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Francis Scott Fitzgerald influence
Fitzgerald portrayal of women
Fitzgerald portrayal of women
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Women in F. Scott Fitzgerald's first published piece This Side of Paradise , riddle the life of its main character, Amory Blaine. Despite his charm and his sense of confidence Amory fails, at least within the timeline of the text, to maintain a steady relationship. What Amory does achieve by the end is the conclusion that his generation is lost and that all he knows is himself. This is a serious change in philosophy from the beginning, where Amory believes he has the ability to master anything and anybody. Considering Amory has at least five loves within this philosophical development it seems likely that at least some of these lovers greatly influenced his final conclusions on himself and on the world. Thus, the question becomes not only how but which one of these women made the strongest impression on Amory and his verdict on the world? Three of those women will be examined here.
Before diving in looking at these women and their influence on Amory it's important to first understand where Amory ends up in order to backtrack and pick up the clues that led him there. At the end of the text Amory proclaims in a rather dramatic fashion, “I know myself...but that is all” (213). His sense of himself is all that he feels he can truly understand. The outside world is alien to him and full of uncertainty. When Amory contemplates at the end on the situation of his own generation he concludes that they are set adrift, wrenched from the foundations that once held culture down solidly. “A new generation...grown up to find all Gods dead, all wars fought, all faiths in man shaken...” (213). Now compare these perceptions to his original conceptions of the world. As in the section, “Code of the Young Egotist”, where Amory invisions himself as...
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...Amory's life, he is not—so to speak—in love with her but he does become attached to her. Simply because they can role play comfortably together. She concludes the fragmentation of Amory's reality by causing him to recognize the fragmentation of thought when she accuses him of disregarding the subjective nature of the concept of 'goodness'. Amory has understood himself as 'good' with the pieces of reality that he possess's or more likely, is willing to recognize.
Thus, when Amory cries, “I know myself...but that is all” (213), he has finally realized the extent of the fragmentation of the world that surrounds him. Each woman led him down certain routes that further developed, and by that I mean tore down, his final conceptions of reality. He is no longer a forming force in the world but a being at subject to the whims of infinite realities that make up the world.
Although in certain defeat, the courageous Nealy secretly clung to the belief that life is merely a series of meaningless accidents or coincidences. It’s not a tapestry of events that culminate in an exquisite, sublime plan. Asked about the loss of her dear friend, Emily, the girlfriend turned fiancé and dPT expert in Berkshire County, described Joshua as a changed man in the last years of his life. "Things were worse for him; not following his dream left him mostly lifeless, uninspired," Sammons noted. Ultimately, Joshua concluded that if we are to live life in harmony with the universe, we must all possess the powerful ability to change ourselves and the world around us; the choice to make ours from nothingness.
This final image of Janie “pulling in her horizon” contrasts with the opening image of men’s “ships at a distance.” These metaphorical ships suggest that regardless of their ultimate success or failure, men dream of great accomplishments, of working on and changing their external worlds. Even if the ship comes in, it still originates as something external. Janie’s pulling in her horizon shifts the field of action to the interior. Her quest requires experiences of the world, of other people and places, but it is ultimately directed inward.
The aspect of self-discovery is something that is only granted to those who learn to let go of their foolish desires to conform to the norms of society. In his semi-autobiographical novel This Side of Paradise, F. Scott Fitzgerald creates a fictional version of himself through the book's main character, Amory Blaine, a male protagonist, who struggles in discovering his self-identity, of which he soon does. After learning that molding himself to the ways of society does not satisfy him, Amory soon finds the love of his life, a girl named Rosalind Connage. However, after losing her to another man, Amory’s heart is completely crushed, and he is never the same afterwards. Throughout the book, Amory changes from a selfish, self-absorbed, cocky adolescent
O’Connor consciously constructs both Julian Chestny and his mother to participants of convergence and yet incapable of coalescence because of their distortion of self and reality, in part because they live in a world that supports this pretense. From the outset of the story, O’Connor builds an inane world through Julian’s limited view. Julian and his mother set out into a sky of “dying violet,” the start of their journey to reduction marked by the ending of a what should be a beautiful bloom—this imparts an uncanny sense of foreclosure to a beginning (406). Here, O’Connor already portends that their style and approach to building
Certain authors, including F. Scott Fitzgerald, wanted to reflect the horrors that the world had experienced not a decade ago. In 1914, one of the most destructive and pointless wars in history plagued the world: World War I. This war destroyed a whole generation of young men, something one would refer to as the “Lost Generation”. Modernism was a time that allowed the barbarity of the war to simmer down and eventually, disappear altogether. One such author that thrived in this period was F. Scott Fitzgerald, a young poet and author who considered himself the best of his time. One could say that this self-absorption was what fueled his drive to be the most famous modernist the world had seen. As The New Yorker staff writer Susan Orlean mentions in her literary summary of Fitzgerald’s works, “I didn’t know till fifteen that there was anyone in the world except me, and it cost me plenty” (Orlean xi). One of the key factors that influenced and shaped Fitzgerald’s writing was World War I, with one of his most famous novels, This Side Of Paradise, being published directly after the war in 1920. Yet his most famous writing was the book, The Great Gatsby, a novel about striving to achieve the American dream, except finding out when succeeding that this dream was not a desire at all. Fitzgerald himself lived a life full of partying and traveling the world. According to the Norton Anthology of American Literature, “In the 1920’s and 1930’s F. Scott Fitzgerald was equally equally famous as a writer and as a celebrity author whose lifestyle seemed to symbolize the two decades; in the 1920’s he stood for all-night partying, drinking, and the pursuit of pleasure while in the 1930’s he stood for the gloomy aftermath of excess” (Baym 2124). A fur...
