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An essay on sleep deprivation about 200 words
Sleep deprivation research essay
Premises and conclusions about sleep deprivation
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5:57 A.M. The sun had not risen over the horizon quite yet. The sounds of the house had not come alive quite yet. Even the man, resting underneath his warm covers, had not seen me quite yet. All was still -- the perfect opportunity. As the saying goes, the early bird gets the worm; however,not everyone sleeps. By looking over the tangled mass of limbs and covers that was the man, you might see me in my place on the other side of the bed. No one but I was aware of my place. No one but I had my ambition, my patience, or my cleverness. Only I could be found active all day, and all night; no one else could out-wait the alarm clock. 5:58 A.M. The time was drawing near; extraordinary to think, but no one else knew it. I was the master of time itself; if the man needed to know it, he would look to me. Being seemingly inanimate, he believed that I was his. Heh… the fool. Mankind would find himself lost without the “objects” like me. I was not built; I was born. I can feel, think, and know, and I know this world is mine. With every second that passes, my structure races with more and more anticipation. As the weight of the man was held on the bed, the weight of all rested on me. My hour is upon me, upon the man; upon all. …show more content…
Even being always alive, I had never felt more like it. Seconds passed, one by one, at my command. Counted off by the slightest, and all would be destroyed. My brain, heart, and soul, all as one, meticulously passing the time at perfect intervals. I raged with excitement incomprehensible, exhilaration unimaginable, and euphoria impossible. It was almost time; time to show the man, the world, and the universe, simply me. 6...5...4...3...2...1. 6:00 A.M. I burst forth with a trumpet of a million horns, and the man awoke. He shifted his hand forward, reached out towards my call, aiming at my buttons and
“Every moment is enormous, and it is all we have” (Goldberg xii). Natalie Goldberg offers her readers the opportunity to recognize the delicate nature of life and the importance of slowing down one’s life. In her autobiography, Long Quiet Highway: Waking Up in America, she invites readers to journey along her path to awakening in an effort as an author to “pass on her breath” (22). By capturing her message and holding it close to one’s heart, the reader grasps the essence of Goldberg’s message. It becomes clear that awakening can take on many forms and can be reached by different roads, but it is all centered on one goal: to go within oneself and find inner peace and understanding. Through her exploration of America, teaching, spirituality, impermanence, and writing, and through her writing style and language, Goldberg sends her readers along their own long, quiet highway.
To answer the question of whether a person can persist through time, it is important to consider what is meant by a ‘person’. This consideration seems trivial at first, and if one were to take the physicalist route, it would be – a person persists through time by existing as the same human animal. However, it is in fact a lot harder to pinpoint what the ‘self’ actually consists of if we were to take the psychological route and consider the voice inside our heads, the voice that thinks and experiences and suffers. What is this mysterious immaterial phenomenon that we hold to be our personal identity? And what makes it the same entity as the one yesterday? Although these questions don’t have an explicit answer yet, in this essay I will attempt to give an insight on how they could be answered, offering a psychological
He surrounded himself with a voice keeping up a running commentary of his each and every move. He often found himself preaching to hallucinations of euphoric dreams in which he believed were true, or about to happen. However, there was one thing he didn’t know or care about. This man was confined to a cell for more than twenty-three hours every day. He ate, drank, slept, and bathed in a twelve-by-twelve padded room. No windows, no mirrors, no carpet. The only objects that co-existed with this man for 95.83 percent of his time on earth was the one-hundred-and-twenty watt light bulb that illuminated the room until 8:30 exactly every night, the lilac blue pillows that covered the walls, ceiling and floor, and this mans psychotic dream-reality.
William Shakespeare, poet and playwright, utilized humor and irony as he developed specific language for his plays, thereby influencing literature forever. “Shakespeare became popular in the eighteenth century” (Epstein 8). He was the best all around. “Shakespeare was a classic” (8). William Shakespeare is a very known and popular man that has many works, techniques and ways. Shakespeare is the writer of many famous works of literature. His comedies include humor while his plays and poems include irony. Shakespeare sets himself apart by using his own language and word choice. Shakespeare uses certain types of allusions that people always remember, as in the phrase from Romeo and Juliet, “star-crossed lovers”.
