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Examine Blake's attitude to religion with reference to the songs of innocence and experience
Compare and contrast songs of innocence and experience
Compare and contrast songs of innocence and experience
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Recommended: Examine Blake's attitude to religion with reference to the songs of innocence and experience
William Blake composed two series of poems: Songs of Experience and Songs of Innocence. The poems are intertwined as to compare the thoughts of children and adults on the same issues. The innocence of children is discussed on topics of religion, love, and justice. The opinions of adults are also experienced on these topics, but are given from a more experienced viewpoint. William Blake comparatively writes two series of poems to address the controversy of God, love, and justice from pure thinkers and from corrupt thinkers. Religion is defined differently by different cultures and experiences, therefore; children and adults views differ greatly. Songs of Innocence was written from the point of view of children who only knew of “innocent wonderment and spontaneity in natural settings” (Literature). In The Lamb, Blake questions who is the creator of life: “Doust thou know who made thee?/ Gave thee life and bid thee feed” (Blake 909). The poem gives the answer that God was the creator of life. In contrast, Blake called upon the question of the Son of God’s existence: “And did those feet in ancient time/ Walk upon England’s mountains green?” (Blake 915). It is believed that Blake compared the thinking of children with those of England’s working class. The working class was encompassed by poverty and was often driven …show more content…
The value of the experience of heartbreak will sway the viewpoints from the two groups. “And then I will stand and stroke his silver hair, / And be like him, and he will then love me,” the boy learned from his mother that their should be no differences in a friend because of race (Blake 910). Blake described how adults view love in “London”: “And mark in every face I meet/ Marks of weakness, marks of woe” (Blake 914). Blake implied that adults would often only see the sorrow and pain that an individual expressed instead of seeing the love and
The imagery of nature and humanity intermingling presents Blake's opinion on the inborn, innate harmony between nature and man. The persona of the poem goes on to express the `gentle streams beneath our feet' where `innocence and virtue meet'. This is where innocence dwells: synchronization with nature, not synchronization with industry where `babes are reduced to misery, fed with a cold usurous hand' as in the experienced version of `Holy Thursday'. The concept of the need for the individual's faithfulness to the laws of nature and what is natural is further reiterated in `the marriage of heaven and hell' in plate 10 where Blake states `where man is not, nature is barren'. The most elevated form of nature is human nature and when man resists and consciously negates nature, `nature' becomes `barren'. Blake goes on to say `sooner murder an infant in its cradle than nurse unacted desires'. This harks back to `the Songs of Innocence' `A Cradle Song' where the `infants smiles are his own smiles'. The infant is free to act out its desires as it pleases. It is unbound, untainted. Blake's concern is for the pallid and repressed, subjugated future that awaits the children who must `nurse unacted desires' and emotions in this new world of industrialisation. Despairingly, this is restated again in `the mind-forg'd manacles' of `London'. The imagery of the lambs of the `Songs of Innocence' `Introduction' is developed in `the Chimney Sweeper' into the image of `Little Tom Dacre, who cried when his head, that curl'd like a lamb's back, was shav'd'.
In William Blake’s poems “The Chimney Sweeper” from Songs of Innocence and “The Chimney Sweeper” from Songs of Experience, the reader is able to understand the viewpoints of children treated unfairly. The Songs of Innocence version of the poem, written in 1789, describes how a boy helps a fellow chimney sweeper find comfort despite their struggles. This boy then dreams about an angel that sets sweepers like him free and how they find happiness in their freedom. In his dream, the boy learns that if he will “be a good boy,” he will find salvation in God. The Songs of Experience version, written five years later, is about a boy that seems happy so his parents think they have not done any wrong to him. The boy’s parents are “gone up to the church to pray” while he is clothed in “the clothes of death” and taught to sing sorrowfully. Both poems allude to the religious aspect of the Romantic Period, leading to their theme of redemption. The theme of redemption is shown in the exploitation of children depicted in the poems, the use of symbolism throughout each, and the inevitable loss of innocence.
In this essay I am going to be looking at two poems from the Songs of innocence and experience works. These poems are The Lamb and The Tyger written by William Blake. Both these poems have many underlying meanings and are cryptic in ways and both poems are very different to each other. In this essay I will be analysing the two poems, showing my opinions of the underlying themes and backing them up with quotes from the poems. I will compare the poems looking at the similarities and differences between them and also look at each one individually focusing on the imagery, structure and the poetic devices William Blake has used. Firstly I will look at the Tyger a poem about experience.
His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War” (E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work. One of Blake’s most famous works is The Songs of Innocence and The Songs of Experience. In this collection, Blake illuminates the naive hopes and fears that inform the lives of children and follow them into adulthood.... ...
In the poem, The Chimney Sweeper by William Blake (1789), the poet attempts to shine a light on the social injustice inflicted upon children by appealing to the reader’s conscience in order to free them from their nightmare existence. He uses a child’s voice as the vehicle to deliver his message in order to draw attention to the injustice of forced child labor. The speaker is a young boy whose mother has passed away. He has no time to properly grieve because his father has sold him into a life of filth and despair. The child weeps not only for the loss of his mother and his father’s betrayal, but also for the loss of his childhood and innocence. Blake cleverly uses sound, imagery, irony, and symbolism in an attempt to provoke outrage over the inhumane treatment and exploitation inflicted upon young children by forcing them into the chimneys.
two entirely different worlds, but it is my belief that it is not the Lamb
Children are always portrayed in books as angelic beings that are the closest to being perfect since they are innocent and pure. Many would suggest that this is not true, that children can be just as fine as adults. They cry when they do not get their way and throw tantrums that are quite obscene. However, the idea of this angelic child did not come into play until the 18th century. The poets William Blake and William Wordsworth are the two poets that coined this idea of the child.
