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Fate in shakespears romeo and juliet
Conclusion of Romeo and Juliet
Fate in shakespears romeo and juliet
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William Shakespeare's Romeo and Juliet
According to the dictionary, fate is the “inevitable destiny or
necessity destined term of life; doom.” This means that fate can be
described as a pre-planned sequence of events influencing ones life.
Romeo and Juliet would have been performed to an Elizabethan audience
who believed very strongly in “fate” and “fortune”. Fate was destined
to happen and no one could alter it. Throughout the tragedy of Romeo
and Juliet, Shakespeare constantly utilises the motif of stars to
convey and develop the prominent theme of fate. Even and early as the
prologue, the words “A pair of star-cross’d lovers…” reveal
Shakespeare’s intent in conveying the association of fate with this
motif. Like stars, fate exists in the heavens. It is Romeo and
Juliet’s misfortune that leads to the sorrowful and tragic ending of
the play.
Romeo and Juliet is a play plagued with timing and fate. Some actions
are believed to happen by chance or destiny. The timing of each action
influences the outcome of the play. While some events are of less
significance, some are crucial to the development of the story. The
substantial events that inspire the conclusion of Romeo and Juliet are
the Capulet ball, the fight between Tybalt and Mercutio, and Friar
John’s plague.
A servant to Capulet, who is incapable of reading the list of guests
for a planned party, asks for Romeo’s assistance. Romeo notices that
Rosaline, his lover, is among these names. Benvolio challenges Romeo
to compare her with other “beauties.” He says, “Compare her face with
some that I shall show, and I will make thee think thy swan a crow.”
To show his apprecia...
... middle of paper ...
...there on
time.
In conclusion, I would say that the description of Romeo and Juliet as
“A pair of star-cross’d lovers…” is extremely fitting as the entire
play is based on fate. The concept of fate functions as a central
theme in Romeo and Juliet. The Prologue states that the young lovers
are governed by fate, a force often linked to the movements of the
stars. Fate manifests itself in all the events surrounding Romeo and
Juliet: the ancient and inexplicable feud between their families, the
catastrophic series of mishaps which ruin Friar Lawrence’s plans, and
the tragic timing of Romeo’s suicide and Juliet’s awakening. The
structure of the play itself rests upon the fate from which the two
lovers cannot escape. Fate, from the beginning, had resolved that the
story of Romeo and Juliet would culminate in heartbreak.
The old woman remembers a swan she purchased a long time ago for a really low price, and she decides that the bird is much too elegant to eat (17). While sailing to America the old woman expresses to the swan the new opportunities, and that she will have a daughter that will be just like herself (17). The old woman said that her daughter is not going to be judged by her husband’s worth but she will be judged by her own worth, and she will teach her daughter to only speak perfect English (17). While going to America, she was stripped of her swan from immigration officials and was only left with one feather for recollection (17). The old woman now has a daughter and has been waiting for the perfect opportunity to give the feather to her daughter (17). She wants to represent the feather as the how the swan was worthless, but the swan came a long way and inside it conceals great ideas (17). The old woman now waits for the day she can tell her daughter this in English (17).
