Firdaus sheds her last grain of virtue. In doing so, she realizes the truth of her society. Seeing what a woman is and does in Egypt, her home, she sees the only way out of the situation. Firdaus, through her desire to be become a human being who was not looked upon with discontent; she finds that a successful prostitute was better than a misled saint. Throughout her life, Firdaus had incurred the abuse that her society inflicted on women. Firstly, her father treating her not wrongly, but the way that daughters had always been treated. At a young age, Firdaus was forced to accept that her status in society should never surpass or equal a man, and that she was there to help the man live more effectively. The way in which she lost the ability to take pleasure from sexual activity shows her intended purpose. It would have been wrong for her to feel the pleasure she was giving a man. But her uncle allowed her to see otherwise: Firdaus came into possession of an education, and saw the immorality of the ways that women were treated. Her life had taught her that whether in marriage, as a daughter, a girlfriend, or a niece, all women were in a sense prostitutes. Firdaus's father perceived her as a pimp would, knowing how to exchange her virgin daughter for a dowry when there was still time. Her uncle had taken her away to give her an education, only to abuse her, not letting her see how he would be shunned in a different society. Gradually, Firdaus' experiences with men became similar. The failed attempts to find love, and feel pleasure merged into a mass of hurt, and feelings of pain for all... ... middle of paper ... ...ing to either man, her society would label her the criminal. She would defend herself by saying that the man's actions were justification for her actions. Among the other criminals that Firdaus encounters throughout her life, include her husband, Mahmoud. His role is not so much of a criminal one as some of the others. He is simply fulfilling his role as the rightful husband of Firdaus. He exercises his rights under his home society to do what a husband is expected to do, and Firdaus is expected to comply. What makes him a criminal in Firdaus's eyes is that he was blind, as most men were, to the world past the borders of their closed society. Firdaus was given the opportunity to see over the walls erected by those of higher authority, those who are male.
Women were auctioned off as “merchandise” to the best suitor they could get in town. Beauty, though important, was not as important as the dowry the woman possessed, because it was the dowry the family provided that could exalt a man’s societal status to all new heights. Once married, women were expected to have son’s for their husbands in order to take over the family business. A barren woman was not an option and could have easily been rushed to the nearest convent to take her vows of a nun, for no honor could be brought otherwise. No woman could run from the societal and legal pressures placed upon them. Rather than run, some chose to accept their place, but, like Lusanna, some chose to fight the status quo for rights they believed they
going fine, her father owning two fishing boats, and they lived in a large house
In Under a Cruel Star, Heda Margolious Kovaly details the attractiveness and terror of Communism brought to Czechoslovakia following WWII. Kovaly’s accounts of how communism impacted Czechoslovakia are fascinating because they are accounts of a woman who was skeptical, but also seemed hopeful for communism’s success. Kovaly was not entirely pro-communism, nor was she entirely anti-communism during the Party’s takeover. By telling her accounts of being trapped in the Lodz Ghetto and the torture she faced in Auschwitz, Kovaly displays her terror experienced with a fascist regime and her need for change. Kovaly said that the people of Czechoslovakia welcomed communism because it provided them with the chance to make up for the passivity they had let occur during the German occupation. Communism’s appeal to
and thinks of him as a man for having killed another man. The fact of the
Between Shades of Gray by Ruta Sepetys, is one of the most famous historical fiction books ever written. This 352 paged book has inspired many teens to acknowledge the Genocide of Baltic people. Ruta Sepetys was inspired to write a fiction book instead of a non-fiction book based on the stories she heard from survivors of the genocide during a visit to her relatives in Lithuania. She interviewed dozens of people during her stay. Between Shades of Gray was her first novel that she had written. This book was interpreted well enough by the readers to become a New York Times Bestseller.
In the 1930s, who would have perpetrated violent acts against women in the name of sexual gratification yet still hold expectations that women take care of them? By making men in general the placeholder for “you” in the poem, it creates a much stronger and universal statement about the sexual inequality women face. She relates to women who have had “a god for [a] guest” yet it seems ironic because she is criticising the way these women have been treated (10). It could be argued, instead, that it is not that she sees men as gods, but that it is the way they see themselves. Zeus was a god who ruled Olympus and felt entitled to any woman he wanted, immortal or otherwise.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
In The Golden Ass, Lucius draws a strong parallel between the stepmother’s story and that of Meroe, the evil, old witch who kills Socrates when he tries to escape her lustful affections. The stepmother is metaphorically likened to a witch because doing so comments on the danger of a weak-natured woman who holds a position of power. Although no magical evils, such as the spells that Meroe casts upon Socrates, manifest themselves in the story of the stepmother, the emphasis on the unnatural transformation in her disposition and the perverse and sinful nature of her wanton affections symbolize her witchlike nature. The similarity between the two stories helps to fortify the connection between witches and women in a position of power, which ultimately condemns the latter while simultaneously upholding male legacy.
