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Intimations on immortality
Immortality key words
Immortality key words
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Bernard Williams Markopoulos case focuses on the topic of immortality, and the issues that arise from the status of being immortal. This is due to the end of the Markopoulos play, where the protagonist chooses to kill themselves due to the unbearable boredom due to exhausting one’s categorical desires. Williams explains the reason why this occurred, while attacking the concept of immortality. Williams refutes immortality on the premises of a continuous identity, and the future being attractive. Wheras Fischer rejects Williams due to the constraints of his argument, to argue that the immortal life would be a livable one since it reflect a mortal life. in effect, I will further fischer’s argument on the basis that an immortal life would be a …show more content…
This is on the account of the deprivation argument, and since the argument asserts death is depriving, erego, if it is a sense of deprivement of a infinite amount of goods, then we desire eternal life. However, through the thought experiment of immortality, William rejects the idea of immortality, and argues the immortal agent would become susceptible to two focused problems. The first issue is the agent would become susceptible to eternal boredom, where they would then wish to die. This is because the agent will posess certain categorical that will have been exhausted, or fulfilled(94-5). The categorical desires can be understood as a defining aspect that gives the agent purpose, and propels them in to the future to achieve/succeed these goals (86). Whereas there is conditional (contigent) desires, which can be categorized as the animalistic/hedonistic appetites (sex, hunger, or any simple satisfactory human desires). Additionally, the concept of boredom needs to be unthinkable for the immortal agent, however William proposes the agent would become bored of their environment (95). This is due to the consistency of their individual characteristics, Problematically, the agent has fulfilled their desired life goals, and this leads in to the second problem. Benard Williams explains the second problem is the inevitable change of character over the …show more content…
The first part (horn) which is the assumed agent has a fixed character over time, however this problematically leads to the boredom situation. This is because Williams asserts the activities the agent possess must be unlimited and stay consistent to the characteristics of the individual. However, Fischer argues against Williams assertion since the immortal agent will not only have one interest, but rather they will have many. Furthermore, Williams argues the immortal agent cannot be bored, and must be absorbed in their surrounding at every moment. Whereas Fischer denies Williams attractiveness dilemma, because his argument is too narrow in thinking, due to the belief that the agent could only be pursuing one categorical desire. Fischer purposes there are packages in the immortal life (as there is in the moral life), which consists of a mixture of interests/goods for the immortal agent. Rather what William proposes, which is a immortal life fixed on a singular good. additionally, Fischer argues an mortal life possesses aspects of boredom so we can continue to obtain further goods. A simple example is waiting for a delayed flight at an airport, when the agent is going on their backpacking trip through Asia. There will be inevitable delays/dulls in any life (261), however these dull moments are short-live and not on the schema of an eternal
In chapter 2, Shafer-Landau proceeds to list the theories that attempt to disprove hedonism by highlight the shortcomings in its logic and hedonism's replies to these objections. The Argument from Autonomy, is one of strongest objections to hedonism listed. Shafer-Landau states that for a theory to pose a serious threat to hedonism, it needs to challenge the idea that happiness is the only thing of intrinsic value (34). Chapter 2 discuses four strong objections that have the potential and support to disprove hedonism. The Argument from Autonomy provides an abundance of strong information to support its claims.
In the game of life man is given the options to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link of past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof."
Williams, B. (1973). The Makropulos Case: Reflections on the Tedium of Immortality. B. Williams, Problems of the Self. New York, NY: Cambridge University Press.
His perception of human nature is that: 1) we are all mortal, in other words, life is formulated with birth and death is eminent for every living being. 2) Humans are rational creatures and retain humanity and therefore should aim to be moral. 2) Reason is a special faculty, unique to only human beings that connects them to some truth about their own nature and essential concepts; these concepts are universal, timeless, and changeless. Also sensation, beauty, relationships, and possession all pass and die, they do not possess permanence. The only thing that remains with you is your reason. A grave philosophical error that is a source for supreme suffering for human beings is forgetting, ignoring, or acknowledging that things die and nothing lasts
... does not withstand the argument of suicide because it challenges his theory of having the desire to live. Having a desire to live means you look forward to the good in your life and a suicidal person does not, therefore is not compatible with the desire account.
