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Women's movement 1960s and 1970s
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It has been said that “after a brief period of freedom and opportunity during World War II, American women went ‘back to the kitchen.’” The War was a time of great turmoil and change. One of the most noticeable changes was the increase of women in the workforce, because many women had to obtain a job or career outside of the home for the first time. The expectation was that when the men returned from fighting, the women would give up their jobs and return home (Milkman, WA, 553). When the war was over, the public began to seek a feeling of safety and security. One of the ways this was found was by embracing the more conventional gender roles, with men and women in separate spheres. With a renewed emphasis on marriage, couples began to marry …show more content…
According to Betty Friedan, for a decade and a half women struggled in silence. Her work, The Feminine Mystique discussed this idyllic, and false, image of the happy housewife. Friedan herself had suffered from this expectation and had given up a prestigious fellowship opportunity, in part because she did not want to become “an old maid college teacher” (Horowitz, WA, 578). In The Feminine Mystique Friedan contends that many women during this period believed that they should have found fulfillment in being a wife and mother, but many felt empty and depressed. They believed that something must be wrong with them (Friedan, WA, …show more content…
Nor was it a societal expectation. According to a study done by Joanne Meyerowitz there were contradictions in the postwar culture. Meyerowitz surveyed 489 monthly circulation magazines, and what she found contradicts previous beliefs about the women in this time period. Many of the articles in these magazines lauded the achievements of women who worked outside of the home. Only 15% of the articles Meyerowitz examined focused on women solely as wives and mothers (Meyerowitz, Beyond the Feminine Mystique, 1461). To the contrary, movie star Marlene Dietrich article for the Ladies’ Home Journal was met with scathing backlash. She argued that wives should revolve their lives around pleasing their husbands, and everyone woman needed a “master.” The general response of readers was that Dietrich was clueless. (Meyerowitz, Beyond the Feminine Mystique, 1473).
However, even within this career-minded rhetoric there was the assumption that all women wanted to marry and have families, and that these families would be more important than their respective careers. The more “highbrow” magazines did, at times, have a strongly antifeminist stance with a focus on physical beauty (Meyerowitz, Beyond the Feminine Mystique,
During the time of 1940-1945 a big whole opened up in the industrial labor force because of the men enlisting. World War II was a hard time for the United States and knowing that it would be hard on their work force, they realized they needed the woman to do their part and help in any way they can. Whether it is in the armed forces or at home the women showed they could help out. In the United States armed forces about 350,000 women served at home and abroad. The woman’s work force in the United States increased from 27 percent to nearly 37percent, and by 1945 nearly one out of every four married woman worked outside the home. This paper will show the way the United States got the woman into these positions was through propaganda from
May begins by exploring the origins of this "domestic containment" in the 30's and 40's. During the Depression, she argues, two different views of the family competed -- one with two breadwinners who shared tasks and the other with spouses whose roles were sharply differentiated. Yet, despite the many single women glamorized in popular culture of the 1930's, families ultimately came to choose the latter option. Why? For one, according to May, for all its affirmation of the emancipation of women, Hollywood fell short of pointing the way toward a restructured family that would incorporate independent women. (May p.42) Rosalind Russell in His Girl Friday and Scarlett O'Hara in Gone with the Wind, for example, are both forced to choose between independence and a happy domestic life - the two cannot be squared. For another, New Deal programs aimed to raise the male employment level, which often meant doing nothing for female employment. And, finally, as historian Ruth Milkman has also noted, the g...
The 1940s provided a drastic change in women’s employment rates and society's view of women. With the end of the Depression and the United States’ entrance into World War II, the number of jobs available to women significantly increased. As men were being drafted into military service, the United States needed more workers to fill the jobs left vacant by men going to war. Women entered the workforce during World War II due to the economic need of the country. The use of Patriotic rhetoric in government propaganda initiated and encouraged women to change their role in society. Yet, at the end of the war, the same ideas that encouraged women to accept new roles had an averse affect on women, encouraging them to leave the workforce. The patriotism promoted by propaganda in the 1940s, encouraged Americans to support the war effort and reinforced the existing patriarchal society. Propaganda's use of patriotism not only increased loyalty to America during the war, but also, increased loyalty to the traditional American patriarchal values held in society.
Due to the idealization of domesticity in media, there was a significantly stagnant period of time for women’s rights between 1945 and 1959. Women took over the roles for men in the workplace who were fighting abroad during the early 1940s, and a strong, feminist movement rose in the 1960s. However, in between these time periods, there was a time in which women returned to the home, focusing their attention to taking care of the children and waiting on their husband’s every need. This was perpetuated due to the increasing popularity of media’s involvement in the lives of housewives, such as the increasing sales of televisions and the increase in the number of sexist toys.
While motherhood represented women's primary opportunity for achievement and respect within previous societies, second-wave feminism critically explored the lived reality of women as mothers within our middle-class American society. Betty Friedan's influential The Feminine Mystique, published in 1965, indicted the deadly boredom of the suburban home, while later works such as Adrienne Rich's Of Woman Born, articulated with devastating incisiveness the oppressive qualities of the contemporary institution of motherhood. According to Rich, the intense joys of mothering children were embedded in a patriarchal structure that created agonizing conflicts for any woman who saw herself as more than merely a nurturer of her spouse and children. As feminists, we believed that the institutions of family and motherhood would change quite radically as women entered the workplace.
