Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Horror of the war in the poetry of wilfred owen
Horror of the war in the poetry of wilfred owen
The last laugh by wilfred owen poetic techniques
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Horror of the war in the poetry of wilfred owen
Anger and Acceptance is a major tone that is used in a selection of poetry. Renowned poets including, Wilfred Owen, Jessie Pope, Seamus Heaney and Robert Frost use these in their poetry in a way that expresses a strong message. To express this message and explore the various tones, they use effective techniques including, similes, emotive language, questions, appeal to the senses and contrasts. Owen’s angered tone in a majority of his poetry is comparable to Pope in that they are completely contrasted in their view of war. Also, Heaney and Frost both explore themes of nature and farming as an occupation, but acceptance is evident in both poems explored. Wilfred Owen expresses a tone of anger in his poetry using a selection of techniques including …show more content…
Owens, Dulce Et Decorum Est presents anger in response to Pope’s poem. It emphasises Owen’s hatred for the term, Dulce Et Decorum Est Pro Patria Mori, and in his belief, its false glorification of war. The use of similes in this poem aids in the expression of the angered tone, describing the soldiers “bent double like old beggars” or “coughing like hags” produces the image of the poor conditions that the soldiers are in. Similarly, Owen describes the conditions of the soldiers using emotive language to help the reader support his view on the glorification of war. The description of war being “haunting”, “incurable”, or “cancer” further emphasise his complete dissatisfaction with Pope’s message. In contrast, whilst, The Call, is not a poem that is full of anger, it is comparable to Dulce Et Decorum Est in that Owen wrote it in response. Pope’s poem is calling for recruits to join
In the poem Dulce et Decorum Est Pro Patria Mori, he shows his feelings of betrayal, pity and the sense of sacrifice of human life due to the war, as the consequences do not result in any good for anyone, especially the family and friends of the victims. The title, when translated to English from Latin, means ‘It is sweet and honourable to die for one’s country’, being very ironic, compared to what he is writing throughout the poem, by his sense of hatred and pity towards war. He starts off with a simile, “like old beggars under sacks”, which does not depict a masculine image, already, ironic to the title, as it is not honourable to die “like old beggars”. Throughout the poem, a very graphical and comfronting image can be pictured in the reader’s head, recounting all of the shocking details of the war, such as the gas, “Gas! Gas! Quick, boys!” which is also a reminder of their youth and innocence, being put into a war where they thought it might be fun. I...
...imilar techniques such as aggressive language to show the destructive emotions within people, and how this effects their behaviour. However, they also use very different techniques such as Browning's dramatic monologue, contrasting to Larkin's quatrains, formed in a nursery rhyme fashion. Each poet has a different context to their destructive emotions too, with Browning focusing on the destruction of someone else, Hauge on the destruction of oneself, and Larkin the destruction of society.
Comparing two war poems written by Wilfred Owen: Dulce et decorum Est. and Anthem for Doomed Youth. In this essay I will be comparing two war poems written by Wilfred Owen: ‘Dulce et decorum Est’ and ‘Anthem for Doomed Youth’. By Comparing the two I will be able to distinguish the fact that Wilfred Owen is very anti-propaganda and that's why he feels so strongly about this. The two poems have many similarities but also a fair amount of differences, which I will be discussing in this essay.
A poem I have recently read is “Dulce Et Decorum Est” by Wilfred Owen. The main point Wilfred Owen tries to convey in this poem is the sheer horror of war. Owen uses many techniques to show his feelings, some of which I’ll be exploring. Wilfred Owen was a tired soldier on the front line during World War I. In the first stanza of Dulce Et Decorum Est he describes the men and the condition they are in and through his language shows that the soldiers deplore the conditions.