“…but the raven winging/ darkly over the doomed will have news, / tidings for the eagle of how
to [the foot of the bird] with the linen in the hope that the roc,
Edgar Poe uses these rhetorical devices not only to contribute to the theme, but also to make it possible for the reader to experience the same hopelessness and isolation the narrator feeling. “On the morrow he will leave me, as my hopes have flown before” (line 10). In this simile the narrator is comparing his hopes to the bird’s ability to fly. He is saying that the bird will eventually fly away as did all his hope when his mistress died. Another example is when Poe writes, “Suddenly there came a tapping, as of someone gently rapping” (lines 3-4). The narrator is comparing the tapping of the raven with that of a human tapping, which reveals that the character is hoping at a chance that it is Lenore. As the poem goes on Edgar Allen Poe describes, ”All his eyes have all the seeming of a demon that is dreaming” (line 105). This line is comparing the raven’s eyes to a demon’s. Here, he is no longer seeing the raven as an angel but as a demon only there to deliver confirmation of his worst nightmare. Metaphors are also used several times throughout this poem to personify the raven. “But, with mien of lord or lady” (line 40). The author includes this metaphor to allow the reader to recognize that there is something unique about the raven. “Prophet!” said I, “thing of evil prophet still, if bird or devil (line 85). The narrator is comparing the raven to either a prophet or the devil. At
Whenever the narrator questions the Raven on when his deceased love will return, or when he will stop grieving, the Raven responds with the repeated word “Nevermore” (Poe 102). The bird’s incessant reminders signify that since Lenore’s death is eternal, the narrator’s consequent anguish from it must be as well, which is why the narrator is incapable to ever recover from the Raven’s words on his loss. For, this leaves an everlasting impression on the narrator, prompting him to demand the bird, “‘Take thy beak out of my heart’” (Poe 101). In this metaphor, the author alludes that the Raven’s ‘beak’ is the words it is saying to the narrator, and the ‘heart’ is not representative of the narrator’s physical heart, because the bird is not physically attacking the speaker, but is making him aware of his eternal loss and irreversibly breaking him down emotionally. Therefore, Poe’s use of repetition and metaphor aid him in expressing the loss induced anguish of the
The first function of the bird as a thematic image is to foreshadow. And the most important foreshadowing of the play is the inevitable murder of the King of Scotland, Duncan, by the Macbeth. It is first seen during the Captain’s dialogue describing the battle between Macbeth and Banquo against Macdonwald. He compared them to “As sparrows eagles, or the hare the lion”3. From this phrase, the reversal of the roles can be clearly seen when the sparrow and the hare became the predators of the eagle and the lion became their prey. Another example is seen during Lady Macbeth’s beginning soliloquy, “The raven himself is hoarse/ That croaks the fatal entrance of Duncan/ Under my battlements”4, the introduction leading to the murder scene of Duncan. The raven, which is the bird that symbolizes death, is the omen that signals Duncan’s doom.
Martin, Scott. Annotations to The Crow by James O’Barr . Last updated 9 July 1998. Accessed 23 April 2003. <http://www.geocities.com/SunsetStrip/Balcony/2570/crownote.htm>.
“He who falls in love meets a worse fate than he who falls from a
"What's in a name? That which we call a rose by any other name would
such a love can arise out of hatred and then triumph over it in death,
William Shakespeare's Romeo and Juliet. In Shakespeare's plays he very rarely used original ideas. Most of the plays he wrote, such as "Romeo and Juliet," were adapted from other people's stories. Shakespeare used these ideas as basic outlines for his plays.
His love for Rosaline is great but yet she can not say the same and
“Feather of lead, bright smoke, cold fire, sick health, still-waking sleep, that is not what this is” (Shakespeare 1.1. 179-180). A string of contradictions explain the love story of Romeo and Juliet, a contradiction. Some critics consider this story a tragedy because Shakespeare once wrote; “the fault is not in our stars but in ourselves”. While others say it does not follow the standard Aristotelian form of tragedy (Krims 1). Romeo and Juliet can not be a tragedy because no flaw causes them to fall, the lovers, could not have controlled fate, and family and friends assisted them to their deaths.
The character in the play, Romeo and Juliet by Shakespeare, that I think has the largest impact on the audience is probably the Friar. Although the Friar might not have that big of a role, he was the one with the plan that got Romeo and Juliet killed. Some people might say that it was Juliet’s fault because she was the one that was so desperate for a plan to get her and Romeo together, the Friar had no choice but to go along. But still, the Friar was the one that came up with a plan. That plan might not have worked for many reasons, but the Friar didn’t think ahead.
...-like symbols are fading--“black once but faded now to that fierce muted metallic green of old peacock feathers”--revealing the length and magnitude of the struggle (142). The contrast is apparent by the mention of the peacock feathers, which in their natural state are lively and radiant. There is an inability for the woman to reconcile with the man because “the indomitable woman-blood ignores the man’s world in which the blood kinsman shows the coverage or cowardice, the folly or lust or fear, for which his fellows praise or crucify him” (123). One must follow the male characteristics to the roots of their southern heritage to acknowledge the full tragic beauty of the female.