Women, especially those who had a formal education, were not happy with there housewive roles. These women, who were possessing aptitudes to carry out professions out of the house, were meeting doing vulgar tasks that were very far from satisfying the husbands desires. Between the resultant problems it enumerates: emotional crisises, alcoholism, marriages adolescents and illegitimate pregnancies. The feminine mystique turned into the springboard for the movement of liberation of the woman and that it bloomed at the beginning of the 70s.
Gender roles changed a lot in this century and popular literature like LIFE magazine changed with it. At first women had a set role in the house, expected to tend to the house and children and not pursue careers of their own. Thirty years later men and women had changed the way they lived life as a gender. Popular magazine articles provided a good illustration of what we were like culturally seventy years ago, and how we have changed today.
Women at that time were only seen as being the housewife, committing the rest of their lives to staying at home with their children. This idea and lifestyle was pushed so much that Skeeter claimed, “I’ll never be able to tell Mother I want to be a writer. She’ll only turn it into yet another thing that separates me from the married girls” (65). Realizing the lack of support her mother gives, she...
The 60’s was certainly a time of women’s curiosity and venture outside of the norm “homemaker” role. Women not only found pleasure in the world, but in themselves as a whole and as a woman. Sex and the Single Girl by Helen Gurley Brown played an important role here as her intent was to guide women - or more specifically the single woman - in her pursuit of independence and pleasure. Sex and the Single Girl most definitely lead the readers on to believe that it was to empower women; even to break away from the norm and advocate the unattached female. My response will focus on the contradictory nature the guidebook, and other literature like Cosmopolitan, create when advising a woman to do and be something on the one hand while having an underlying message on the other.
The 1950s were filled with strict traditional gender roles for men and women. During World War II many money entered the work force, but after the War, propaganda campaigns were used to get women to go back to their house duty. Popular culture during this time glamorized the life of a housewife. This resulted in women marry at a younger age and fewer women going to college. An existentialist, Simone de Beauvior, introduced the concept that “sex” and “gender” are not equivalent. She described this difference in her book, The Second Sex, when she said, “One is not born, but rather becomes a women.” This coincides with the modern definition, that gender characteristics are not innate, but learned. Beauvior felt as though in society, man is the
Friedan’s The Feminine Mystique begins with an introduction describing the problem that has no name, which is the prevalent unhappiness of women. Friedan offers some case studies about unhappy women from around the United States, and Friedan wonders whether this unhappiness is connected to the female role of housewife. Friedan describes the differences between the past three generations of women. Grandmothers, Suffrage Feminists, and Mothers. Media representation and women 's magazines nurture the image of the uneducated wife and mother who is content taking care of her family in a house which is equipped with modern technological appliances. Sometimes the media would describe the role of the woman as rewarding. Women have their education, they have worked,
The 1970’s were a time for movements and change, Brady’s I Want a Wife takes inspiration from the feminist movement as she takes the stand of a male and gives a perfect example of the imbalance of power and rights between the sexes. By using a male’s point of view on the definition of a traditional wife she is able to create tension, and with her heavy use of sarcasm is able to make valid points on some serious matters and lighten it with humor. By remaining consistent on her point and maintaining fluidity through her use of sarcasm each and every claim that is made is validated and linked. “I want a wife to go along when our family takes a vacation so that someone can continue care for me and my when I need a rest and change of scene.” Is directly linked to; “I want a wife who is sensitive to my sexual needs, a wife who makes love p...
In 1950s society, a traditional gender-enforced period, women were seen as and only as the housemaids. Weak and docile under the male’s gaze, women accepted the roles as submissive wives without many of them having accomplished well-paid jobs. The 1960s was a pinnacle time with the second wave of the feminist movement, after 1920s suffrage, were women felt more empowered and open with their opinions. While the movement inspired works like the 1962, Betty Friedan book The Feminine Mystique, were she explains the trials of sexism and the frustration of identity, but it also caused uproar with the American authors who disapproved movement and shifting power roles. Ken Kesey was one of these authors. Kesey fought every unfair societal issue from
In 1950s society, a traditional gender-enforced period, women were seen as and only as the housemaids. Weak and docile under the male’s gaze, women accepted the roles as submissive wives without many of them having accomplished well-paid jobs. The 1960s was a pinnacle time with the second wave of the feminist movement, after 1920s suffrage, were women felt more empowered and open with their opinions. While the movement inspired works like the 1962, Betty Friedan book The Feminine Mystique, were she explains the trials of sexism and the frustration of identity, but it also caused uproar with the American authors who disapproved movement and shifting power roles. Ken Kesey was one of these authors. Kesey fought every unfair societal issue from
In the 1950’s, women were oriented around their homes and were considered to be domestic caretakers for their husbands and children. Betty Friedan challenges the role of women in her book, “The Feminine Mystique,” by elaborating how women are capable of being more than just housewives. While Phyllis Schlafly, an Illinois lawyer and a devoted Catholic, opposes the idea of feminism for it destroys women’s responsibilities to their homes and their families. Friedan and Schlafly explicate the role of women in society, but from two different perspectives, one being a more liberal view while the other conservative, Today, women are supported on whether they believe to accept their role as domestic housewives or reject it to gain something more outside