Reading is an experience of art; without readers’ interaction, the meaning of any literary work is insufficient. “[Norman] Holland believes that we react to literary texts with the same psychological responses we bring to our daily life....That is, in various ways we unconsciously recreate in the text the world that exists in our mind.” (Tyson, 182) By telling a story that centers on the conflicts between two wealth young females whose personalities are distinctly different in the jazz age, Fitzgerald leads us on a journey of physical, and especially psychological transition of the protagonists through an omniscient narration. For female individuals, a tale emphasis on the youth,
Most love stories end with a man and woman happily in love with each other. This is not the case in F. Scott Fitzgerald’s short story, “Last Kiss”. Throughout the story, Jim longs for his childhood sweetheart and Pamela seeks out someone who will make her a star actress in Hollywood. Jim holds fast to his position of power and does not give in to Pamela’s beauty and charm until later in the story. Strong will and determination of females pose as a threat to masculinity because females can entice, persuade and manipulate males. Fitzgerald’s story demonstrates the inability of femininity to surpass the power of masculinity. This is shown through reinforcement of femininity, masculinity and belief in social norms.
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon she calls antilove that I have found helpful in defining the social hierarchy of women and relationships between them in the novel. In addition, Cixous addresses the idea of woman as caregiver, which can be illustrated through the character of Janie in Their Eyes Were Watching God. On the other hand, Luce Irigaray discusses the different modes of sexual desire of men and women in her essay, “The Sex Which is Not One.” Many examples supporting and refuting her claims can be found in the novel. According to Cixous, the most heinous crime committed by men against women is the promotion of antilove. “Insidiously, violently, they have led [women] to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs” (1455). Their Eyes Were Watching God offers many examples of women in vicious contention with one another, usually involving or benefiting a man. Janie is confronted by the malice of her female neighbors in the very first chapter of the novel, as she arrives back in Eatonville after her adventure with Tea Cake. “The women took the faded shirt and muddy overalls and laid them away for remembrance. It was a weapon against her strength and if i...
Fitzgerald comments on the changing role and attitudes of women of the 1920s in America. He shows this through the characters Daisy and Jordan. Daisy and Jordan both drink, smoke and drive, and associate freely with men. Daisy's flirtatiousness is an example of this, along with her drunken state in the first chapter when she says 'I'm p-paralysed with happiness'. Daisy also shows the attitude Fitzgerald felt was common in this society, when talking about her daughter.
Milan Kundera contends, “A novel that does not discover a hitherto unknown segment of existence is immoral” (3). In this it is seen that the primary utility of the novel lies in its ability to explore an array of possible existences. For these possible existences to tell us something of our actual existence, they need to be populated by living beings that are both as whole, and as flawed, as those in the real world. To achieve this the author must become the object he writes of. J.M. Coetzee states, “there is no limit to the extent to which we can think ourselves into the being of another. There are no bounds to the sympathetic imagination” (35). Through this sympathetic faculty, a writer is able to give flesh, authenticity and a genuine perspective to the imagined. It is only in this manner that the goal of creating living beings may be realized. Anything short of this becomes an exercise in image and in Kundera’s words, produces an immoral novel (3).
In JD Salinger’s Franny and Zooey, Franny Glass undergoes a mental and physical collapse, followed by a spiritual crisis. Every one of the Glass children is considerably precocious and deep thinking, and Franny and Zooey are no exception. With her fluctuating self-worth and perception, Franny begins to break down without any conscious awareness of why, which ultimately leaves her curled up on her mother’s couch in a state of emotional, intellectual, and spiritual crisis. This is why there is a need for urgent and vigorous “therapy” for Franny, and Zooey, having shared the elder Glass’ spiritual instruction, is the only character capable of providing any support for Franny.
Prior to discovering the letters, we had to rely on Fitzgerald’s interpretation, pictures or characters based on King in his fiction. Nevertheless, she proves to be more of an intelligent person than described. Furthermore, their relationship perceived as one-sided was very affectionate and passionate.
When trying to understand these particular characters’ experiences, it is very important to consider their worldviews, which promote “[th...
The reader recognizes the coda’s acutely self-conscious voice, “I’ve always like to make a tidy finish” as one similar to our own, leading us to the question: are the interpretations that we come to from the events that constitute our own lives necessarily explicitly reality. This compounds the idea that reality is an abstract concept, dependent on the individual and the
...ngagement, their re-engagement. Cecily is not the natural country girl. She possesses the self-assurance of the experienced woman. Without being cynical she makes her desires clear. And when Gwendolen and Cecily discover that their Earnests are impostors whose names are Jack and Algernon they decide that love can be restored only if Jack and Algy christen themselves Earnest.