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Women in English literature throughout the ages
Female roles in medieval literature
Women in English literature throughout the ages
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It is often misread that women in Beowulf are presented as compliant to men, displaying them as the weaker gender of the human species. In the world of Beowulf, women serve as peace-weavers, cup-bearers, gift-givers and even monsters, all of which at first glance appear as inferior roles. Many examiners of Beowulf, who have touched on the role of women, have criticized on the words of Gillian R. Overing who believes they are "marginal, excluded figures." Although the women in Beowulf aren't as prominent as men are, they are not "excluded" from the picture as a whole. In fact, the roles these six women presented in Beowulf have, can be compared to real Anglo-Saxon women who held together nations, bring heirs and future generations into the world, all qualities that are necessary for the Anglo-Saxons to continue to strive. Wealhtheow and Hygd play the role of cup-bearer along with the political stance of queen allowing them to have equality among men. Freawaru and Hildeburh are what Anglo-Saxons consider peace-weavers which mend together nations if handled the right way. Then there are Grendel's mother and Modthryth who are described as monsters due to their aggressiveness as women, which is sought to be an unnatural trait that only males should hold. Lastly we have the few unnamed women that play roles similar or equal to the ones mentioned above but with little coverage or knowledge from the author for them to have no name. This essay will go further into the world of women in Beowulf and how their roles play in not only the poem, but also in Anglo-Saxon culture using Seamus Heaney’s translation.
The highest status a woman, in the Anglo-Saxon period, could attain is that of the queen who served as the wife and supporter of thei...
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...es, it is only fair to the Geats and Danes that she be killed the same way. The author uses feminine words like "embrace" and "pounced" to reiterate to the readers that she is still a woman none the less making her weaker than the male gender in movement and strength (1542, 1545). Because Grendel's mother disobeyed the natural order of the Anglo-Saxon culture of women, it resulted in her death and beheadment. In the case of Modthryth, it is clearly stated that "a queen should weave peace" (1942). Modthryth was an evil woman who killed men for merely looking "at her directly" until she married Offa and became a peace-weaver (1936). The role of peace-weaver is one that every Anglo-Saxon woman is supposed to retain, another reason for the death of Grendel's mother. Since Modthryth repented for her old ways she was no longer unnatural to the world of the Anglo-Saxons.
But even through a gap of almost 1,200 years, we see in We Have Always Lived in the Castle, written in the 1960’s, that the views of women having a say in the community is a minority, and not everyone agrees. Yes, there has been some sort of progress in women’s right, from 800 AD, alike in Beowulf, a person who wants revenge on her son’s death, is considered a hell-bride, but in the mid 1900’s, it would receive a little bit of a less negative reaction. But in both in Beowulf and We Have Always Lived in the Castle men are considered the ruler of them family, well at least until Merricat kills everybody. In my opinion, Merricat’s way of looking the hierarchy of gender, is different of having women in control, that symbolizes that idea that began as a minute topic in the time period of the 1960’s, and has expanded into the situation of women’s role of
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain and the Green Knight five centuries later.
The women in Beowulf are barely discussed and seem to exist solely for the use of the men. They are weak and portray none of the legendary qualities that the men display. Wealhtheow, the Queen of Danes and Hrothgar's wife, is the only female character in the epic that talks. In a speech to her husband, we are able to see that she is a strong woman, who is able to speak her mind. She tells the king that it is good that he adopted Beowulf, but reminds him that he already has two sons. However, her speech is made while she carries the drinking goblet to all of the men in the room, "Wealhtheow came in,/ Hrothgar's queen, observing the courtesies./ Adorned in her gold, she graciously handed the cup first to Hrothgar, their homeland's guardian,/ urging him to drink deep and enjoy it because he was dear to them" (612-618). When she is given the opportunity to talk, she only praises the men and plays a role defined by their society.