Wherever we go today, we just can't seem to get away from him. He is in movies, in the theater, even on TV. Whether modernized or back in Elizabethan times, his influence is everywhere in the things we use for our entertainment. We think we know who he really was and what his life was all about. He almost seems immortal in our eyes. Who was William Shakespeare? Who was this man we still have placed on a pedestal almost four thousand years after he lived? Was he really the man that Hollywood glamorized? Shakespeare's life, work and controversies come together to form our beliefs of who this great writer really is.
All that could be heard was the distant wail of an ambulance siren, which rent the bitter evening air like a butcher’s knife through a carcass. It would’ve been hard to believe that only minutes ago the place had been alive with crowds and commotion and excitement; for now it stood empty. It seemed that time itself had stopped: that every clock, timepiece, wristwatch in the world had ceased to tick.
To start off, Shakespeare's elaborate use of figurative language is a huge reason why his writing is still taught centuries after his death. He used an extensive amount of this language to deliver a sense of emotion and depth in what his characters are saying. In some cases, Shakespeare will use figurative language to foreshadow future events in the play. For example, Friar Lawrence is talking to Romeo about the secret marriage he was being asked to do when he states, "These violent delights have violent ends. And in their triumph die, like fire and powder." In this case, Friar is basically reminding the audience that the forbidden lovers will die no matter how much they attempt to fix it. Shakespeare also uses figurative language to indicate a somewhat clear time period when actions take place. When Benvolio is talking to the Montagues about the last time he saw Romeo, he says, " An hour before the worshipped sun/ peered forth the golden window of the east." Shakespeare could have easily used simplistic language to explain the time of day the actions were taking place, but instead he personified the sun in a very pure and beautiful way.
One of William Shakespeare’s earliest plays, Romeo and Juliet (c. 1594) is a well-known tragedy about the relationship of two “star-crossed” (1.P.6) lovers whose families have been quarreling for many years. Romeo, a Montague, and Juliet, a Capulet, fall deeply in love after meeting at a ball held in the Capulet’s house. Shakespeare was still gaining an audience when he wrote Romeo and Juliet, so he used many well-known styles and techniques in order to give the audience what they wanted. As G.B. Harrison explains, Shakespeare shows the best and the worst characteristics of his early, immature style in Romeo and Juliet.
time, and so it is vital to see that this book is a response to a
...e made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future. So we live; a spirit broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came. (p244)
setting for the story is several centuries ago, but I think that you could make
John Dryden once said, “But Shakespeare’s magic could not copied be; Within that circle none durst walk but he” (Mabillard). Shakespeare is one of the greatest poets and writers of all time. No one wrote like him or created the plays that he created. All of Shakespeare’s plays include different elements of the Renaissance and the Elizabethan Era that are incorporated into his characters and their actions. Shakespeare’s works are broken up into four periods that span from 1595-1613, and each contains a new writing style. These each depict different events that were happening at the time. During the first period, up to 1595, Shakespeare wrote extravagant plays such as Romeo and Juliet and used older plays as a basis for his work. In his second writing period, from 1595-1601, Shakespeare focused more on histories like Henry IV. The third period, 1601-1608, contained comedies and tragedies such as Julius Caesar, Hamlet, and Macbeth. Finally, the fourth stage, 1608-1613, is when Shakespeare wrote many romances. Some of his most famous pieces include Hamlet, Macbeth, Julius Caesar, and Hamlet. Each of these works include great amounts of history that Shakespeare experienced throughout his life.
We cannot say that a writer is great just because his writings are great and have stood the test of time. In other words a writer cannot be termed great only because of his antiquity. Dr. Samuel Johnson says in his "Preface to Shakespeare" that a work of literature is great only when it is worth reading. When it lacks excellence, it will be rejected. A work of literature lives only when it has some value. Its value changes from time to time and from age to age. In spite of this changing attitude of the readers towards a literary work, the work must contain some absolute standards if it has to stand the test of time. In the light of the above, we can Asses the value of a literary composition from the way it appeals to the readers of a particulate time and to the readers of all times.
Every night when I lie down to sleep, I can hear the continuous, buzzing echo of the day's residue. The cacophony of sound that gets trapped in my head all day long begins its slow release: the ringing of phones like calculated screams, the falling of fingers on key boards like pelting leaden raindrops, people barking orders at me as if they were the only masters I am obliged to serve.