For my final project I chose to compare two works of art from ancient Mesopotamia. A visual work of art and a literary one. The visual work of art I chose was the Statuettes of Worshipers which were created around 2900 to 2350 BCE at the Square Temple at Eshnunna, a city in ancient Mesopotamia. The literary artwork I have chosen is the Epic of Gilgamesh written roughly around 2800 BCE by author or authors unknown. It was set in Uruk, another city in ancient Mesopotamia. Both of these works of art share a common theme; the theme of immortality. It is my hopes that within this paper I can accurately show how each of these works of art express this theme, and how it relates to modern society.
... it’s just as possible that there’s a possibility that there is an afterlife as there is that there isn’t. He does not consider this problem. This is a very big point one should consider because for a lot of people, the possibility of an afterlife is what makes death a little less scary and shows that it can be a good thing. If there is an afterlife, this means that we never really die. We die in the physical sense that our bodies are no longer functioning, but in a way our consciousness still exists. We are “alive” even though we are dead. Suppose that the concept of immortality is the concept of living sometime, but never dying. Consider a living thing that goes into eternal suspended animation. It never dies, but this sort of immortality is hardly better than death. It is just like living forever, therefore it does not matter on the desirability of eternal life.
All of the characters in Tennessee Williams’ Suddenly Last Summer are important, but minor individuals like George should not be overlooked. By studying the evolution of George’s character, more significance can be gleaned from the climax of the play, making it that much more important to the audience and
The only way in which characters like Creon, Bush, Blair and so on can really make themselves immortal for the right reasons is by asking themselves what’s going to work best for all of us, instead of what’s going to work best for me.
[III] Immortality: “through Art, and through Art only, that we can shield ourselves from the sordid perils of actual existence”
There are eight stages in his theory in all (Johnston, 2009). The idea is that as one ages, they are faced with a specific conflict for each stage. If they meet these conflicts head on and have positive outcomes, t...
Heschel approaches his discussion of the mode of opportunity through the comparison of man and animal. The life of an animal is fixed, and what it can be is determined at birth. With the human person, there is no fixedness or determinedness; instead, there is prospect and opportunity. In living, man navigates a unique “inner life” which is infinitely complex influenced by the experiences of life (39). Man possesses an endless capability to develop his inner self, an unbounding potentiality which is not present in any other being or animal. Heschel concludes with how it is difficult to conceptualize limitless possibilities to what a human is able to be (40). Opportunity is Herschel’s second most important constitutive trait of human being as it is crucial to realizing human potential. Every occurrence in a human lifetime provides the opportunity for growth, development and the ultimate fulfillment of destiny. Without opportunity, it is not possible for a human to set or even achieve any goals, an endeavor that is essential to a meaningful human life. Opportunity allows individuals to define themselves, broaden who they are, and shape who they become. Opportunity also allows a person to discover and embellish personal uniqueness to benefit all of humanity. Although essential to meaningful human existence, the quality of
Socrates was a philosopher who was true to his word and his death was ultimately felt by his closest friends and followers. In Phaedo, Socrates is met with his closest friends during his final hours as they await his death. At this point Socrates is prepared for death and seems to welcome it. Although death may seem like a scary inevitable fate that we all must face at one point; Socrates saw death as a privilege mainly because he believed that the soul was immortal. As a result, Socrates provides arguments as to why he believed the soul was immortal and even though all his arguments lacked unconvincing evidence, he does bring up good points. In this paper I will talk about Socrates’ most and least convincing arguments on immortality, and explain what Socrates’ problem was with Anaxagoras.
What is the purpose of life? But ultimately, what is the purpose of death? Why are we born just to die? These are two major wonders in the play "Exit the King" by Eugene Ionesco. For example, King Berenger asks the question, "Why was I born, if it wasn't forever?" This question wouldn't be of great significance if nobody possessed the desire to live forever. Our natural instinct is in the existence of life itself. It's an inborn pattern of survival. Furthermore, not only does the play "Exit the King" execute the theme of mankind wanting to be immortal, but it also shows how we need to prepare inwardly for when our time of demise draws near. My viewpoint on this play is that we tend to live our lives by putting off the fact that we will eventually die. The words of Queen Marie seem to be the motto of today's world, "Until death comes, you are still here." In other words, it's synonymous to the meaning of "live in the moment." The hard truth is that we are dying human beings. And it's our duty to accept this cruel fact. I would recommend the play "Exit the King" in view of the fact that it is an attempt to teach us by showing that we can learn how to die, instead of trying to avoid a fate that is impossible to
Would you want to live forever ? My position on this topic is equal upon