“A peace-weaver was a woman who would be married to a person from an enemy tribe in the hopes of ending a feud” (Yewdaev). The role of women in Anglo-Saxon culture was simple: to settle arguments through arranged marriage. However, Grendel’s mother did not follow similar principles. Instead of arriving at the mead hall ready to make amends and to settle Grendel’s dispute, she returns bloodthirsty and yearning for revenge. Another part that women in the Anglo-Saxon period undertook was that of a cupbearer. “So the Helming woman went on her rounds, / queenly and dignified, decked out in rings, / offering the goblet to all ranks, / treating the household” (Heaney 620-623). Cupbearers served the purpose of passing around cups of mead around to the men until they were all drunk and merry. Grendel’s mother’s independence and lack of subordination to men in the culture epitomizes the contrast she faces with other women in the era. Her attack is surprisingly more impactful than all of Grendel’s together, even though she only delivers a single fatality. Rather than taking out a random drunk guard, she goes straight for Hrothgar’s favorite advisor. “To Hrothgar, this man was the most beloved/ of the friends he trusted between the two seas” (1296-1297). Evidently, coincidence or not, her attack on his advisor was immensely powerful, and contradicts the passive,
The fictional world of Grendel has great divides between male and female characters. While the novel is written in a fairly contemporary society, the world that Gardner constructs still follows under the same logic and principle as the ancient writings of Beowulf. The men are overtly masculine and tough, and the women are constructed with extreme passivity; there is marginal middle ground in both worlds. The constructions of how certain genders act are crucial to interrogate in order to understand one’s bias and become cognizant of the variety of gender roles men and women can endorse. The world of Grendel is full of symbols that construct men as violent, sexual creatures and women as passive objects.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
To the Anglo-Saxon’s, women did not serve as incredibly prominent figures. In a society where war was consistent in everyday life, the ability to fight, being powerful, and ultimately being warriors were treasured. Men were physically stronger and therefore were immediately given the roles of warriors and had higher expectations. Anglo-Saxon women were not considered warriors and especially not expected to fight. Women were then given “less significant” roles in society. Although women were exempt from the higher prized roles, they still managed to attain a certain propriety. The epic Beowulf has three women who play roles that vary yet, are symbolic for the culture. These women are Hildeburh, Wealtheow, and Grendel’s mother and they represent three varying roles that Anglo-Saxon women play: the peacemaker, the hostess, and the monster. (Mention last lady, Aethelflaed, somewhere in the intro)
Beowulf is an epic tale written over twelve hundred years ago. In the poem, several different female characters are introduced, and each woman possesses detailed and unique characteristics. The women in Beowulf are portrayed as strong individuals, each of whom has a specific role within the poem. Some women are cast as the cup-bearers and gracious hostesses of the mead halls, such as Wealhtheow and Hygd, while others, Grendel's mother, fulfill the role of a monstrous uninvited guest. The woman's role of the time period, author's attitude, and societal expectations for women are evidenced throughout the poem.
Women in different societies around the world, during the Middle Ages, experienced different hardships and roles. These hardships and roles helped shape how they were viewed in their society. Some women were treated better and more equal than others. In Rome, Medieval England, and Viking society, women’s legal status, education, marriage and family roles were considered diverse, but also similar. In certain nation’s women have more or less power than women in other nations, but none equal to the power that women have in America today.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Women are what bring this story to such cavernous depths. We are not brought into the perspective of the men, we are, however, told about how they are loved, hurt, and manipulated by the women. There is a scale of personality among the ladies which ranges from the pious uncertainty of Gwenyfar to the essence of strength from Morgaine. We are first enthralled with Igraine’s love, repulsed by the sinister Morgause, respectful to the lady Igraine, enchanted by Morgaine’s wisdom and angered by Gwenyfar’s ignorance. The qualities possessed by these woman can be both glorious and destructive.
This poetic depiction of Wealhtheow’s influence in Hrothgar’s court allows her great freedoms, which were typically allowed only for the king: [She] then handed the cup/ first to Hrothgar, their homeland guardian,/urging him to drink deep and enjoy it/…[And] so the Helming woman went on her rounds offering the goblet to all ranks” (Heaney 43). In this instance, the moral leadership of Wealhtheow defines the feminist heroine, which have given a special right to overlook the patriarchal traditions of Hrothgar’s court. Wealhtheow is very similar to Elinor because of her special standing as a woman of honor and dignity that gives her great powers to stand outside of patriarchal traditions that often entrap and subjugate other women. Beowulf provides this instance of poetic tradition that sets the foundation for greater equality between men and women due to the intelligent heroism of Elinor, Wealhtheow, and also, the figure of Mother Mary as an example of the morally righteous Anglo-Saxon
Sara Mendelson and Patricia Crawford, Women in Early Modern England 1550-1720 (Oxford: Oxford University Press, 1998), pp. 37-9 Retrieved from http://muse.jhu.edu.ezproxy.lib.utah.edu/journals/parergon/v019/19.1.crawford.pdf
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).