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Women in ancient literature
Ancient greek womens roles in stories
Ancient greek womens roles in stories
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The Influence of Women in Epic of Gilgamesh
Gilgamesh can be viewed as a writing that describes the social scene of the times it was written in. The characters of Enkidu and Gilgamesh are strong males. The roles of women in Gilgamesh are submissive and subtle. Women in this ancient Sumerian tale tend to be passive, but capable of influencing the outcome of events. Enkidu is a mighty force to confront. He is so strong that he is seen as a wild animal in his first appearances in the book. Gilgamesh is as strong or even stronger than Enkidu. He is the king of Uruk and is part god and part man. These dominant male characters command the most attention of the reader.
The prostitute is one of the roles of women in the text. She brought about the conversion of Enkidu from a savage creature to a civilized member of society. Without this female intervention, Enkidu would not stand by Gilgamesh's side in the adventures to come. The harlot is used by society as a tool to draw Enkidu in. The male trapper told her to entice Enkidu with her nakedness and to lie with him. Once Enkidu had do...
Often, literature is based on several heroes and their adventures. Most especially, the epic stories symbolize different countries, nations, and cultures. The authors usually shape the characteristics of these stars and profile their unique techniques of writing as well as their imaginative power. Gilgamesh is one of the most known heroes, whose character was developed in the famous “Epic of Gilgamesh” as the strongest of men, a fair judge, a brave warrior, and an ambitious builder who built the magnificent walls of Uruk to protect its people. On the other hand, there are some undesirable characteristics that he possesses such as selfishness, and arrogance mostly brought about by the fact that he is part human and part god. He is characterized
Gilgamesh is the king of Uruk, one who is macho, irresponsible, and simply not fit to be in the position that his blood status has put him in. His decisions are constantly making the people of Uruk
Women, on the other hand, play many more roles than men in this classic. Take Ninsun, the mother of Gilgamesh, for example. She plays the role of the loving, caring mother and also that of the wise counselor that provides guidance. From the very beginning of the book, Gilgamesh seeks guidance from his mother. When he has two dreams about an axe and a meteor, full of concern, he seeks the advice of his mother. At this point, she plays the role of the guiding, comforting mother by analyzing his dreams and relating the two objects to something good, Enkidu, that will soon come into Gilgamesh's life. "My son, the axe you saw is a friend...and I, Ninsun, I shall make him your equal. A mighty comrade will come to you, and be his friend's saviour..." (George, I, 288-291).
In conclusion, McCloskey attempted to defeat the cosmological and teleological argument and tried to persuade the readers to embrace the view of atheism. That there is no God and that this life is the only one a person can have. He tried influencing people by asking why a perfect God make an imperfect world. Or why did God not make humans to choose the right decision automatically, so that they can avoid suffering? However, in the end, although his arguments are sound and he made very reasonable points. The facts remain that there must be something out there that made the universe and that has created us complex beings. This same being must have be able to give man the choice to make his own decision, even if it were the wrong one. There is only one possible being that could do that and that is none other than God.
The epic begins with the men of Uruk describing Gilgamesh as an overly aggressive ruler. "'Gilgamesh leaves no son to his father; day and night his outrageousness continues unrestrained; And he is the shepherd of Uruk, the enclosure; He is their shepherd, and yet he oppresses them. Strong, handsome, and wise. . . Gilgamesh leaves no virgin to her lover.'"(p.18, Line 23-27) The citizens respect him, but they resent his sexual and physical aggression, so they plead to the gods to alleviate some of their burden. The gods resolve to create an equal for Gilgamesh to tame him and keep him in line. This equal, Enkidu, has an immediate impact on Gilgamesh. When they first meet, both having never before met a man equal in stature, they brawl. "They grappled with each other, Snorting like bulls; They shattered the doorpost, that the wall shook."(p.32, lines 15-18) In giving Gilgamesh a real battle, Enkidu instantly changes him; having this equal gives Gilgamesh a sense of respect for another man. These two men fighting each other creates a serious mess, but they both end up without animosity toward the other.