...e to do what she wants, and free not to do it.” Firdaus’ newfound freedom directly correlated with her making her own money, and this shows the power of money.
There is perhaps no greater joy in life than finding one’s soul mate. Once found, there is possibly no greater torment than being forced to live without them. This is the conflict that Paul faces from the moment he falls in love with Agnes. His devotion to the church and ultimately God are thrown into the cross hairs with the only possible outcome being one of agonizing humiliation. Grazia Deledda’s The Mother presents the classic dilemma of having to choose between what is morally right and being true to one’s own heart. Paul’s inability to choose one over the other consumes his life and everyone in it.
The novel, Alone Together: Why We Expect More From Technology and Less From Each Other (2011) written by Sherry Turkle, presents many controversial views, and demonstrating numerous examples of how technology is replacing complex pieces and relationships in our life. The book is slightly divided into two parts with the first focused on social robots and their relationships with people. The second half is much different, focusing on the online world and it’s presence in society. Overall, Turkle makes many personally agreeable and disagreeable points in the book that bring it together as a whole.
Simone de Beauvoir, the author of the novel The Second Sex, was a writer and a philosopher as well as a political activist and feminist. She was born in 1908 in Paris, France to an upper-middle class family. Although as a child Beauvoir was extremely religious, mostly due to training from her mother as well as from her education, at the age of fourteen she decided that there was no God, and remained an atheist until she died. While attending her postgraduate school she met Jean Paul Sartre who encouraged her to write a book. In 1949 she wrote her most popular book, The Second Sex. This book would become a powerful guide for modern feminism. Before writing this book de Beauvoir did not believe herself to be a feminist. Originally she believed that “women were largely responsible for much of their own situation”. Eventually her views changed and she began to believe that people were in fact products of their upbringing. Simone de Beauvoir died in Paris in 1986 at the age of 78.
In “My Two Lives” Jhumpa Lahiri talks about her hardship growing up in America coming from two different cultures. At home she spoke Bengali with her parents, ate with her hands. According to Jhumpa’s parents she was not American and would never be. This led her to become ashamed of her background. She felt like she did not have to hide her culture anymore. When Jhumpa got married in Calcutta she invited her American friends that never visited India. Jhumpa thought her friends would judge from being part of the Indian culture and isolate her.However her friends were intrigued by her culture and fascinated. She felt like her culture should not be hidden from her friends anymore, and that coming from an Indian-American culture is unique. Jhumpa believes that her upbringing is the reason why she is still involved with her Bengali culture. Jhumpa says“While I am American by virtue of the fact that I was raised in this country, I am Indian thanks to the efforts of two individuals.” Jhumpa means that she is Indian, because she lived most of her life and was raised here. In the story Lahiri explains that her parents shaped her into the person she is. Growing up coming from two different cultures can be difficult, but it can also be beneficial.
At the beginning of the novel, Firdaus responses are in a passive, lethargic manner towards men whom she has encountered with like if she has not yet seen much self-worth. Her first encounter is with Mohammadain; he’s another kid that lives in the same town. Mohammadain is the first male that has given her a strong sensation of pleasure: “I saw Mohammadain lying on a bed of straw under the open shelter. The smell… crept up my nose… My whole body shuddered with a faraway yet familiar pleasure arising from some unknown source, from some indefinable spot outside my being… something I tried to hold on to… but it slipped away… I wept in my sleep as though it was something I was losing now… and not something I had lost a long time” (El Saadawi 25). The use of “shuddered, “whole body”, “my being”, and “wept”, gives the sense that Mohammadain did not only exert an emotional force upon Firdaus, but has also caused her to assess and examine her sense of “being” and identity. Her first experience shows how naïve an...
Urvashi Butalia in her book, The Other Side of Silence, attempts to analyze the partition in Indian society, through an oral history of Indian experiences. The collection of traumatic events from those people who lived through the partition gives insight on how history has enveloped these silences decades later. Furthermore, the movie 1947 Earth reveals the bitterness of partition and its effect of violence on certain characters. The most intriguing character which elucidates the silence of the partition is the child, Lenny. Lenny in particular the narrator of the story, serves as a medium to the intangibility created by the partition. The intangibility being love and violence, how can people who grew up together to love each other hate one another amidst religion? This question is best depicted through the innocence of a child, Lenny. Through her interactions with her friends, the doll, and the Lahore Park, we see silence elucidated as comfort of not knowing, or the pain from the separation of comfort and silence from an unspoken truth.