In conclusion, I think that throughout this poem Wilfred Owen has created a mood of anger and injustice. He has done this effectively by using poetic techniques such a imagery, metaphors, similes, alliterations and rhyme. To make the reader feel the same he shocks them with the true horror of the war and involves them in the poem by using words such as 'you'. Owen's true anger and bitterness comes clear at the end with the ironic statement at the end:
Owen as a young soldier held the same romantic view on war as majority of the other naive soldiers who thought that war would be an exciting adventure. The documentary extract illustrates how markedly Owen’s perspective of the war changed, as noted in a letter to his mother while he was still in the front lines: “But extra for me, there is the universal perversion of ugliness, the distortion of the dead ... that is what saps the soldierly spirit.” In ‘Dulce Et Decorum Est’, Owen’s change of heart is evident through the irony of the poem title and the ending line “The old Lie; Dulce et Decorum est, Pro patria mori.”, an allusion to the Roman axiom made famous by Horace, which translates to “The old Lie; It is sweet and right to die for your country.”. The line depicts Owen’s realisation that the horrific nature of war through human conflict is not sweet and right at all, rather, it is appalling and “bitter as the cud” as death is always present on the battlefield. Additionally, Owen indirectly responds to Jessie Pope’s poetry, a pro-war poetess, through the reference “My friend, you would not tell with such high zest… The old lie…”, further highlighting his changed perspective towards the war which has been influenced
Human conflict is a violent confrontation between groups of people due to differences in values and beliefs. During World War I, poet and soldier, Wilfred Owen, faced the harsh realities of human conflict, dying at a young age of 25, only six days before the war ended. Owen’s personal encounters during war had a profound influence on his life as reflected in the poems and letters he wrote before his passing. In using a variety of poetic devices to write about the suffering and brutality of war, vividly captured in his poems ‘Dulce et Decorum Est’ and ‘Anthem for Doomed Youth’, Owen effectively conveys his own perspective about human conflict. ‘Dulce et Decorum Est’ depicts the horrific scenes on the battlefield and a grotesque death from drowning
Wilfred Owen’s poem “Dulce et Decorum Est” makes the reader acutely aware of the impact of war. The speaker’s experiences with war are vivid and terrible. Through the themes of the poem, his language choices, and contrasting the pleasant title preceding the disturbing content of the poem, he brings attention to his views on war while during the midst of one himself. Owen uses symbolism in form and language to illustrate the horrors the speaker and his comrades go through; and the way he describes the soldiers, as though they are distorted and damaged, parallels how the speaker’s mind is violated and haunted by war.
Through the use of dramatic imagery in Wilfred Owen’s “Dulce et Decorum Est,” Owen is able to recreate a dramatic war scene and put the reader right on the front lines. The use of language is very effective in garnering the readers’ attention and putting the dire images of war into the mind. He emphasizes that war is upsetting and appalling at times. There is nothing sweet about it. He only strengthens his argument by the use of strong descriptive words and vivid figurative language. The utilization of these techniques gives the poem a strong meaning and provides the reader with a vivid portrayal of the events that took place during this grisly occurrence.
Wilfred Owen wrote about the distilled pity of war from his first-hand experience. Owen concisely features the carnage and destruction of war in both the poems, ‘Dulce et Decorum Est’ and ‘Strange Meeting’ Owen uses these poems document the psychological and physical debilitation of war. In ‘Dulce et Decorum est’, Owen uses a various amount of literary techniques to visually depict the cruel and grotesque death from the mustard gas whereas ‘Strange Meeting’, portrays the speaker in conversation with a dead soldier that he is presumably responsible for killing, symbolically which emphasises the effect of the wartime trauma. Wilfred Owen’s poetry effectively highlights the carnage and destruction of war to educate the audience on the disillusionment of war.
What is Wilfred Owen’s attitude towards Worlds War 1 and how is this shown through his poetry?
Owen, Wilfred, Lewis C. Day, and Edmund Blunden. The Collected Poems of Wilfred Owen. New York: New Directions Pub., 1965. Print.
Wilfred Owen can be considered as one of the finest war poets of all times. His war poems, a collection of works composed between January 1917, when he was first sent to the Western Front, and November 1918, when he was killed in action, use a variety of poetic techniques to allow the reader to empathise with his world, situation, emotions and thoughts. The sonnet form, para-rhymes, ironic titles, voice, and various imagery used by Owen grasp the prominent central idea of the complete futility of war as well as explore underlying themes such as the massive waste of young lives, the horrors of war, the hopelessness of war and the loss of religion. These can be seen in the three poems, ‘Anthem for Doomed Youth’, ‘Dulce Et Decorum Est’ and ‘The Last Laugh’, in which this essay will look into.
How Wilfred Owen Uses Language and Imagery in His Poetry to Communicate his Attitudes of War
The Wilfred Owen Multimedia Digital Archive. http://www.hcu.ox.ac.uk/jtap/images/mss/bl/ms43720/20f4a.jpg Ellmann, Richard and O'Clair, Robert, eds. The Norton Anthology of Modern Poetry, Second Edition.