The Chimney Sweeper (Songs of Innocence) is told from the point of view of a young chimney sweeper, this persona is put on by the poet and is established in the opening stanza when the boy says "So your chimneys I sweep..." this poem is almost told in the form of a narrative and it is about a young boy telling of how his mother died and it does not mention any other details of her death other than the fact that she perished while he was very young. Then, it is said that his father sold him into slavery “while yet my tongue could scarcely cry " 'weep! 'weep! 'weep! 'weep!” this ultimately makes the audience feel very sympatric toward the boy and we can see that he has accepted his lot in life. But, this is also the first place in the poem where the opposing attitudes of the chimney sweeper and the poet are present. Initially, upon reading the poem all the reader thinks of is the poor little boy, but here the poet is being sarcastic as he is saying the boy was made into a chimney sweep before he could even say the word “sweep” in the case that the s- sound was left off and the word left his mouth as “ ‘weep” which is also why the he uses the repetition of the word to emphasize the child’s misery while im...
Both Songs of Innocence and Songs of Experience provide social criticism on the dangers that child chimney sweepers endure but, Songs of Experience provides better social commentary as Songs of Experience directly identifies the potential for death unlike Songs of Innocence which implicitly identifies the dangers child sweeps endure. In Songs of Innocence, the child chimney sweeper dreams that while he was “lock’d up in coffins of black…an Angel who had a bright key… open’d the coffins…set them all free” (Blake, “Innocence” 12-14). The child’s dream of freedom appears happy and optimistic when in reality it is quite chilling that the child views death as freedom. Blake presents the child chimney sweeper as optimistic to suggest that society needs to help the children find freedom so they do not wish to die. The social commentary in Songs of Innocence is implicit in order to emphasize the child’s inability to fully understand and c...
There are often two sides to everything: chocolate and vanilla, water and fire, woman and man, innocence and experience. The presence of two opposing items allows for harmony and balance in the world. Without water, fire cannot be put out and without woman there can be no man. William Blake’s poetry collection Songs of Innocence and of Experience draws parallels between poems of “innocence” and poems of “experience”. His poem The Lamb is mirrored by his poem The Tyger.
Blake wrote two poems with entitled “Chimney Sweeper.” One version was found in his ‘Songs of Innocence’ and the other was found in ‘Songs of Experience.’ Although the first was told with a child almost in mind, and the second was told in a darker, colder point-of-view, they both contain the same concern. This concern is having very young children working as chimney sweepers. Blake talks about how you boys are almost forced into this career
In Songs of Innocence and of Experience, Blake differentiates between being experienced and being innocent. In the poem "Spring," the speaker focuses on the coming of spring and the excitement surrounding it which is emphasized by the trochaic meter of the poem. Everyone, including the animals and children, is joyful and getting ready for the new season, a season of rebirth and a new arrival of nature’s gifts.
In William Blake’s Songs of Innocence and Experience, the gentle lamb and the dire tiger define childhood by setting a contrast between the innocence of youth and the experience of age. The Lamb is written with childish repetitions and a selection of words which could satisfy any audience under the age of five. Blake applies the lamb in representation of youthful immaculateness. The Tyger is hard-featured in comparison to The Lamb, in respect to word choice and representation. The Tyger is a poem in which the author makes many inquiries, almost chantlike in their reiterations. The question at hand: could the same creator have made both the tiger and the lamb? For William Blake, the answer is a frightening one. The Romantic Period’s affinity towards childhood is epitomized in the poetry of Blake’s Songs of Innocence and Experience. "Little Lamb who made thee/ Dost thou know who made thee (Blake 1-2)." The Lamb’s introductory lines set the style for what follows: an innocent poem about a amiable lamb and it’s creator. It is divided into two stanzas, the first containing questions of whom it was who created such a docile creature with "clothing of delight (Blake 6)." There are images of the lamb frolicking in divine meadows and babbling brooks. The stanza closes with the same inquiry which it began with. The second stanza begins with the author claiming to know the lamb’s creator, and he proclaims that he will tell him. Blake then states that the lamb’s creator is none different then the lamb itself. Jesus Christ is often described as a lamb, and Blake uses lines such as "he is meek and he is mild (Blake 15)" to accomplish this. Blake then makes it clear that the poem’s point of view is from that of a child, when he says "I a child and thou a lamb (Blake 17)." The poem is one of a child’s curiosity, untainted conception of creation, and love of all things celestial. The Lamb’s nearly polar opposite is The Tyger. It’s the difference between a feel-good minister waxing warm and fuzzy for Jesus, and a fiery evangelist preaching a hellfire sermon. Instead of the innocent lamb we now have the frightful tiger- the emblem of nature red in tooth and claw- that embodies experience. William Blake’s words have turned from heavenly to hellish in the transition from lamb to tiger.
In the poem, “The Chimney Sweeper” by William Blake, the author attempts to educate the reader about the horrors experienced by young children who are forced into labor at an early age cleaning chimneys for the wealthy. The poem begins with a young boy who has lost his mother but has no time to properly grieve because his father has sold him into a life of filth and despair. The child weeps not only for the loss of his mother and father’s betrayal, but also for the loss of his childhood and innocence. Blake uses poetry in an attempt to provoke outrage over the inhumane and dangerous practice of exploiting children and attempts to shine a light on the plight of the children by appealing to the reader’s conscience in order to free the children from their nightmare existence. Right away in the first lines of the poem we learn through the child narrator that his life is about to change dramatically for the worse.
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...