1st Section Preface: “Feathers From A Thousand Li Away”
The old woman remembers a swan she purchased a long time ago for a really low price, and she decides that the bird is much too elegant to eat (17). While sailing to America the old woman expresses to the swan the new opportunities, and that she will have a daughter that will be just like herself (17). The old woman said that her daughter is not going to be judged by her husband’s worth but she will be judged by her own worth, and she will teach her daughter to only speak perfect English (17). While going to America, she was stripped of her swan from immigration officials and was only left with one feather for recollection (17). The old woman now has a daughter and has been waiting for the perfect opportunity to give the feather to her daughter (17). She wants to represent the feather as the how the swan was worthless, but the swan came a long way and inside it conceals great ideas (17). The old woman now waits for the day she can tell her daughter this in English (17).
1. Chapter One: “The Joy Luck Club”
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Jing-Mei’s mother dies from a cerebral aneurysm and Jing-Mei now takes her mother’s seat at the Joy Luck Club (19).
Jing-Mei recalls back to where her mom made the San Francisco version of the Joy Luck Club in 1949 and near the same time Jing-Mei was born (20). The mother talked about how she was leaving the town of Kweilin and that she left her two babies on the way to Chungking “… I had lost everything except for three fancy silk dresses…” (26). Jing-Mei arrives at the Joy Luck Club and realizes that there are a lot of changes that have occurred, things that were not traditional to the original one that her mom made (28). The aunties at the club decide to give money to Jing-Mei so that she can go visit her long lost sisters in Hong Kong, China
(40). 2. Chapter 2 “Scar” An-mei’s grandma does not like An-mei’s mother, she thinks that her mom is a “stupid goose” and that An-mei and her brother are “two eggs that nobody wanted”(42). An-mei never met her father; her father has just been an unhappy large painting on the wall (43). When An-Mei’s mother came to visit Popo, the auntie didn't even look at the mother and didn't offer her any tea. (45). When An-mei finally had the courage to speak to her mom; the whole room collides with people shouting at each other (46). An-mei’s mother cut a piece of flesh from her arm and puts it in Popo’s soup as a last resort to help cure Popo (48). Popo passes away and An-Mei comes to the conclusion that she needs to forget her mother and the pain that she gets from thinking about her (48). 3. Chapter 3 “ The Red Candle” When Lindo was just two years old the village matchmaker and Tyan-yu’s mother came to Lindo’s home and inspected her to make sure she was a match for Tyan-yu (50). Tyan-yu is very spoiled because his family made all his decisions for him, but Lindo still has no choice but to marry him (51). At twelve years old Lindo had to separate from her own family and live with the Huangs, because that summer her house was flooded from the overflow of the river she lives by (53). Tyan-Yu treated Lindo very poorly, such as complaining that the soup was not hot enough, asking about her “unpleasant face”, and waiting to ask her for another bowl of rice as soon as she sits back down at the dinner table (55). When Lindo turned sixteen Huang Taitai commented that she “…was ready to welcome a grandson by next spring.”, so Lindo had to accept her demand because she had nowhere else to live. Lindo’s wedding became a nightmare
The journey from Chongqing to America was one with many obstacles and Suyuan sacrificed so much for her daughter hoping that one day June will be successful. The support and care that Suyuan provided for June ended when she suddenly passes away which forces June discerns how little she actually knows about her own mother. This seemingly ordinary life of June disappears as she discovers her mother’s past which included siblings that have been abandoned and thus attempts to find her long lost sisters. This idea was brought up by the Aunties of the Joy Luck Club that her mother founded which can be seen as the call to an adventure. The purpose of this journey was not only to find her sisters but to also discover her mother for who Suyuan truly was. In June’s eyes, Suyuan was always impossible to please and she was never on the same page as her mother who believes a person could be anything they wanted in America-the land of opportunities. But as the Joy Luck Club reminds June of how smart, dutiful, and kind her
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
At the beginning of the novel, Suyuan Woo begins telling the story of The Joy Luck Club, a group started by a small family of Chinese women during World War II, where "we feasted, we laughed, we played games, lost and won, we told the best stories. And each week, we could hope to be lucky.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Here is a journey that not only started "a thousand Li away", but from generations upon generations of tradition. The Joy Luck Club travels over time and continents to present the background and turmoil of eight amazing women. All of these women have had to deal with the issues of culture, gender, and family, each in their own way, yet all similarly. Amy Tan dedicates her novel to her mother with the comment "You asked me once what I would remember… This, and much more." Each of the mothers in Tan's novel wanted to teach their daughters the lessons learned in China while giving them the comforts of America. But language and culture barriers diverge the women until they were almost lost to each other. Each character had to take their own journey to finally understand what drove them apart and find their common ground.