H.J McCloskey’s article, “On Being an Atheist,” is an attempt to show atheism as a more practical alternative to the Christian belief. McCloskey reasons against the theistic beliefs of the cosmological argument, the teleological argument and design. He references the presence of evil in a world created by God and the absurdity of living by faith. This article is an attempt to reason that God does not exist because He is perfect and the world is not perfect; evil exists therefore God cannot exist. McCloskey’s article labels these arguments as “proofs” and concludes none of these arguments would be evidence of God’s existence. I find McCloskey’s article to lack logic and coherence which only serves to invalidate his arguments. I find this little more than an attempt to justify his own atheistic worldview.
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man's role.
In the beginning of the story we see Gilgamesh as a womanizer. His submissive behavior is driven by his own self-sufficiency. When Enkidu forces him to see the reality of his own vanity, Gilgamesh withdraws from his obsession and embarks on a new quest with Enkidu; one that will fill his other ego, his masculinity.
Before the coming of Enkidu, Gilgamesh was a man of great power. A being for which there was no equal match, Gilgamesh boasted about his overwhelming glory and power. However, his arrogance was accompanied with an extensive abuse of power, which pushed the city of Uruk into a state of rage. Still Gilgamesh felt no despair; he lived to display to others his majestic power. The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between man and woman. The wise Ninsun said to Gilgamesh,"You will love him as a woman and he will never forsake you". Gilgamesh had finally met his match, a friend that would serve as his life-long companion. Upon the seal of this great friendship, Gilgamesh began to change his selfish ways. Nevertheless, he shared with Enkidu the luxuries of kindness. Setting aside his great pride and power, Gilgamesh had opened a place in his heart, and in his sumptuous life, for his beloved brother.
In Homer's epics women were very respected by journey and warrior men. The women were looked upon as beautiful, nurturing human beings. The mortal women in Homer's "Iliad" were mostly known for being faithful wives and very giving mothers. These women care for their children, such as Odysseus's mother did, when he was in great need of confidence and reassurance. After the death of Odysseus's mother, she returned as a shade from the underworld to tell Odysseus, "Your wife weeps for your return as she lives in your house with a loyal heart, and your son has kept your kingdom whole."(90) This gave Odysseus the confidence in his heart to continue on home to Ithaca, to reunite with his dear wife, Penelope. A perfect example of how nurturing and dedicated the women were, not only to their children, but also to their husbands.
The main character in the novel is Gilgamesh. Gilgamesh is a character who is very self-confident. He feels that he is superior to others, due to the fact that he is two-thirds god, and one-third man. This arrogance leads to his being cruel at the beginning of the story. Gilgamesh is described as, ãtwo-thirds of him divine, one-third human... Gilgamesh does not allow the son to go with his father; day and night he oppresses the weak... Gilgamesh does not let the young woman go to her mother, the girl to the warrior, the bride to the young groomä (tablet I, column ii, 1, 12-13, 27-28). Gilgamesh is a man with no equal, so he feels superior.
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
Some of Gilgamesh’s qualities are that he had a “beauty… surpassing all others” and was “two thirds… god and one third man” (13). Before Enkidu, Gilgamesh acted horribly. He was a terrible ruler and a terrible man. Gilgamesh was not all good, for example, “his lust leaves no virgin to her lover, neither the warrior’s daughter nor the wife of the noble…” (13). He was a terrible ruler. Gilgamesh was arrogant, but very powerful in his country. His people had no choice but to listen to him. They were forced to go along with his unlawfulness and stubbornness.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
The epic begins with Gilgamesh terrorizing the people of Uruk. They call out to the sky god Anu for help. In response Anu tells the goddess of creation, Aruru, to make an equal for Gilgamesh. Thus Aruru created Enkidu, a brute with the strength of dozens of wild animals. After being seduced by a harlot from the temple of love in Uruk, Enkidu loses his strength and wildness yet gains wisdom and understanding. The harlot offers to take him into Uruk where Gilgamesh lives, the only man worthy of Enkidu's friendship. After a brief brawl the two become devoted friends.