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Analysis a christmas carol
Analysis a christmas carol
Analysis a christmas carol
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Winnie-the-Pooh is a collection of children's short stories written by A.A. Milne. All of the stories are based on ones that he told his son, Christopher Robin Milne. The anthropomorphic animals featured in the stories are based on actual stuffed animals the boy owned (BBC). Christopher Robin, the boy present in the stories, is an insert for the author's own son. Christopher Robin's function in the story is to serve as a vessel for other children to imagine they are having adventures in the Hundred Acre Wood with Pooh and the other animals.
At the heart of the Winnie-the-Pooh stories is imagination. All of the stories were created in response to the real Christopher Robin's teddy bear, (BBC). Children love to play with their toys and make up adventures, and that is exactly what the Pooh stories are: adventures with a child's toys. The final story of the collection is one in which Christopher Robin leads a fictional "expotition" to the North Pole, which reads much like the way a child makes up an adventure on the spot and makes it endearing. However, the Pooh stories also attempt to make the adventures feel real by using inserts from the real Christopher Robin's life, such as his pencil case
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He seeks out his father and asks him "What about a story?...Could you very sweetly tell Winnie-the-Pooh one" (Milne 4). Christopher Robin's desire for his father to tell a story to Pooh is the because of the bond it creates with the teller and the listener. The Winnie-the-Pooh stories are effective precisely because of the role Christopher Robin plays as listener or reader surrogate. Children effectively become Christopher Robin reading or listening to their parents read the story, mimicking the way Milne told the real Christopher Robin the Pooh
They need to see how characters in books handle the same fears, interests, and concerns that they experience” in the book of Corduroy children may reflect how sometimes they want something but their parents cannot afford it, how will they obtain what they want? (para.11). through the storytelling the teacher may ask the children what they will do in this case. Children may interact in the storytelling. This book has discussion points in which the children may ask questions and use their problem solving skills. Susan Sherwood shares in the article Good Books for Dramatic Storytelling for Young Children that “the best ones appeal to children's lives and interests, such as families, animals, communities and humor”, Corduroy fits this criteria children love stuffed animals, and they will be interested in knowing how the little girl gets to take Corduroy home
Ownership is a symbol of control. As human beings, we tend to put labels on things, believing that everything must belong to someone or something. This issue of ownership does not exclude the world of fairy tales. Fairy tales, much like birds, follow no rules and are free, but can be over ruled by potential superiors. In Donald Haase’s essay entitled, “Yours, Mine, or Ours?” and Lawrence R. Sipe’s case study, “Talking back and taking over: Young children’s expressive engagement during storybook read-alouds”, both scholars claim that children holds the baton of ownership over fairy tales. Although Haase and Sipe lay out an appealing theory and practice for children’s literacy, a story like “The Juniper Tree” by the Grimms brothers suggest skepticism
Toy story is a heartwarming tale about a Cowboy Doll, Woody, who is Andy’s favorite toy. It is until Andy’s gets the newest toy Buzz Lightyear that Woody starts getting jealous. Woody takes matters into his own hands by trying to get rid of Buzz. His plan goes downhill, and he ends up falling out of Andy’s car with buzz. To win back his friends, Woody decides to go and save Buzz. Woody shows bravery throughout the movie and proves what toys are really made of. In Toy Story, Woody completes his hero journey when he separates from the safety Andy’s House, is initiated into to reunite with Andy, and returns home to Andy and the other toys as an equal.
Jon Scieszka has an original style that is all his own. Many of his books such as The True Story of the 3 Little Pigs, The Stinky Cheese Man and Other Fairly Stupid Tales, and The Frog Prince Continued have led several people to believe that he has created a new genre of children's literature: using unique perspectives to retell classic fairy tales. But what motivated Scieszka to become an author? And how does he come up with his innovative ideas? I will answer these questions by discussing Scieszka's many inspirations including his teaching career, students, and his family.
their every day lives. In this novel each major principle of Taoism is followed by an explanation made though a humorous story staring Winnie-the-Pooh and his friends.
Finally we get to the book’s legendary character, Winnie the Pooh. Hoff discusses how Pooh does not ponder or think about something, he just goes out and does it. He makes the statement that because of these things always works out for Pooh in the end. He goes on to state that instead of interfering w...
According to Pooh Corner, A. A. Milne acknowledged that both his wife and son, Daphne and Christopher Robin, had inspired him to write these poems and stories after Christopher Robin saw an American Black Bear at the London Zoological Gardens in London. Christopher Robin renamed his stuffed bear, “Winnie-the-Pooh” after the American Black Bear he saw, whose name was Winnie.
Owl's character as knowledge over amusement may be boring to children listening to his intellectual rambles e.g. Roo's boredom with the encyclopedia. Hence, characters like Winnie the Pooh, who brings amusement, may seem more attractive than Owl. While the character of CR is used to demonstrate the relationship between children and adults by the use of many parallels, speech and actions, it is the animals that represent the author's construction of different types of childhood. In addition to this, the animals are also the providers of amusement and entertainment which draw children's love and interest.
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
Anderson, Hans. Wonderful Stories for Children. London: Chapman and Hall 186 Strand, 1846. 64-75. eBook.
... text beneficial for children due to its simple educational purposes. Last but not least, the characters are the “icing on the cake”, they make the text even more enjoyed by children and make everything more interesting. Through the good uses of literary elements such as style, theme and characters, A.A. Milne was able to make The House at Pooh Corner still a very popular and outstanding children’s text.
For centuries, children stories have been a valuable tool in teaching lessons and morals. Like most stories that one was read as a child, there lies a life lesson that the author is trying to portray. Whether it was told orally like the story Beowulf or written by an author like Chaucer who wrote The Canterbury Tales, there are life lessons that are being taught through the characters and their challenges that they endure.
The Tale of Peter Rabbit was a fictional story for children written by Beatrix Potter. The main character of the story was Peter Rabbit, who had three sisters by the names of Flopsy, Mopsy, and Cotton-tail. The four bunnies lived with their mother, Mrs. Rabbit, underneath a huge tree in the woods. All the characters displayed the element of anthropomorphic because they are dressed in human clothing and display human characteristics such as walking straight up on their hind legs. The three sisters were wearing a pink to reddish cloak, Peter Rabbit a blue jacket with brown shoes, and the mother a blue chambermaid dress. While Peter Rabbit’s sisters were obedient little bunnies who gathered blackberries, Peter Rabbit was a naughty, disobedient and mischievous young rabbit who gave into temptation rather than to listen to direction.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.