The Joy Luck Club daughters incontestably become Americanized as they continue to grow up. They lose their sense of Chinese values, or Chinese tradition in which their mothers tried to drill into their minds. The four young women adopt the American culture and way of life, and they think differently than their traditional Chinese mothers do, upsetting the mothers greatly. The daughters do not even understand the culture of their mothers, and vice versa. They find that the American way of thinking is very different from that of the Chinese.
Jing-mei and her mother have conflicting values of how Jing-mei should live her life. She tries to see what becoming a prodigy would be like from her mother's point of view and the perks that it would bring her as she states in the story "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and f...
When analyzing the Joy Luck club it is important to consider the life of the author. It is apparent after studying both The Joy Luck Club and Amy Tan that there are some incredible similarities among the two, particularly the story of mother Suyuan-Woo and her daughter Jing-Mei Woo. Suyuan is a main character and plays an extremely important role in the novel even though she passed away. She created the Joy Luck club years ago and is the main reason why this tight kit family exists today. Suyuan decided to create the Joy Luck club during a ve...
Amy Tan starts The Joy Luck Club with the daughter, Jing-mei, and mother, Suyuan Woo. Suyuan lived through a hard life in Kweilin during the war and teaches her daughter to keep her head up and have faith, even though things may seem hard at the time. When Suyuan lived in Kweilin, she had many things that could depress her, "but to despair was to wish back for something already lost. Or to prolong what was already unbearable" (11). Suyuan's wishful thinking reveals that she did not want to think of all the bad things happening around her. Rather, she wanted to focus on the fact that she "had luxuries few people could afford" (10). The ability to find the good when others see only bad helped Suyuan center her attention on the superior things that she had, such as the Joy Luck Club and her friends. Later, when Jing-mei goes to meet her sisters in China, she becomes "so nervous [she] can't even feel [her] feet"(331). The uneasy emo...
In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei was eagerly hoping to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei. The daily test began to aggravated Jing-mei because they made her feel less sma...
Jing-Mei tries to live up to her mother’s expectations but feels that her mother expects more from her than she can deliver. She doesn’t understand why her mother is always trying to change her and won’t accept her for who she is. She feels pressure from her family when she is compared to her cousin Waverly and all her accomplishments. Soon the conflict grows to resentment as her mother tests her daily on academics, eventually causing Jing-Mei to give up while her mother struggles to get her attention and cooperation. Her mother avoids arguing with her daughter early in the story, continuing to encourage her to strive for fame. Her mother’s next assignment for her daughter is piano lessons. This goes along pretty well until her mother forces her to participate in a talent show. The daughter’s failure on her performance at the talent show causes embarrassment to her mother. Conflict is evident when two days later, after the talent show, she reminds her daughter that it’s time for piano practice and the daughter refuses to obey her mother. The conflict that the daughter feels boils over in an outburst of anger and resentment towards her mother for trying to make her something that she is not. Harsh words are spoken causing the mother to retreat and not speak of this event ever
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
Toni Morrison shared a story in her speech about an old, blind woman who was very wise. Two young people came to visit her and prove that the woman was not as wise as they heard she was. They pretended to hold a bird and asked her if it was dead or alive. " 'I don't know,' she says, 'I don't know whether the bird you are holding is dead or alive, but what I do know is that it is in your hands. It is in your hands.'" Life is about decisions. The young children chose to put the old woman in an uncomfortable situation. The woman's response was perfect for the children. Her language was strong enough for them to learn how to control their obnoxious behavior. Morrison connects the bird and woman together in an interesting way. She states, "So I choose to read the bird as language and the woman as a p...
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.