any, rights. Surviving early records of the civilizations of antiquity from ancient Greece, Egypt, China, and Rome suggest the diversity of women’s roles differed little from region to region. There were a few exceptions, mostly concerning women of nobility and the city-state of Sparta. Excluding the rare instances mentioned most antique women were generally limited on education, mobility, and almost all possibilities interfering with domestic or childbearing responsibilities. The limited social roles of women in antiquity suggest the perceived c...
In "The Epic of Gilgamesh" it seem like the women have all the power. The women have great influences on the men. In "Gilgamesh" sex plays an important role, and it also seems that sex has a hold on Gilgamesh and also Enkidu - not just a hold on them, but more of an addiction throughout the story of Gilgamesh. In the beginning of the story, Gilgamesh has a great lust that leaves "no virgin to her lover, neither the warrior's daughter nor the wife of noble men. To me, the lust in Gilgamesh's heart makes him a very selfish person. I think what makes Gilgamesh a selfish person is because the gods made him perfect, he was beautiful and strong as a savage bull and everyone feared Gilgamesh. Gilgamesh knew he had power so he abused it, because no men could bear Gilgamesh's arms. Also since Gilgamesh was king of Uruk, of which he had built the great city walls, he took what he wanted.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
Women have given birth to new generations for centuries and have the common stereotype of being caring and gentle. But in the creation myth, women were given to man as a punishment. In the book of collected Greek tales, " Mythology Timeless Tales of Gods and Heroes", by Edith Hamilton, women take up important roles that shape each story. Although women are usually characterized as being helpful and motherly, Greek mythology, on the other hand, portrays them to cause distress, fear, and anxiety to numerous men. Women’s actions are shown to be influenced with jealousy and vengeance which gives them an evil nature.
Henrik Ibsen once said, “A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view.”(Notable Quotes) Ibsen’s statement exemplifies what life was like for women during ancient times. In many of the organized ancient civilizations, it was very common to find a primarily patriarchal civilization in government as well as in society. The causing factors can be attributed to different reasons, the main being the Neolithic Revolution and the new found dependence on manpower it caused. As a result of this, a woman found herself to be placed into an entirely different view in the eye of society. In comparison to the early Paleolithic matriarchal societies, the kinds of changes that came about for women due to the introduction of agriculture are shocking. Since the beginnings of the Neolithic era, the role and rights of women in many ancient civilizations began to become limited and discriminatory as a result of their gender.
Ancient cultures believed the spirituality was circler, not liner. The seasons, menstrual cycles, death and birth are examples. When cities began being built blood lines became paternal, a shift in society occurred changing how most people viewd time. If Gilgamesh was a woman she and her Dark Goddess would not have gone to make a name for herself by killing Humbaba because they both already have the power of life and death and therefore nothing to prove. A woman can kill someone and give birth while a man can only kill. If King Gilgamesh was prideful and needed to be taught a lesson so should this heroine. This female heroine could use her new found knowledge to gain power and dominion over people. This is not what “The Mother” would want. When it comes to women, human or goddess, there is no greater way to teach a woman about love and sacrifice then for her to have a child. This would also overlap with the divine feminine principle of birth, death, and
Every culture has a different story of their origin. Each story varies in setting, main characters, and religious aspects. Although the stories are different, the sole purpose is the same for each – to explain how each civilization came to be. In order for a civilization to fully understand their past, they must critically break down the components of their origin story. Creation stories establish appropriate relationships within society by the revelation of the punishment laid out by the gods on unsatisfactory vassals, the importance of a hero figure, and the exposure of human survival based on nature.
In considering the relationship between the meanings of myths and their representation of women, we learned that the major role in shaping the narratives was played by men. Myths reveal to us the experiences of women living in the patriarchal society and we gain the symbol value accorded to women and we come to realize what the term "Woman" meant to the ancient Greek man. Reading through the various stories on Goddesses and queens, monsters and more. Princesses, we learn that there are three major levels of women in Greek mythology. The first level is composed of the divine beings known as the goddesses.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.